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LOS ANGELES (AP) — When Steven Spielberg speaks about the business of Hollywood, everyone generally listens and few dissent. But reports that he intends to support rule changes that could block Netflix from Oscars-eligibility have provoked a heated, and unwieldy, debate online. It has found the legendary filmmaker at odds with some industry heavyweights, who have pointed out that Netflix has been an important supporter of minority filmmakers and stories, especially in awards campaigns, while also reigniting the ongoing streaming versus theatrical debate.Spielberg has weighed in before on whether streaming movies should compete for the film industry's most prestigious award (TV movies, he said last year, should compete for Emmys), but that was before Netflix nearly succeeded in getting its first best picture Oscar for Alfonso Cuaron's "Roma" at last week's Academy Awards. Netflix, of course, did not win the top award — "Green Book," which was produced partially by Spielberg's Amblin Entertainment, did.Still, Netflix was a legitimate contender and this year, the streaming service is likely to step up its awards game even more with Martin Scorsese's "The Irishman," which The Hollywood Reporter said may also gunning for a wide-theatrical release. A teaser ad aired during the 91st Oscars for the gangster drama said "in theaters next fall," instead of the "in select theaters" phrasing that was used for "Roma."But Netflix also isn't playing by the same rules as other studios. The company doesn't report theatrical grosses, for one, and it's been vexing some more traditional Hollywood executives throughout this award season and there have been whispers in recent weeks that a reckoning is coming.Now, Spielberg and others are planning to do something about it by supporting a revised film academy regulation at an upcoming meeting of the organization's board of governors that would disqualify Netflix from the Oscars, or at least how the streaming giant currently operates during awards season.This year "Roma" got a limited theatrical qualifying run and an expensive campaign with one of the industry's most successful awards publicists, Lisa Taback, leading the charge. But Netflix operates somewhat outside of the industry while also infiltrating its most important institutions, like the Oscars and the Motion Picture Association of America. Some like Spielberg, are worried about what that will mean for the future of movies."Steven feels strongly about the difference between the streaming and theatrical situation," an Amblin spokesperson told IndieWire's Anne Thompson late last week. "He'll be happy if the others will join (his campaign) when that comes up. He will see what happens."An Amblin representative said Sunday there was nothing to add.Netflix has its strong defenders, which include the A-list talent it has attracted for its projects. Ben Affleck, speaking at the premiere of his new Netflix film "Triple Frontier," said the streaming service is "heavily invested in telling stories.""It's very exciting because you get the sense you're defining where the future of cinema and distribution is going, you know? Already, people are watching movies on more and more platforms than they ever had, and you get a sense that you're part of sort of the emerging transition," Affleck told The Associated Press on Sunday.Some see Spielberg's position as wrong-minded, especially when it comes to the Academy Awards, which requires a theatrical run to be eligible for an award. Many online have pointed out the hypocrisy that the organization allows members to watch films on DVD screeners before voting.Filmmaker Ava DuVernay tweeted at the film academy's handle in response to the news that the topic would be discussed at a board of governors meeting, which is comprised of only 54 people out of over 8,000 members."I hope if this is true, that you'll have filmmakers in the room or read statements from directors like me who feel differently," DuVernay wrote.Some took a more direct approach, questioning whether Spielberg understands how important Netflix has been to minority filmmakers in recent years.Franklin Leonard, who founded The BlackList, which surveys the best unproduced scripts in Hollywood, noted that Netflix's first four major Oscar campaigns were all by and about people of color: "Beasts of No Nation," ''The 13th," ''Mudbound" and "Roma.""It's possible that Steven Spielberg doesn't know how difficult it is to get movies made in the legacy system as a woman or a person of color. In his extraordinary career, he hasn't exactly produced or executive produced many films directed by them," Leonard tweeted Saturday. "By my count, Spielberg does one roughly every two decades."Netflix's film account tweeted that it was dedicated to give film access for people who either can't afford the movie tickets or live in towns without theaters and also "Letting everyone, everywhere enjoy releases at the same time."It's important to note that Netflix didn't produce "Beasts of No Nation," ''Mudbound" or "Roma," but rather acquired them for distribution. But if Oscar campaigns are no longer part of the equation in a Netflix-partnership, top-tier filmmakers are likely to take their talents and films elsewhere.Others, like "First Reformed" filmmaker Paul Schrader, had a slightly different take."The notion of squeezing 200+ people into a dark unventilated space to see a flickering image was created by exhibition economics not any notion of the 'theatrical experience,'" Schrader wrote in a Facebook post Saturday. "Netflix allows many financially marginal films to have a platform and that's a good thing."But his Academy Award-nominated film, he thinks, would have gotten lost on Netflix and possibly, "Relegated to film esoterica." Netflix had the option to purchase the film out of the Toronto International Film Festival and didn't. A24 did and stuck with the provocative film through awards season."Distribution models are in flux," Schrader concluded. "It's not as simple as theatrical versus streaming."One thing is certain, however: Netflix is not going away any time soon and how it integrates with the traditional structures of Hollywood, like the Oscars, is a story that's still being written.Sean Baker, who directed "The Florida Project," suggested a compromise: That Netflix offered a "theatrical tier" to pricing plans, which would allow members to see its films in theaters for free."I know I'd spend an extra 2 dollars a month to see films like 'Roma' or 'Buster Scruggs' on the big screen," Baker tweeted. "Just an idea with no details ironed out. But we need to find solutions like this in which everybody bends a bit in order to keep the film community (which includes theater owners, film festivals and competitive distributors) alive and kicking."___AP Writer John Carucci contributed to this report. 6882
LOS ANGELES (CNS) - The California Highway Patrol Friday promised focused enforcement efforts during the New Year's holiday weekend.The CHP's Maximum Enforcement Period will start at 6:01 p.m. Friday and go through 11:59 p.m. Tuesday, when all available officers will be on duty, officials said.``Impairment of any kind while driving is illegal. Alcohol, cannabis or legal or illegal drugs can all affect your driving,'' CHP Commissioner Warren Stanley said. ``Impaired driving is a serious crime that can lead to an arrest, serious injury or death.''RELATED: California's repeat DUI offenders to use ignition interlocks in 2019The CHP promised to focus on impaired drivers but also watch for distracted driving, speeding and seat belt violations. Forty people died in collisions on California roadways during last year's New Year's enforcement period, the CHP said. More than two-thirds were not wearing seat belts.Last year, CHP officers arrested 936 motorists for driving under the influence during the New Year's holiday.Officials note there are alternatives to driving while impaired, including taxis, ride-hailing services, public transportation or calling friends or relatives. 1192

Looking to camp out on the couch and take down a show that will keep you up way too late and help you procrastinate from doing more important tasks? Here are five shows to stream.MYTHIC QUEST: RAVEN'S BANQUETPremise: Egos and agendas clash as a goofy bunch of game developers maintains a "World of Warcraft"-style online game.Stars: Rob McElhenney, Charlotte Nicdao, Danny Pudi, David Hornsby.Service: Apple TV+.Why it's impossible to stop watching: Consistently hilarious, the sitcom is a worthy successor to the likes of "30 Rock," "The Office" and "Parks and Recreation." McElhenney and Hornsby, who are veterans of "It's Always Sunny in Philadelphia," bring that show's zany, offbeat feel along with them. This is the jewel in Apple TV+'s first round of releases.THE COMEDY STOREPremise: A docuseries that explores the history of the iconic New York City comedy club, which helped launch the careers of Jerry Seinfeld, Jim Carrey, and others.Stars: Howie Mandel, Jim Carrey, Robin Williams, Chris Rock.Service: Showtime.Why it's impossible to stop watching: If you have any sort of appreciation for the history of stand-up comedy, you'll cherish this passionately told, well-researched docuseries. The raw emotion that comes through in interviews with the comic legends -- who see the club as a second home -- is as charming as it is disarming. The series debuts Oct. 4.WE ARE WHO WE AREPremise: American military brat teens -- who are often left to fend for themselves by distant, self-involved parents -- come of age at an Italian military base.Stars: Francesca Scorsese, Jack Dylan Grazer, Chloe Sevigny, Alice Bragga.Service: HBO Max.Why it's impossible to stop watching: As hard-hitting and visceral as HBO's "Euphoria," the series digs into the brutal challenges and alarming confusion that comes with adolescence. Excellent performances and incisive writing keep the story driving forward. The eight-episode miniseries launched Sept. 14 and wraps up Nov. 2.THE GOOD LORD BIRDPremise: Abolitionist John Brown leads a ragtag crew of anti-slavery soldiers to stage an uprising against slaveholders, leading to a raid on the Army depot at Harpers Ferry.Stars: Ethan Hawke, Daveed Diggs, Wyatt Russell, Joshua Caleb Johnson.Service: Showtime.Why it's impossible to stop watching: Hawke transforms into the charismatic anti-slavery crusader, owning the screen with a formidable presence. A strong supporting cast helps sell the desperation and ambition of the anti-slavery warriors. The eight-episode series debuts Oct. 4.SUPERSTOREPremise: A mix of slacker and go-getters work together at a Walmart-style big box store.Stars: America Ferrara, Ben Feldman, Lauren Ash, Mark McKinney, Colton Dunn.Service: Hulu, Peacock.Why it's impossible to stop watching: Excellent chemistry among the cast makes this sitcom a triumph. Endlessly rewatchable, the series thrives in a constant flow of one-off jokes, as well as an engrossing story that allows characters to develop and change. Season 6 debuts Oct. 29.Phil Villarreal TwitterPhil Villarreal FacebookPhil Villarreal Amazon Author PagePhil Villarreal Rotten Tomatoes 3130
LOS ANGELES (AP) — Jimmy Kimmel will host the first major Hollywood awards ceremony of the coronavirus pandemic — but just how the Emmy Awards will be held remains cloudy. Kimmel acknowledged that in Tuesday's announcement, saying it was unclear how or where the Sept. 20 ceremony will be held. ABC said details on the show's production will be announced soon. Choosing Kimmel to emcee the ceremony reverses course from last year's no-host Emmys. The entertainment industry is just beginning to restart production following a months-long shutdown aimed at curtailing the spread of COVID-19. Nominations for the 72nd prime-time Emmys will be announced by the TV academy on July 28. 688
LOS ANGELES (AP) — Electrical equipment caused two Southern California wildfires — one that killed three people and destroyed more than 1,600 homes last year — and another still smoldering in the well-heeled hills of Los Angeles, where thousands of people including Arnold Schwarzenegger fled homes in the dark, utilities said Tuesday.The two findings add more examples of electric lines sparking major wildfires as utilities in California increasingly resort to drastic power outages as a precaution to prevent devastating blazes.A fire that broke out early Monday morning near the J. Paul Getty Museum was sparked after high winds blew a eucalyptus branch onto an electric line that caused it to arc, ignite dry grass and destroy a dozen homes, according to preliminary findings announced by the Los Angeles Department of Water and Power utility and the Fire Department.Meanwhile, Southern California Edison announced that it believes its equipment caused the deadly Woolsey fire last year northwest of Los Angeles that scorched dry grasslands and burned across the Santa Monica Mountains all the way to the coast.INTERACTIVE MAP: Southern California wildfiresThe Ventura County Fire Department found that SoCal Edison equipment ignited the November fire, torching homes in Thousand Oaks, Calabasas and Malibu, the utility said in a statement.SoCal Edison said the fire department had not yet released those findings, but the utility conceded in a quarterly earnings report that its equipment was the likely source.Last year, the company told the state Public Utilities Commission only that its equipment might have caused a power outage before the blaze started.While lawsuits from victims' families had blamed the utility, the cause is officially still under investigation by SoCal Edison, Cal Fire and the Ventura County Fire Department.Power lines have been blamed on many of the state's worst fires in recent years, prompting an unprecedented response this fall to cut off power amid dry, gusty conditions.The state's largest utility, Pacific Gas & Electric Co., has cut power in the past two weeks to millions of Northern California residents. The move followed several deadly wildfires, including one that killed 85 and destroyed the town of Paradise and plunged the company into bankruptcy.Despite recent outages, PG&E's power lines may have started two smaller fires over the weekend in the San Francisco Bay Area and a massive blaze still burning in Sonoma County wine country, the utility said.The Los Angeles fire that broke out along Interstate 405 in the middle of the night Monday was in an area where DWP said it trimmed vegetation this summer.The branch of the eucalyptus, which is a notoriously flammable tree, blew about 30 feet (9 meters) onto the power line, the utility said.Video shot by a motorist on Interstate 405 in the early morning showed a bright blue flash on the side of the road where the fire started at the base of a brush-covered steep hillside beneath the Getty Center."It really was one of those acts of God," Mayor Eric Garcetti said.Neither the pole nor the line failed. The utility said it was trying to determine who owned the land.Attorney Gerald Singleton, who has filed numerous lawsuits against utilities, said Garcetti's comment was premature because DWP is city-owned and the utility's role in the fire has not been determined."It's a little bit disconcerting to see the person who's ultimately in charge say out of the gate, 'It wasn't our fault,'" he said. "If you've already decided it wasn't your fault, you're not going to do anything to fix the problem."Singleton said the utility is mandated to trim branches that could cause fires — even if they aren't within the explicit brush clearance zone.The blaze burned about a square mile (2.5 square kilometers) and continued to smolder Tuesday.About 9,000 people, including Schwarzenegger and LeBron James, remained under evacuation orders as firefighters warned that hot Santa Ana winds were expected to return and continue into Thursday.___Associated Press writer Brian Melley contributed. 4109
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