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The Pennsylvania Academy of the Arts, or PAFA, is the nation’s oldest art school and museum but it’s facing a new dilemma: what to do with an artist’s work when the artist is accused of sexual misconduct. The artist in question is portraitist Chuck Close. He may not be a household name to you and I, but in the art community he’s huge. He’s considered a pioneer of portrait work who rose to prominence in the 1960s who made a name for himself in the way he incorporated photography within the world of painting.But this past December, four female models accused the artist of sexual harassment, claims the Close denied in an interview with the New York Times. Close, through a rep, declined our request comment.Brooke Davis Anderson, PAFA’s museum director, had a tough call to make: what to do with a high-profile exhibit, on view in one of their most prominent galleries, filled with Close’s work.“I’m very hesitant to censor artwork,” Anderson said. She and the museum executive leadership convened their art community of students, staff, and patrons to gauge the reactions to try to fiigure out ho to handle the exhibit.“We really asked everybody what they were feeling, thinking, how they were responding,” Anderson said. “How they felt we should respond as an institution, and collectively what this meant for us.”The broader discussion is not all that new. You may recall that a few years back, “The Cosby Show” was pulled from syndication following allegations made by a slew of women against its star and creator Bill Cosby. It’s since made a slow re-emergence on small cable networks.In the past year, we’ve had to ask ourselves whether we as a society are comfortable enjoying re-runs of “Louie” on FX in the wake of comedian Louis C.K.’s admitted mistreatment of women. Or what about previous seasons of “House of Cards” now that allegations regarding Kevin Spacey have come to light?Even Pablo Picasso was known to have mistreated the opposite sex.The obvious question becomes: can an artist’s work be separated completely form the artist and their personal decisions?[,We asked Melissa Joseph and Candace Jensen, both students at PAFA who took part in the museum’s forum on what to do with the Close exhibit. “That’s like the zinger question!” Jensen said, through laughter.“Many students did want the [Chuck Close] show to come down,” Joseph added. “You just want it to go away, you know? You don’t want to have to look at it anymore.”But, she says, over a few weeks’ time her views evolved.“If you think about what’s going to be most productive for this movement, what’s going to actually move things forward, your initial emotional reaction isn’t always the right one.”Jensen interjected.“Well yeah but don’t diminish emotional responses. Emotional responses are really tied up with moral responses,” Jensen said, adding that understanding the context in which art was made is key.“Being willing to value the aesthetic decisions that were made and also be critical of the maker,” Jensen said. “So it’s not a black and white.”PAFA is not the only institution having to navigate this gray area.Seattle University recently removed a Chuck Close self-portrait hanging in a campus library.The National Gallery of Art in Washington, DC indefinitely postponed its Chuck Close exhibit that was set to open in May. A museum spokesperson declined an interview but told us in an email that “all parties involved” agreed that it was “not the appropriate time” to present the installation. Anderson made the final call for PAFA: keep the Close exhibit, but with a caveat in the adjoining gallery right next door.“The site of an exhibition isn’t where you respond by censorship or changing the project. I rather felt that what we could do because of our real estate here. We had an opportunity to have a dialogue with another project.”That other project is what they’re calling a “response exhibit,” a gallery created to force a conversation that explores gender and equality in the art community.“There are no longer town halls and town squares,” Anderson said. “So what if a museum was a site where we could say we don’t agree, and lets unpack how we don’t agree. And let’s understand how we don’t agree, and maybe that advances us a little bit.”Anderson pointed out some of the highlights of the responsive exhibit, including a timeline regarding how and when the art world can become “an equitable space.”“How do we get more women in leadership positions? Women artists and collections, people of color, trans people, how do we create that balance?” 5181
The National Hurricane Center has issued a hurricane watch for sections of the Gulf Coast as Louisiana and Texas prepares for a second tropical system this week.Tropical Storm Laura, which had top winds of 65 MPH as of 11 p.m. ET Monday, is expected to turn into the Gulf of Mexico and strengthen into a hurricane. The potential hurricane is expected to hit either the Texas or Louisiana coast late Wednesday.A hurricane watch is in effect from Port Bolivar, Texas, to west of Morgan City, Louisiana. A tropical storm watch is in effect from south of Port Bolivar, Texas, to San Luis Pass, Texas, and from Morgan City, Louisiana to the Mouth of the Mississippi River.As of Monday morning, Laura was dumping heavy rain on both Cuba and Jamaica. According to the National Hurricane Center, the storms could cause mudslides and urban flash floods on the islands.Laura has already caused the deaths of at least 11 people in the Dominican Republic and Haiti, while knocking out power and causing flooding Sunday.Meanwhile, Tropical Depression Marco, made landfall along the Louisiana coast Monday evening, according to the National Hurricane Center, as a minimal tropical storm. It weakened from hurricane all the way to a depression on Monday. All tropical storm warnings have been dropped in associated with Marco.Marco was recording maximum sustained winds of 35 mph as of late Monday evening. Marco was a hurricane most of Sunday, but the National Hurricane Center says its maximum sustained winds decreased after nightfall. 1532
The Protestant preacher known as "America's pastor" will be remembered at a funeral Friday under a large white tent evoking his first "Canvas Cathedral" revival nearly 70 years ago.The private service for the Rev. Billy Graham, who was 99 when he died at home in Montreat, North Carolina, last week, is expected to be attended by about 2,300 guests, including President Donald Trump and the first lady.After the service at the Billy Graham Library in Charlotte, the globetrotting preacher and spiritual confidant to American presidents will be buried beside his wife, Ruth, at the foot of the cross-shaped brick walkway in the library's Prayer Garden.The noontime service, in many ways Graham's final crusade, will be streamed live. "It was Mr. Graham's explicit intent that his funeral service reflect and reinforce the gospel message he preached for more than 60 years," his spokesman, Mark DeMoss, said on the website of the Billy Graham Evangelistic Association. A tribute at the US Capitol 1007
The number of coronavirus-related deaths in the United States passed 250,000 on Wednesday as more than 1,000 people are dying from the virus per day in the US this month, according to Johns Hopkins University data.The first coronavirus-related death in the US came on February 29.The solemn milestone lands as coronavirus cases reach peak levels throughout the US, forcing governors to reimpose shutdowns and bolster mask mandates. The virus has been particularly deadly in the nation’s heartland, with hospitals in the Midwest full with COVID-19 patients. Nearly 77,000 Americans were in the hospital on Tuesday battling coronavirus symptoms, according to the COVID Tracking Project. Johns Hopkins reported 1,707 COVID-19 related deaths in the US on Tuesday, marking the deadliest day for the virus in six months.The US passed the 200,000 coronavirus-related death mark on September 21. The US has approximately averaged 862 coronavirus-related deaths since then.Here is where the US reached previous milestones.November 18: 250,000September 21: 200,000July 28: 150,000May 23: 100,000April 23: 50,000February 29: 1The University of Washington’s IHME model projects that the US will reach 300,000 coronavirus deaths on December 22.According to JHU, the US represents 19% of global coronavirus deaths despite only having 4% of the world's population. 1358
The latest release of documents related to the mass shooting on Oct. 1 contain a mixture of reports by police officers and witness statements.One of the reports contained in the release on Wednesday appears to be an interview with country singer Jason Aldean, who was performing when Stephen Paddock opened fire on music lovers at the Route 91 Harvest Festival.According to the statement, the person making the statement instructed officers to take himself, his bodyguard and pregnant wife to the airport. He then told the officer that he was on stage playing when he heard the first few pops. He said he was confused like everyone was and looked around, but didn't see anything out of the ordinary. The next large barrage of fire he said was so loud to him that it sounded as if someone was right next to the stage firing shots. The person making the statement then said he could see people in the audience dropping to the ground in "waves." Someone backstage yelled out that it was gunfire and for him to get down. That's when he ran off the stage and went to protect his pregnant wife who was inside the tour bus that protected the perimeter until he was evacuated.The documents included what appears to be a written statement from Aldean."I was onstage singing and thought I heard fireworks. I turned to look at my monitor guy and saw my personal security guard running toward me and telling me to evacuate the stage. At that point, we layed (sic) on the stage and hid until we could get on my bus. We then stayed in the back of the bus for a few hours until police escorted us away." Another report appeared to be an interview with Dee Jay Silver, who had performed at the festival around 9 p.m. ahead of Aldean. After the shooting began, he was hiding in a tour bus. Silver then received a text asking what floor his 1-year-old son was on.The baby was sleeping down the hall on the 32nd floor -- the floor where shooter Stephen Paddock was located. That's when Silver found out the floor had been evacuated. Silver was taken to multiple places before he ended up at the Thomas & Mack. He eventually received a text that his son was at Town Square. After he was reunited with him Silver told police, "I just held him and held him and held him." Police also asked Silver if he had noticed any suspicious, staying on the same floor as the shooter. Silver did not recall seeing Paddock or speaking to him. But he also didn't see housekeeping during that time. Silver was moved to Delano after the shooting. A bike officer with Mandalay Bay described how he was headed towards the festival grounds when he heard that a Mandalay Bay officer was hit and decided to turn around.He commandeered an elevator, picked up an engineer, and headed to the 32nd floor.When he got there, he heard automatic gunfire coming from the end of the hall. According to the bike officer, that is when Jesus Campos came running towards him when the shooting paused. The bike officer says he inspected the wound and decided it didn't look very severe.Everything was kind of a blur after that but the bike officer said he helped police officers clear the rooms.One police officer who was at the scene describes how he and other police officers took cover behind a police car during the shooting. The officer says that multiple rounds hit the car and the rear window was shot out. One of the officers began yelling that he was hit and said he could not move his arm. Another officer grabbed the wounded officer and they left to seek medical attention.According to statement by several police officers, there was a lot of commotion and confusion the night of the shooting at several properties located near Mandalay Bay.Calls were received from Circus Circus, Tropicana, Bellagio, New York-New York and the Bellagio hotel-casino.In each case, police officers were unable to find another shooter. However, they did discover that the possible shooter at the Bellagio was actually the vice president of security. It appears that the VP decided to put on a tactical vest and arm himself and protect Bellagio if necessary.Many reports from officers describe how they were off duty at the time of the shooting but "self dispatched" when they began to hear what was happening. Several officers headed towards the Route 91 festival grounds while others headed to hospitals where victims were being assisted or even took it upon themselves to assist with traffic control. 4520