陕西民办高中价格(驻马店高中复读靠谱的价格) (今日更新中)

The powerful tornadoes that plowed through Lee County in Alabama and killed at least 23 people left a path of destruction that looked "as if someone had taken a blade and just scraped the ground," the county sheriff said Monday.At daybreak, emergency crews and residents witnessed more of the aftermath of the twisters that Sheriff Jay Jones called "catastrophic," and the search was on for survivors and more victims.It appears that some people had only a five-minute warning Sunday afternoon before tornadoes ripped through the region.A tornado watch was issued for the area around noon. The first tornado warning for Lee County was issued at 2:58 p.m. ET, and the first reports of damage came just five minutes later, CNN Meteorologist Gene Norman said, according to National Weather Service data.It appeared that two tornadoes hit Lee County back-to-back within the span of an hour, Norman said.A warning for a second tornado was issued at 3:38 p.m. ET, with the first reports of damage coming 13 minutes later.At least a dozen tornadoes touched down in Alabama and Georgia on Sunday afternoon, according to the NWS.The National Weather Service recorded EF-3 damage in southern Lee County. That classification means the damage was severe, with winds of 136 to 165 miles per hour.How the destruction unfoldedTornado watch for Lee County issued around 12 p.m. ETTornado warning 2:58 p.m. ETFirst reports of damage 3:03 p.m. ETFurther damage reports 3:30 p.m. ETSecond tornado warning 3:38 p.m ETFirst reports of damage 3:51 p.m. ETMore damage reported 4 p.m. ETAlabama's deadliest since 2011The 23 deaths reported on Sunday marked the deadliest day for tornadoes in Alabama since the Tuscaloosa-Birmingham tornado that killed more than 200 people in 2011.The victims, including children, died in Lee County, Jones said. At least 12 of those deaths occurred in an area about 5 to 6 miles south of the city of Opelika, he said.Jones told 1950

The parents of a middle school student are suing a Houston-area school district and school officials in federal court for allegedly coloring in his hair design earlier this year with a black permanent marker.According to the lawsuit filed Sunday, officials at the Berry Miller Junior High in Pearland, Texas, claimed the design in the then-seventh grader's haircut violated the Pearland Independent School District's dress code policy.The suit alleges, "They laughed as they took many minutes to color 13-year-old J.T's scalp which took many days of scrubbing to come off."Lawsuit says incident came day after haircutThe lawsuit says Juelz Trice got a fade haircut April 16 and the next day when he was in the cafeteria for breakfast he was told by an assistant principal to go to the office.The civil rights lawsuit names the then-assistant principal Tony Barcelona (since promoted to principal), discipline clerk Helen Day and teacher Jeanette Peterson as defendants as well as the school district.CNN has reached out to the individuals named in the lawsuit and has not immediately heard back.The boy, who is African-American, allegedly was given two options by the two administrators.He could use a black Sharpie to color his scalp, the lawsuit says, or go to in-school suspension. Juelz didn't want a suspension affecting his track team eligibility so he chose the permanent marker option, the lawsuit says.The black Sharpie made the design line in Juelz's hair more prominent, the complaint says.Day took the marker from Juelz and began to blacken Juelz's scalp, the court document says. Peterson -- who, like the administrators, is identified in the court document as white -- came into the office and was asked to use the marker on the boy's scalp and did so, the lawsuit says.Attorney says school district has done nothing but change policyRandall Kallinen, attorney for the student's parents Dante Trice and Angela Washington, said Tuesday that the school never tried to notify the family before coloring their son's scalp.The discipline clerk should have known better how children should be disciplined, he said.The attorney says other than changing the dress code, the school district has done nothing to attempt to rectify the situation.The 2265

Tokyo Olympic athletes beware — particularly larger ones.The bed frames in the Athletes Village at this year’s Olympics will be made of cardboard. Sturdy cardboard.“Those beds can stand up to 200 kilograms,” explained Takashi Kitajima, the general manager of the Athletes Village, speaking through an interpreter. That’s about 440 pounds, and surely no Olympic athlete weighs that much.“They are stronger than wooden beds,” Kitajima added.He also took into account the possibility of a wild room celebration after, say, a gold-medal victory.“Of course, wood and cardboard would each break if you jumped on them,” he said.The single bed frames will be recycled into paper products after the games. The mattress components — the mattresses are not made of cardboard — will be recycled into plastic products.The mattress is broken up into three distinct sections, and the firmness of each can be adjusted.The idea was to use materials that could be remade after the Olympics and Paralympics. But the cardboard frames and supports should give the rooms a spartan look. Organizers showed off the beds and a few other furnishings on Thursday at their headquarters. The entire Athletes Village complex will be completed in June. The Olympics open on July 24 followed by the Paralympics on Aug. 25.“The organizing committee was thinking about recyclable items, and the bed was one of the ideas,” Kitajima explained, crediting local Olympic sponsor Airweave Inc. for the execution.Organizers say this is the first time that the beds and bedding in the Athletes Village have been made of renewable materials.The Athletes Village being built alongside Tokyo Bay will comprise 18,000 beds for the Olympics and be composed to 21 apartment towers. Even more building construction is being planned in the next several years.Real estate ads say the units will be sold off afterward, or rented, with sale prices starting from about 54 million yen — or about 0,000 — and soaring to three or four times that much. Some fear the apartments will flood the market, possibly impacting property values.The units will be sold off by various real estate companies. Ads suggest many of the units will be slightly larger than a typical apartment in Tokyo, which is about 60-70 square meters — or 650-750 square feet.___More AP sports: 2322

The Smithsonian's National Museum of American History has inquired about obtaining disturbing drawings by migrant children that depict figures with sad faces behind bars."The museum has a long commitment to telling the complex and complicated history of the United States and to documenting that history as it unfolds," according to a statement from the museum to CNN.The drawings by three children who had just been released from US Customs and Border Patrol custody drew international attention last week. The children, ages 10 and 11, were staying at a respite center run by the Catholic church in McAllen, Texas, when they made the drawings.Renee Romano, a professor of history at Oberlin College, applauded the Smithsonian for making an effort to preserve artifacts documenting the crisis at the border as part of US history.She said the US government's current policy of detaining immigrants and separating children from parents is part of a long national record of "seeing people as less than human."She noted, for example, that Japanese-Americans were placed in internment camps during World War II. The government separated Native American children from their parents, and African slave children were also separated from their parents."I think it's an amazing stance, honestly, by the Smithsonian, and a brave stance, to say that this is historically significant," Romano said."Something like a children's drawing is not typically something that a museum is going to say, 'This is something we would collect and protect,' " she added. "[But] these kinds of artworks are really about what are they thinking and feeling at this particular moment. How do we see this experience from their perspective? That's really, really powerful."Last week, after reading CNN's story about the drawings, a curator for the Smithsonian reached out to CNN and the American Academy of Pediatrics as part of an "exploratory process," according to the Smithsonian statement. A delegation of pediatricians received photos of the children's drawings after touring the McAllen respite center and then shared the images with the media.At any one time, the respite center houses about 500 to 800 migrants who have recently been released from Customs and Border Protection custody.Sister Norma Pimentel, director of Catholic Charities of the Rio Grande Valley, said families arrive at the respite center in emotional pain from their journeys to the United States and their time in CBP facilities."They find themselves in these facilities that are overcrowded and families are separated from children and they don't know what's going on -- they're traumatized," she said. "The children don't know what's happened to them, and they're afraid and crying. It's so disturbing to know we can't do something better for them."Brenda Riojas, a spokeswoman for the Catholic Diocese of Brownsville, Texas, said she hopes the museum will also accept and preserve happier drawings made by children at the respite center."Children use bright colors and draw things like sunshine and children playing. It shows their resilience. It shows there's hope for their healing," she said.Riojas shared with CNN an image made recently by a girl at the center that uses bright colors to depict a heart and a smiling face. With childlike misspellings, the girl wrote "Dios es marvilloso" ("God is marvelous").Romano said she also hopes the Smithsonian takes in these happier drawings."No one is defined completely by an experience of oppression," she said.She said she hopes that in decades to come, historians and visitors to the museum can see the array of drawings and get some feeling for what the children were going through."I think it's really, really important to give people the tools to understand this moment in history from the perspective of those people, those children, who were experiencing it," she said. 3888

This is the video of Rudy Gobert touching all the microphones and potentially infecting innocent people with Coronavirus pic.twitter.com/hqae652PLX— Abdul Memon (@abdulamemon) March 12, 2020 203

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