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DENVER – The man who was detained after driving his car through a crowd of protesters rallying for Breonna Taylor says he had no intention of hurting anybody and was only defending himself after his vehicle was surrounded by demonstrators outside the Colorado State Capitol building in Denver Wednesday night.“I was driving to go pick up a client and I saw a commotion, I saw police lights at 14th and Lincoln and so when I was there, at the Capitol, I wasn’t really looking left, I was looking right to see the accident and by the time I turned, I started getting surrounded by people,” said Jonathan Benson, who claimed demonstrators yelled, kicked and even used a hammer on his windshield as they tried to get him to leave the area.Video from AIRTRACKER7, as well as from reporters on the ground, showed the small crowd of protesters surrounding Benson’s vehicle and blocking his way. The driver, who was going north on Lincoln Street, had slowed down as he reached the protesters in the area, eventually pulling up and parking his vehicle in front of the Capitol building. Here is when the driver first pulled up to the protesters tonight in Denver, you can hear people urging him to turn around. During the next few minutes, I saw the driver shaking his head in apparent disbelief and using his cell phone, perhaps to take pictures. pic.twitter.com/TSAzfipida— Shelly Bradbury (@ShellyBradbury) September 24, 2020 Benson said he didn’t know at that moment if one of the protesters was trying to get into his vehicle, adding the whole situation was “just chaos.”“What we can see from the video is that the individual in that car began to be threatened,” said Denver Police Department Division Chief Ron Thomas. “I think that the vehicle was being kicked and then that individual kind of worked their way out of that situation.”The back-and-forth lasted for several minutes and, at times, protesters could be seen from AIRTRACKER7 banging on the hood of the car and using at least one bicycle to create a barrier between them and the vehicle before the driver accelerated and drove his vehicle through the small crowd. Car hit a protester pic.twitter.com/dtETwNoHPT— Shelly Bradbury (@ShellyBradbury) September 24, 2020 “I had the intent to defend myself, that’s it,” Benson said. “I had no intention of hurting anybody and I’m glad it was a bike that I ran over because I thought I ran somebody over, so I was glad that nobody got hurt.”For Apryl Alexander, an associate professor with the University of Denver, Benson had other options that would have prevented the incident from ever taking place.“It shouldn’t be a free for all. There were other cars trying to drive that day and they stopped. There are people with signs, there are people honking in support and so why would a person want to try to drive through?” she said.Benson was detained seconds later by police about a block away from where the incident occurred and was released after providing officers with a statement and his contact information.Thomas said no charges have been filed against Benson as police are still investigating exactly how the events unfolded, but he did give drivers some advice should they end up in a similar situation.“In the event someone is blocking you or you are surrounded by people, our advice is to stay in the car, lock your doors, do not engage with demonstrators,” Thomas said, adding drivers should back away, or turn around. If that’s not possible, they should call 911.While no arrests in connection to that incident have taken place, Denver Police Department spokesman Doug Schepman said three people were arrested following the protest: Allan Cutler, 52, was arrested for obstruction of a street. Joseph Miller, 33, and Coy Jones, 27, were both being held for investigation of prohibited large capacity magazines.During a virtual news conference on the city’s response to COVID-19 earlier Thursday, Denver Mayor Michael Hancock was asked about the incident from the night before and what drivers should do if they encounter protesters.“I don’t know what you recommend to people but if you get a sense something is going on, avoid it,” Hancock said, adding that admonishment “goes both ways.”“We have to make allowances for drivers who might accidentally find themselves there. We gotta not assume every driver is listening to radio or aware protest is there,” he said, further suggesting protesters work with drivers by creating a safe path for them to travel on the street.The incident between the driver and the protesters happened toward the end of an otherwise peaceful night, after hundreds rallied and marched in downtown Denver over the lack of charges against the police officers involved in Breonna Taylor’s death in Louisville, Ky.Wednesday’s incident marks the third time this year a driver has encountered a crowd of protesters calling for racial justice.On May 28, the driver of a black SUV hit a protester after George Floyd demonstrators had blocked off the intersection of Colfax Avenue and Broadway. About two months later, on July 25, the driver of a Jeep drove through I-225 in Aurora while a crowd of Elijah McClain protesters marched along the highway. The driver of that Jeep is not facing charges at this time. This article was written by óscar Contreras and Ivan Rodriguez for KMGH. 5369

BALTIMORE, Md. – For 95-year-old Betty Cooke, her lifelong passion of turning metal into wearable works of art began in the 1940s. “I was always interested in making things, whether it's metal clay or whatever,” she said. “And I kind of took to this and I had a good feel for the simplicity of it.” It’s a simplicity celebrated not just at her Baltimore store, but also at the Baltimore Museum of Art. “They really stand out, they're really sculptural, they're really dimensional – they move on the body,” said Virginia Anderson, Baltimore Museum of Art Curator of American Art. Betty’s works are just one part of “2020 Vision,” a pledge by the museum in 2020 to only purchase art by female artists. “Of course, it was duly noted that this is this centennial of white women receiving the votes in the United States,” said Christopher Bedford, Director of the Baltimore Museum of Art. “So, we thought ‘well, this would be a great moment to analyze our collection, begin to understand some of our historical deficits.” How big are those gender deficits? A study last year published in the Public Library of Science looked at 18 major museums in the U.S. and found that 85 percent of the artists in their collections were white and 87 percent were men. This, despite the fact that half of the professional artists in the U.S. are women. At the Baltimore Museum of Art, the disparity is even more lopsided. “We have roughly four percent,” Bedford said. “Four percent of our collection is works by women.” Now, though, with 21 of their 23 curators being women, the Baltimore Museum of Art plans to spend at least .5 million this year, acquiring pieces by female artists – like those created by Betty Cooke. “This is a big moment for the women,” Cooke said. “I hope and I expect it to continue and I think it's pretty great.”Another recent study found that smaller museums seem to be doing better than larger ones, when it comes to buying works by female artists. Larger museums, though, point out that they often face not just financial constraints, but also by what art wealthy donors choose to offer the museums. 2126

New research shows suicide rates among teens are going up and are now at their highest levels since 2000. Now, pop star Lady Gaga is now taking steps to try and save lives in schools across the country. At Freedom High School in northern Virginia, students Katie Ramboyong and Jake Beyer spent part of their school year keeping an eye on other students, looking for any signs one of their classmates might be in trouble. “You never know when there's another kid struggling that we could help out,” says Beyer. About 550 10th-grade students at the high school spent a week in training to learn how to recognize the signs and symptoms of mental health issues among their classmates. “Withdrawing from school, not talking to friends, just not being yourself as much,” Ramboyong says of the signs. Students then alert teachers or staff about any red flags. Ramboyong ended up using her training to help a student who told her on social media that he wanted to kill himself. “I found out that he had tried to kill himself already and he was not in a good place,” she recalls. “The next day, I went in and I talked to both of our teachers that we had, and I told her that he was not okay and that it was serious and he needed help right away.” At Freedom High School, the training helped identify nine students who ended up going through suicide screenings because of behavior concerns. Kenneth Christopher, the school’s director of school counseling, says they received the names of the students because of the program.“One hundred percent it's working, and it is helping and our students are making a difference because they're speaking up, they're telling a trusted adult, they're linking up the student with someone here at the school that could possibly give them outside resources to help them and possibly save some lives,” Christopher says.The program is part of an initiative with Lady Gaga's Born This Way Foundation. “My dream is that this happens in every school,” the singer says of the initiative. Eight schools took part of the pilot program, which will expand to 20 more schools this fall. 2113

NASHVILLE, Tenn. -- When you think of Nashville, you think bright lights and big music. Poverty is not part of its image. “There’s so many creative people that never get a chance to do anything with it. You’re too busy trying to survive, trying to eat, trying to stay alive,” said Chris Bandy, an artist. But poverty does exist in Nashville, and the rest of the U.S. At a house on the east side of the city, some of those living on less are doing a little more. “I’m doing what I was meant to be, you know, being a practicing, creative artist,” said Kateri Pomeroy, a Nashville artist. She uses the studio space at Poverty for the Arts. Pomeroy and her husband Sam are two of the first artists to join POVA, as it’s known. Sam was finishing up a wood sculpture he’s been working on. POVA was started by Nicole Minard as a way to help people who didn’t have access to art supplies and studio space. “I really saw the breadth of talent so many people on the streets had, and I would get questions like, ‘how can I get my art in a coffee shop?’ or ‘people see me drawing on the street every day, how do I get it to them without a cop pulling up and stopping me?’” said Minard. Minard provides the space, and the supplies for people who want to create art and she helps them sell it. POVA pays artists 60 percent of the selling price. They reinvest the other 40 percent into rent and supplies. “In those five years since we’ve started, we’ve served over 75 different artists and we’ve paid out over ,000 to artists on the street,” said Minard. The program gives exposure for artists who otherwise wouldn't have it. “If you don’t have the right school, the right gallery, the right representation, you really don’t get seen,” said Bandy For those that use the space to paint, draw or scribble, POVA is a place to prove they belong, even if they've known their potential all along. Edwin Lockridge was born with a paintbrush in his hand. “My parents actually have pictures of me, photographs of me as a baby with a pen and paper in my hands,” said Lockridge. But life has been rough for him and his family. “My mother and my father both have Alzheimer's bad, excuse me. I admit that I’m not in the best of health myself,” Lockridge said. To him, POVA is a matter of life and death. “The revenue from my art buys art supplies, medicine, necessary stuff to keep me alive for my basic survival," said Lockridge. For Pomeroy, Bandy and Lockridge, POVA provides opportunities they could not have thought possible. “This place has given me a transfusion, a new blood, and a new way to live" said Pomeroy. “We are family,” said Bandt. “There are no words, there are no words. This is my extended family without a doubt,” said Lockridge.That sense of family and community is a work of art no one can put a price on.   2838

Communities across the country are trying to find the answer to the opioid crisis.Illinois is testing out a program that lets doctors give patients access to medical marijuana instead of an opioid prescription in an effort to combat opioid addiction. For Philadelphia radio host Britt Carpenter, marijuana helped him get clean. Now, he uses his experience as a chance to pay it forward by using his voice to speak with those dealing with issues like addiction. "I was addicted to opioids for many years,” Carpenter admits. “I started back in the early 2000s after a car accident." To treat his injury, doctors gave him pain killers. Similar to many others, what was supposed to help him, nearly destroyed him. The pain pills led to a heroin addiction. "I fell into a bad situation again,” he recalls. “Met the wrong person and went down the pathway of hell for a few years after that." Now, Carpenter is four years sober. However, rehab was not his savior. "I looked at different ways I could help myself go clean off the opioids, and one of them I did extensive research on: utilizing cannabis," Carpenter says. The radio personality kicked narcotics with cannabis. For years, Carpenter had used marijuana recreationally, but this time, pot helped him detox. "I wasn't feeling as shaky as most people, or as I had done before when I tried to go clean, I wasn't sweating as much,” he says. “I was able to have an appetite. I was able to gain almost 40 pounds." However, as helpful as cannabis was for him, it’s illegal in his home state of Pennsylvania. But now, some states that have not legalized marijuana are realizing cannabis can be an answer to the opioid crisis. In Illinois, around 1,500 patients have taken part in the state’s pilot program where doctors can give patients access to medical marijuana as an alternative to opioids. While Carpenter will say marijuana was the answer for him, he says it may not for be for everyone. "I don't encourage them to just go buy the cannabis and say, ‘OK, this is what I'm going to do,’” he says. “I had to sit down; I had a really come up with a plan." To those who don't believe in the power of this plant, Carpenter recommends they give it a chance and to give others a chance in the fight against addiction. "If you don't feel it's the right thing for somebody that is going into recovery or trying to go clean off of opioids, don't balk at it. Do research and figure out what's there,” he says. “Find out how positive the results can be, because I believe I’m living proof of that." 2555