天津市龙济男科是正规吗(武清区男性龙济医院专业) (今日更新中)

The Museum of the Bible in Washington, DC says five of its most valuable artifacts — all thought to be part of the historic Dead Sea Scrolls — are fake and will not be displayed anymore.German-based scholars tested the fragments and found that five "show characteristics inconsistent with ancient origin and therefore will no longer be displayed at the museum.""Though we had hoped the testing would render different results, this is an opportunity to educate the public on the importance of verifying the authenticity of rare biblical artifacts, the elaborate testing process undertaken and our commitment to transparency," said Jeffrey Kloha, the chief curatorial officer for Museum of the Bible."As an educational institution entrusted with cultural heritage, the museum upholds and adheres to all museum and ethical guidelines on collection care, research and display."But some scholars had questioned the fragments in the collection even before the museum opened with splashy ceremonies last November. Others believe they are all fake.Steve Green, the museum's founder and chairman, won't say how much his family spent for the 16 fragments in its collection. But other evangelicals, including a Baptist seminary in Texas and an evangelical college in California, have paid millions to purchase similar pieces of the Dead Sea Scrolls.In April 2017, Bible Museum sent five fragments to the Bundesanstalt für Materialforschung und-prüfung (BAM) a German institute for analyzing materials, where scholars tested for 3D digital microscopy and conducted material analyses of the ink and sediment on the papyrus. (Scholars have theorized that forgers use old scraps of papyrus or leather, to make fraud detection more difficult.)Their report, which the Bible Museum said they recently received, "further raises suspicions about the authenticity of all five fragments." 1874

The police officer was patrolling a local children's hospital in Argentina when she heard the sound of a crying baby. She knew it was a call she needed to answer.Officer Celeste Jaqueline Ayala had recently became a mother herself. She could tell from the wails the infant needed food. So, she sat down on a chair outside the hospital ward -- and breastfed him.The move took Ayala's colleague by surprise. He snapped a photo and posted it on Facebook, where it has now been shared more than 100,000 times."I want to make public this great gesture of love that you displayed today with this baby," Marcos Heredia said on the post.The incidentThe incident took place at a hospital in the city of Berisso on August 14, which, coincidentally, is "National Day of the Female Officer" in Argentina.However, the photo began doing the social rounds this week.Heredia told CNN he didn't know why the hospital staff didn't feed the baby themselves.CNN reached out to the hospital and Ayala but didn't hear back.The Buenos Aires Provincial Police told CNN that Ayala spoke with hospital management before she breastfed the baby. The infant had recently been taken away from his mother, but police didn't say why.The responseBecause of her action, Ayala has now been promoted from officer to sergeant."We wanted to thank (Ayala) in person for that gesture of spontaneous love that managed to calm the baby's cry," Cristian Ritondo, the minister of security of the Buenos Aires province, tweeted. "An officer we're proud of. An officer we want."The-CNN-Wire 1552

The Internal Revenue Service says its processing systems are back up and running after they went down on Tuesday, which was the filing deadline for 2018.The IRS said in a statement it has accepted more than 14 million tax submissions since processing systems reopened.The Tuesday morning system outage was caused by a hardware issue. Teams worked through the night to get the systems going again, Acting Commissioner David Kautter said. 444

The Phoenix Police Department says the ex-boyfriend of Kiera Bergman, a 19-year-old woman who has been missing since August 4, has been arrested for identity theft.Police say 23-year-old Jon Clark was being questioned in relation to Bergman’s disappearance when police found several items with the personal identification of other people as well as items indicating forgery in his vehicle.Clark was arrested Friday and booked into jail for 22 counts of aggravated identity theft and two counts of forgery.Police have given no indication that this arrest connects Clark to Bergman’s missing person’s case.Bergman was last seen at her home near on Aug. 4.According to police, Bergman never returned home after leaving and has not been seen or heard from since.Kiersten Bragg, Bergman's mother, says her daughter went to work that Saturday morning, and Clark picked her up but she never made it back to their apartment.Police still say her disappearance is considered suspicious, and they are still asking anyone with any information on her disappearance to call 480-WITNESS. 1085

The Pennsylvania Academy of the Arts, or PAFA, is the nation’s oldest art school and museum but it’s facing a new dilemma: what to do with an artist’s work when the artist is accused of sexual misconduct.                                                                                                                                                                       The artist in question is portraitist Chuck Close. He may not be a household name to you and I, but in the art community he’s huge. He’s considered a pioneer of portrait work who rose to prominence in the 1960s who made a name for himself in the way he incorporated photography within the world of painting.But this past December, four female models accused the artist of sexual harassment, claims the Close denied in an interview with the New York Times. Close, through a rep, declined our request comment.Brooke Davis Anderson, PAFA’s museum director, had a tough call to make: what to do with a high-profile exhibit, on view in one of their most prominent galleries, filled with Close’s work.“I’m very hesitant to censor artwork,” Anderson said. She and the museum executive leadership convened their art community of students, staff, and patrons to gauge the reactions to try to fiigure out ho to handle the exhibit.“We really asked everybody what they were feeling, thinking, how they were responding,” Anderson said. “How they felt we should respond as an institution, and collectively what this meant for us.”The broader discussion is not all that new. You may recall that a few years back, “The Cosby Show” was pulled from syndication following allegations made by a slew of women against its star and creator Bill Cosby. It’s since made a slow re-emergence on small cable networks.In the past year, we’ve had to ask ourselves whether we as a society are comfortable enjoying re-runs of “Louie” on FX in the wake of comedian Louis C.K.’s admitted mistreatment of women. Or what about previous seasons of “House of Cards” now that allegations regarding Kevin Spacey have come to light?Even Pablo Picasso was known to have mistreated the opposite sex.The obvious question becomes: can an artist’s work be separated completely form the artist and their personal decisions?[,We asked Melissa Joseph and Candace Jensen, both students at PAFA who took part in the museum’s forum on what to do with the Close exhibit. “That’s like the zinger question!” Jensen said, through laughter.“Many students did want the [Chuck Close] show to come down,” Joseph added. “You just want it to go away, you know? You don’t want to have to look at it anymore.”But, she says, over a few weeks’ time her views evolved.“If you think about what’s going to be most productive for this movement, what’s going to actually move things forward, your initial emotional reaction isn’t always the right one.”Jensen interjected.“Well yeah but don’t diminish emotional responses. Emotional responses are really tied up with moral responses,” Jensen said, adding that understanding the context in which art was made is key.“Being willing to value the aesthetic decisions that were made and also be critical of the maker,” Jensen said. “So it’s not a black and white.”PAFA is not the only institution having to navigate this gray area.Seattle University recently removed a Chuck Close self-portrait hanging in a campus library.The National Gallery of Art in Washington, DC indefinitely postponed its Chuck Close exhibit that was set to open in May. A museum spokesperson declined an interview but told us in an email that “all parties involved” agreed that it was “not the appropriate time” to present the installation. Anderson made the final call for PAFA: keep the Close exhibit, but with a caveat in the adjoining gallery right next door.“The site of an exhibition isn’t where you respond by censorship or changing the project. I rather felt that what we could do because of our real estate here. We had an opportunity to have a dialogue with another project.”That other project is what they’re calling a “response exhibit,” a gallery created to force a conversation that explores gender and equality in the art community.“There are no longer town halls and town squares,” Anderson said. “So what if a museum was a site where we could say we don’t agree, and lets unpack how we don’t agree. And let’s understand how we don’t agree, and maybe that advances us a little bit.”Anderson pointed out some of the highlights of the responsive exhibit, including a timeline regarding how and when the art world can become “an equitable space.”“How do we get more women in leadership positions? Women artists and collections, people of color, trans people, how do we create that balance?” 5181

来源：资阳报