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LOS ANGELES (AP) — Southern California residents faced with the loss of lives and homes in a huge wildfire also are grappling with the destruction of a vast swath of public lands that are popular destinations for hikers, horseback riders and mountain bikers.The Woolsey Fire has charred more than 83 percent of National Park Service land within the Santa Monica Mountains National Recreation Area, where officials announced Wednesday that all trails were closed."We understand that folks are curious about how their favorite park spots fared. We promise to share that ASAP," the park service tweeted, warning that the blaze was still active after burning for nearly a week.Three people have been found dead in fire zone, which spans 153 square miles (396 square kilometers).RELATED: Malibu residents frustrated by fire recoveryThe fire broke out Nov. 8 and quickly became one of the largest and most destructive in state history. Firefighters have made steady progress this week, getting it more than halfway contained, but warned many hotspots remain.A massive burn scar encompasses more than 30 square miles (80 square kilometers) within the recreation area that stretches from beaches to inland mountains straddling Los Angeles and Ventura counties. It's the largest urban national park in the nation, with more than 30 million visitors every year.Cyril Jay-Rayon, 52, watched the news with despair as flames engulfed what he called his "main playground" — a rugged area where he rode his mountain bike a few times a week. It includes the famous Backbone Trail, a 65-mile (104-kilometer) route that offers challenging terrain for bikers and hikers who are rewarded with soaring views of the Pacific Ocean."It's just devastating. Those trails are my sanity. It's where I ground myself," he said. "I love the city, but I also love how easy it is to get out into the wild."People share their recreation areas with wildlife, including 13 mountain lions tracked by biologists via GPS collars. Park officials said two of the big cats were unaccounted for. Four monitored bobcats also were believed to have survived, but their habitats were burned, the park service said.While the damage was still being assessed, officials confirmed that Paramount Ranch's "Western Town," a landmark film location dating to 1927 that included a jail, hotel and saloon, burned to the ground. The TV shows "Westworld," ''The Mentalist" and "Dr. Quinn, Medicine Woman" were among the productions that shot there.Officials took the loss of the film location especially hard, because it was a unique feature among all the national parks."It's so special to share the story of moviemaking that came out of Southern California," recreation area spokeswoman Kate Kuykendall said. "We're the only National Park Service site that interprets American film history."There's been an outpouring of public support for rebuilding the site, she said, adding that at least three homes of park employees were gutted.The fire also destroyed much of nearby Peter Strauss Ranch, which hosted performances by Johnny Cash and Willie Nelson in the 1950s and more recently was a wedding destination.Jay-Rayon, 52, said customers at the sports nutrition store he owns were coming to terms with the fact that it could be months or longer before they can ride or hike in their favorite wilderness areas again.Also charred was Cheeseboro Canyon, former ranchland featuring trails through rolling grasslands against the backdrop of peaks and canyons. After winter and spring rains, the area is awash in green, but vegetation quickly dries in the persistent sun, fading to yellow and then brown. Grasses and other plants were brittle in the weeks before the fire started.U.S. Interior Secretary Ryan Zinke was touring the Woolsey burn area Thursday.About 15 percent of the Santa Monica Mountains National Recreation Area is National Park Service land. The remainder is made up of private property, California State Parks and other conservation lands.___Follow Weber at https://twitter.com/WeberCM___Associated Press journalist Brian Melley contributed to this report. 4138

LOS ANGELES (AP) — Katy Perry, her collaborators and her record label must pay more than .78 million because the pop star's 2013 hit "Dark Horse" copied a 2009 Christian rap song, a federal jury decided Thursday.It was an underdog victory for rapper Marcus Gray, a relatively obscure artist once known as Flame, whose 5-year-old lawsuit survived constant court challenges and a trial against top-flight attorneys for Perry and the five other music-industry heavyweights who wrote her song.The amount fell well short of the nearly million sought by attorneys for Gray and the two co-writers of "Joyful Noise" — Emanuel Lambert and Chike Ojukwu — but they said they were pleased."We weren't here seeking to punish anyone," said Gray's attorney, Michael A. Kahn. "Our clients came here seeking justice, and they feel they received justice from a jury of their peers."Perry herself was hit for just over 0,000, with Capitol Records responsible for the biggest part of the award — .2 million. Defense attorneys had argued for an overall award of about 0,000.Perry's attorney, Christine Lepera, said they plan to vigorously fight the decision."The writers of Dark Horse consider this a travesty of justice," Lepera said."Dark Horse," which combines elements of pop, hip-hop and trap styles, was a mega-hit for the Santa Barbara, California-born singer, with its call-and-response chorus of "Are you ready for (ready for), a perfect storm (perfect storm)?"It spent four weeks at No. 1 on Billboard's Hot 100 in early 2014, and Perry would later perform it at the Super Bowl.Gray, a native of St. Louis, sued later in 2014. His song of earnest and ebullient praise stood in stark contrast to the playful black magic evoked by "Dark Horse," and an early version of the lawsuit faulted Perry's song for tainting the sanctity of his.The two-week trial had two phases: One about music, one about money.Perry took the witness stand on the first day of testimony. She testified, as her co-writers would, that she had never heard of Gray or Flame or "Joyful Noise" until he sued.She got a rare laugh from the courtroom when her attorneys were struggling with technical issues as they tried to play a part of "Dark Horse.""I could perform it for you live," said Perry, who did not appear in court for the rest of the trial.The jury heard testimony from musicologists on the disputed section of the two songs — a piece of the musical backing track that plays during the verses of "Dark Horse" and throughout almost all of "Joyful Noise."While jurors were told to consider only those sections, they gave a surprisingly sweeping verdict Monday that held all six songwriters responsible for copying "Joyful Noise." That included Perry, who wrote only lyrics, her co-lyricist Sarah Hudson, and Juicy J, who only provided a rap verse for the song.The instrumental track that was most at issue was created by Dr. Luke, Max Martin and Circuit.During closing arguments earlier Thursday, Gray's attorneys said that because the relevant riff plays through 45 percent of "Dark Horse," the plaintiffs should get 45 percent of its earnings, including every album that included it. They put those overall earnings at million, thus seeking nearly million.The defense argued that only fractions of the album earnings should count for the single song and that considerable promotional expenses paid by Capitol Records should be subtracted.Gray's attorneys said those expenses were gratuitous, pointing out to jurors that they included ,000 for a hairstylist for Perry for one awards show and nearly ,000 for flashing cocktail ice cubes.The nine jurors deliberated for two full days to reach their initial verdict but took just a few hours to decide on dollar amounts.Perry's five co-writers were each given penalties to pay that ranged from about ,000 for Dr. Luke to more than 0,000 for Martin.The jurors decided that the instrumental riff the two sides were fighting over was responsible for 22.5 percent of the success of "Dark Horse" and handed out the awards accordingly.The defendants' fight against the decision will begin immediately. U.S. District Judge Christina A. Snyder, who presided over the trial, will now consider a motion to throw out the case.Lepera, Perry's attorney, said outside court that the plaintiffs presented no evidence of copyright infringement, no evidence that the songwriters had access to "Joyful Noise" and no evidence the songs that were substantially similar."The only matter in common is an unprotectable C and a B note, repeated," Lepera said. "We've been receiving outcry from people all over the world, including other musicologists."If the judge upholds the verdict, the case will almost certainly head to an appeals court, where jury awards in similar cases have often been changed or thrown out in recent years.In the case of another 2013 mega-hit, "Blurred Lines," a jury found singers Robin Thicke and Pharrell Williams copied R&B legend Marvin Gaye's "Got to Give it Up" and ordered them to pay Gaye's children nearly .4 million. The award was trimmed on appeal last year to just short of million.Kahn said he would be happy to keep up the battle."We think this is a fair and a just result, and we will defend it no matter how they fight it," he said. 5314

LOS ANGELES (AP) — National Guard troops will be pulled out of California cities, including San Diego, where they’ve been deployed for a week after rampant violence and theft marred the first days of protests over the death of George Floyd. The announcement comes as peaceful demonstrations again emerged across the state.In San Diego County, about 100 National Guard troops had been stationed in La Mesa while another 100 were in an undisclosed area ready to move anywhere in the county. San Diego Sheriff Bill Gore requested the troops to assist with security following looting and rioting in La Mesa last weekend.RELATED: California Army National Guard now in San Diego County after sheriff's request"Tonight, [California Army Guard] troops have left [San Diego County]. We want to thank them for supporting [San Diego Sheriff Department] and our partner law enforcement agencies to ensure the protection of life and property while balancing people’s right to assemble peacefully," Gore tweeted.A timeline for the Guard pullout was not provided, but Los Angeles Mayor Eric Garcetti said some troops would begin departing Sunday evening. Meanwhile the Compton Cowboys, a group of mostly African American horse enthusiasts, wore boots and ten-gallon hats during a “ride for peace” through urban neighborhoods south of Los Angeles. 1339

LONDON (AP) — Britain’s Queen Elizabeth II and her family are facing a 35 million pound ( million) hit from the coronavirus pandemic, partly due to a shortage of tourists. Keeper of the Privy Purse Michael Stevens said Friday that a lack of income from visitors to royal buildings was likely to bring a shortfall of 15 million pounds, or million, over three years. He said the impact of the pandemic is also likely to cause a 20 million pound shortfall in a 369-million-pound program to replace antiquated heating, plumbing and wiring at Buckingham Palace. Officials have said the palace’s aging infrastructure, which had its last major upgrade after World War II, is at risk of a catastrophic failure if it’s not replaced.Stevens said the royal household would not ask for more government money but would “look to manage the impact through our own efforts and efficiencies.”Buckingham Palace has already introduced a staff pay freeze and a halt to hiring.The accounts show that the monarchy cost British taxpayers 69.4 million pounds in the year to the end of March. 1082

LONDON (AP) — Ginger Baker, the volatile and propulsive British musician who was best known for his time with the power trio Cream, died Sunday at age 80, his family said.Baker wielded his blues power and jazz technique to help break open popular music and become one of the world's most admired and feared musicians.With blazing eyes, orange-red hair and a temperament to match, the London native ranked with The Who's Keith Moon and Led Zeppelin's John Bonham as the embodiment of musical and personal fury. Using twin bass drums, Baker fashioned a pounding, poly-rhythmic style uncommonly swift and heavy that inspired and intimidated countless musicians. But every beat seemed to mirror an offstage eruption — whether his violent dislike of Cream bandmate Jack Bruce or his on-camera assault of a documentary maker, Jay Bulger, whom he smashed in the nose with his walking stick.Bulger would call the film, released in 2012, "Beware of Mr. Baker."Baker's family said on Twitter that he died Sunday: "We are very sad to say that Ginger has passed away peacefully in hospital this morning."His daughter Nettie confirmed that Baker died in Britain but gave no other details. The family had said on Sept. 25 that Baker was critically ill in the hospital.While Rolling Stone magazine once ranked him the third-greatest rock drummer of all time, behind Moon and Bonham, Baker had contempt for Moon and others he dismissed as "bashers" without style or background. Baker and his many admirers saw him as a rounded, sophisticated musician — an arranger, composer and student of the craft, absorbing sounds from around the world. He had been playing jazz since he was a teenager and spent years in Africa in the 1970s, forming a close friendship with the Nigerian musician-activist Fela Kuti."He was so unique and had such a distinctive personality," Stewart Copeland of the Police told www.musicradar.com in 2013. "Nobody else followed in his footsteps. Everybody tried to be John Bonham and copy his licks, but it's rare that you hear anybody doing the Ginger Baker thing."But many fans thought of Baker as a rock star, who teamed with Eric Clapton and Bruce in the mid-1960s to become Cream — one of the first supergroups and first power trios. All three were known individually in the London blues scene and together they helped make rock history by elevating instrumental prowess above the songs themselves, even as they had hits with "Sunshine of Your Love," ''I Feel Free" and "White Room."Cream was among the most successful acts of its time, selling more than 10 million records. But by 1968 Baker and Bruce had worn each other out and even Clapton had tired of their deafening, marathon jams, including the Baker showcase "Toad," one of rock's first extended drum solos. Cream split up at the end of the year, departing with two sold-out shows at London's Albert Hall. When told by Bulger that he was a founding father of heavy metal, Baker snarled that the genre "should have been aborted."To the surprise of many, especially Clapton, he and Baker were soon part of another super group, Blind Faith, which also featured singer-keyboardist Stevie Winwood and bassist Ric Grech.As Clapton would recall, he and Winwood had been playing informally when Baker turned up (Baker would allege that Clapton invited him). Named Blind Faith by a rueful Clapton, the band was overwhelmed by expectations from the moment it debuted in June 1969 before some 100,000 at a concert in London's Hyde Park. It split up after completing just one, self-titled album, as notable for its cover photo of a topless young girl as for its music. A highlight from the record: Baker's cymbal splashes on Winwood's lyrical ballad "Can't Find My Way Home."From the 1970s on, Baker was ever more unpredictable. He moved to Nigeria, took up polo, drove a Land Rover across the Sahara, lived on a ranch in South Africa, divorced his first wife and married three more times.He recorded with Kuti and other Nigerians, jammed with Art Blakey, Elvin Jones and other jazz drummers and played with John Lydon's Public Image Ltd. He founded Ginger Baker's Air Force, which cost a fortune and imploded after two albums. He endured his old enemy, Bruce, when Cream was inducted into the Rock and Roll Hall of Fame in 1993 and for Cream reunion concerts a decade later. Bruce died in 2014.Baker continued to perform regularly in his 70s despite arthritis, heart trouble, hearing loss dating from his years with Cream and lung disease from smoking. No strangers to vices and not a fan of modesty, he called his memoir "Hellraiser: The Autobiography of the World's Greatest Drummer.""John Bonham once made a statement that there were only two drummers in British rock 'n' roll; himself and Ginger Baker," Baker wrote in his book. "My reaction to this was, 'You cheeky little bastard!'"Born in 1939, Peter Edward Baker was the son of a bricklayer killed during World War II when Ginger was just 4. His father left behind a letter that Ginger Baker would quote from: "Use your fists; they're your best pals so often."Baker was a drummer from early on, even rapping out rhythms on his school desk as he mimicked the big band music he loved and didn't let the occasional caning from a teacher deter him. As a teenager, he was playing in local groups and was mentored by percussionist Phil Seamen."At this party, there was a little band and all the kids chanted at me, 'Play the drums!''', Baker told The Independent in 2009. "I'd never sat behind a kit before, but I sat down — and I could play! One of the musicians turned round and said, 'Bloody hell, we've got a drummer', and I thought, 'Bloody hell, I'm a drummer.'"Baker came of age just as London was learning the blues, with such future superstars as Clapton, Mick Jagger and Jimmy Page among the pioneers. Baker joined Alexis Korner's Blues Incorporated, where he met (and soon disliked, for allegedly playing too loud) the Scottish-born bassist Jack Bruce, with whom he was thrown together again as members of the popular British group the Graham Bond Organization.Clapton, meanwhile, was London's hottest guitarist, thanks to his work with the Yardbirds and John Mayall's Blues Breakers, his extraordinary speed and agility inspiring "Clapton is God" graffiti. Clapton, Baker and Bruce would call their band Cream because they considered themselves the best musicians around."Oh for god's sake, I've never played rock," Baker told the blog JazzWax in 2013. "Cream was two jazz players and a blues guitarist playing improvised music. We never played the same thing two nights running. Jack and I had been in jazz bands for years. All that stuff I did on the drums in Cream didn't come from drugs, either. It was from me. It was jazz."___Italie reported from New York. Kelvin Chan contributed from London. 6828