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London's transport authority said Friday that it will not renew Uber's license, saying the company is not "fit and proper."Transport for London cited the company's approach to reporting serious criminal offenses, and its use of software that prevented regulators and law enforcement from monitoring the app.The agency made the announcement from its Twitter account. 373

LOS ANGELES (AP) — Jockeys and exercise riders in California will be working under a more restrictive rule governing the use of whips. The amended rule was designed to further protect horses without compromising the safety of horses and riders, although as written it is not being widely embraced by some riders. Riders cannot use the whip more than six times during a race, excluding showing or waving the whip or tapping the horse on the shoulder. Violators face a ,000 fine and three-day suspension. 512

LOS ANGELES (AP) -- Five people were shot at an illegal party attended by up to 200 people at a Los Angeles warehouse.The shooting was reported just after 12:30 a.m. Tuesday in a commercial area south of downtown LA.Police say people scattered after about 20 shots were fired. KABC-TV reported five shooting victims -- three males and two females -- were transported to hospitals and all are expected to survive. Police didn't immediately identify any suspects.Investigators suspect the shooting was gang related.Mayor Eric Garcetti has threatened to shut off utilities to people or businesses hosted large gatherings during the coronavirus pandemic. 658

LOS ANGELES (AP) — Southern California residents faced with the loss of lives and homes in a huge wildfire also are grappling with the destruction of a vast swath of public lands that are popular destinations for hikers, horseback riders and mountain bikers.The Woolsey Fire has charred more than 83 percent of National Park Service land within the Santa Monica Mountains National Recreation Area, where officials announced Wednesday that all trails were closed."We understand that folks are curious about how their favorite park spots fared. We promise to share that ASAP," the park service tweeted, warning that the blaze was still active after burning for nearly a week.Three people have been found dead in fire zone, which spans 153 square miles (396 square kilometers).RELATED: Malibu residents frustrated by fire recoveryThe fire broke out Nov. 8 and quickly became one of the largest and most destructive in state history. Firefighters have made steady progress this week, getting it more than halfway contained, but warned many hotspots remain.A massive burn scar encompasses more than 30 square miles (80 square kilometers) within the recreation area that stretches from beaches to inland mountains straddling Los Angeles and Ventura counties. It's the largest urban national park in the nation, with more than 30 million visitors every year.Cyril Jay-Rayon, 52, watched the news with despair as flames engulfed what he called his "main playground" — a rugged area where he rode his mountain bike a few times a week. It includes the famous Backbone Trail, a 65-mile (104-kilometer) route that offers challenging terrain for bikers and hikers who are rewarded with soaring views of the Pacific Ocean."It's just devastating. Those trails are my sanity. It's where I ground myself," he said. "I love the city, but I also love how easy it is to get out into the wild."People share their recreation areas with wildlife, including 13 mountain lions tracked by biologists via GPS collars. Park officials said two of the big cats were unaccounted for. Four monitored bobcats also were believed to have survived, but their habitats were burned, the park service said.While the damage was still being assessed, officials confirmed that Paramount Ranch's "Western Town," a landmark film location dating to 1927 that included a jail, hotel and saloon, burned to the ground. The TV shows "Westworld," ''The Mentalist" and "Dr. Quinn, Medicine Woman" were among the productions that shot there.Officials took the loss of the film location especially hard, because it was a unique feature among all the national parks."It's so special to share the story of moviemaking that came out of Southern California," recreation area spokeswoman Kate Kuykendall said. "We're the only National Park Service site that interprets American film history."There's been an outpouring of public support for rebuilding the site, she said, adding that at least three homes of park employees were gutted.The fire also destroyed much of nearby Peter Strauss Ranch, which hosted performances by Johnny Cash and Willie Nelson in the 1950s and more recently was a wedding destination.Jay-Rayon, 52, said customers at the sports nutrition store he owns were coming to terms with the fact that it could be months or longer before they can ride or hike in their favorite wilderness areas again.Also charred was Cheeseboro Canyon, former ranchland featuring trails through rolling grasslands against the backdrop of peaks and canyons. After winter and spring rains, the area is awash in green, but vegetation quickly dries in the persistent sun, fading to yellow and then brown. Grasses and other plants were brittle in the weeks before the fire started.U.S. Interior Secretary Ryan Zinke was touring the Woolsey burn area Thursday.About 15 percent of the Santa Monica Mountains National Recreation Area is National Park Service land. The remainder is made up of private property, California State Parks and other conservation lands.___Follow Weber at https://twitter.com/WeberCM___Associated Press journalist Brian Melley contributed to this report. 4138

LOS ANGELES (AP) — When Steven Spielberg speaks about the business of Hollywood, everyone generally listens and few dissent. But reports that he intends to support rule changes that could block Netflix from Oscars-eligibility have provoked a heated, and unwieldy, debate online. It has found the legendary filmmaker at odds with some industry heavyweights, who have pointed out that Netflix has been an important supporter of minority filmmakers and stories, especially in awards campaigns, while also reigniting the ongoing streaming versus theatrical debate.Spielberg has weighed in before on whether streaming movies should compete for the film industry's most prestigious award (TV movies, he said last year, should compete for Emmys), but that was before Netflix nearly succeeded in getting its first best picture Oscar for Alfonso Cuaron's "Roma" at last week's Academy Awards. Netflix, of course, did not win the top award — "Green Book," which was produced partially by Spielberg's Amblin Entertainment, did.Still, Netflix was a legitimate contender and this year, the streaming service is likely to step up its awards game even more with Martin Scorsese's "The Irishman," which The Hollywood Reporter said may also gunning for a wide-theatrical release. A teaser ad aired during the 91st Oscars for the gangster drama said "in theaters next fall," instead of the "in select theaters" phrasing that was used for "Roma."But Netflix also isn't playing by the same rules as other studios. The company doesn't report theatrical grosses, for one, and it's been vexing some more traditional Hollywood executives throughout this award season and there have been whispers in recent weeks that a reckoning is coming.Now, Spielberg and others are planning to do something about it by supporting a revised film academy regulation at an upcoming meeting of the organization's board of governors that would disqualify Netflix from the Oscars, or at least how the streaming giant currently operates during awards season.This year "Roma" got a limited theatrical qualifying run and an expensive campaign with one of the industry's most successful awards publicists, Lisa Taback, leading the charge. But Netflix operates somewhat outside of the industry while also infiltrating its most important institutions, like the Oscars and the Motion Picture Association of America. Some like Spielberg, are worried about what that will mean for the future of movies."Steven feels strongly about the difference between the streaming and theatrical situation," an Amblin spokesperson told IndieWire's Anne Thompson late last week. "He'll be happy if the others will join (his campaign) when that comes up. He will see what happens."An Amblin representative said Sunday there was nothing to add.Netflix has its strong defenders, which include the A-list talent it has attracted for its projects. Ben Affleck, speaking at the premiere of his new Netflix film "Triple Frontier," said the streaming service is "heavily invested in telling stories.""It's very exciting because you get the sense you're defining where the future of cinema and distribution is going, you know? Already, people are watching movies on more and more platforms than they ever had, and you get a sense that you're part of sort of the emerging transition," Affleck told The Associated Press on Sunday.Some see Spielberg's position as wrong-minded, especially when it comes to the Academy Awards, which requires a theatrical run to be eligible for an award. Many online have pointed out the hypocrisy that the organization allows members to watch films on DVD screeners before voting.Filmmaker Ava DuVernay tweeted at the film academy's handle in response to the news that the topic would be discussed at a board of governors meeting, which is comprised of only 54 people out of over 8,000 members."I hope if this is true, that you'll have filmmakers in the room or read statements from directors like me who feel differently," DuVernay wrote.Some took a more direct approach, questioning whether Spielberg understands how important Netflix has been to minority filmmakers in recent years.Franklin Leonard, who founded The BlackList, which surveys the best unproduced scripts in Hollywood, noted that Netflix's first four major Oscar campaigns were all by and about people of color: "Beasts of No Nation," ''The 13th," ''Mudbound" and "Roma.""It's possible that Steven Spielberg doesn't know how difficult it is to get movies made in the legacy system as a woman or a person of color. In his extraordinary career, he hasn't exactly produced or executive produced many films directed by them," Leonard tweeted Saturday. "By my count, Spielberg does one roughly every two decades."Netflix's film account tweeted that it was dedicated to give film access for people who either can't afford the movie tickets or live in towns without theaters and also "Letting everyone, everywhere enjoy releases at the same time."It's important to note that Netflix didn't produce "Beasts of No Nation," ''Mudbound" or "Roma," but rather acquired them for distribution. But if Oscar campaigns are no longer part of the equation in a Netflix-partnership, top-tier filmmakers are likely to take their talents and films elsewhere.Others, like "First Reformed" filmmaker Paul Schrader, had a slightly different take."The notion of squeezing 200+ people into a dark unventilated space to see a flickering image was created by exhibition economics not any notion of the 'theatrical experience,'" Schrader wrote in a Facebook post Saturday. "Netflix allows many financially marginal films to have a platform and that's a good thing."But his Academy Award-nominated film, he thinks, would have gotten lost on Netflix and possibly, "Relegated to film esoterica." Netflix had the option to purchase the film out of the Toronto International Film Festival and didn't. A24 did and stuck with the provocative film through awards season."Distribution models are in flux," Schrader concluded. "It's not as simple as theatrical versus streaming."One thing is certain, however: Netflix is not going away any time soon and how it integrates with the traditional structures of Hollywood, like the Oscars, is a story that's still being written.Sean Baker, who directed "The Florida Project," suggested a compromise: That Netflix offered a "theatrical tier" to pricing plans, which would allow members to see its films in theaters for free."I know I'd spend an extra 2 dollars a month to see films like 'Roma' or 'Buster Scruggs' on the big screen," Baker tweeted. "Just an idea with no details ironed out. But we need to find solutions like this in which everybody bends a bit in order to keep the film community (which includes theater owners, film festivals and competitive distributors) alive and kicking."___AP Writer John Carucci contributed to this report. 6882

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