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The Oklahoma State Supreme Court will hear a lawsuit appeal to enforce safety measures at President Donald Trump's rally on Saturday.Tulsa attorney Clark Brewster will make a court appearance before the Oklahoma Supreme Court on Thursday by phone at 3 p.m., according to court records.Earlier this week, a judge denied a lawsuit from the Tulsa law firm to enforce masks and social distancing at President Trump's rally.Attorneys Brewster and Paul DeMuro filed the suit claiming the rally will endanger the public's health.They argued coronavirus cases in the city of Tulsa and the state of Oklahoma increased since June 1. Despite the increase, the Trump rally is bringing thousands of people into an indoor arena."All credible, qualified medical experts agree that this type of mass-gathering indoor event creates the greatest possible risk of community-wide viral transmission," said the law firm.The lawsuit aimed to enforce the use of face masks and social distancing for all guests and employees, abiding by the restrictions the State of Oklahoma has put in place.The "Make America Great Again" rally is planned for Saturday, June 20 at the BOK Center with overflow audiences going to the Cox Convention Center.The BOK Center released the following statement: 1272

The Human Rights Campaign on Sunday called for the Trump administration not to go forward with a rollback of protections for transgender people, following a report in The New York Times on a draft proposal."Setting a destructive precedent, the Trump-Pence administration intends to erase LGBTQ people from federal civil rights protections and eviscerate enforcement of non-discrimination laws," the group's president, Chad Griffin, said in a statement.HRC is among the nation's most prominent LGBTQ rights groups, and its statement Sunday called on Congress to pass legislation enshrining protections it says are at threat should the Trump administration go forward with the reported plan.The Times report said the Department of Health and Human Services is working to define sex under Title IX as solely male or female at birth, with no room for change. The proposal could formally be presented to the Justice Department by the end of the year, sources told the Times."Sex means a person's status as male or female based on immutable biological traits identifiable by or before birth," the proposal says, according to The Times. 1137

The neon lights of Broadway’s Honky Tonk bars are still shining brightly each night in downtown Nashville, Tennessee. But across this city that's soul heavily beats to the pulse of local musicians’ songs, many independent music venues are in danger of going dark for good.Since 1971, Exit/In near the city’s west end neighborhood has long been a beacon for smaller artists looking to make it big. Over the years, everyone from Billy Joel to Cheryl Crow to Jimmy Buffet has graced the stage here. But it’s the smaller, less well-known artists who truly rely on a black box venue like this one.“It’s a purist’s room. It’s just a great old school style place,” explained owner Chris Cobb.Since March though, Exit/In and thousands of other venues like it across the country have been shut down--forced to close their doors because of the coronavirus.“It’s just not safe. It’s not safe to do what we do right now, unfortunately, and there’s no pivot option. We can’t curbside a concert, we can’t to-go a concert,” Cobb lamented.It’s that kind of daunting reality facing owners of clubs, venues and smaller music halls across the country. Many have already run out of money and most are out of time. Aside from the 57 employees that Cobb had to lay off, there are also closed signs now popping up on businesses around the neighborhood who rely on live shows to bring customers in.“We’re on the edge of a cliff with a huge number of venues right there at the edge and about to go over, and they won’t come back,” he added.While it’s not a giant stadium, venues like Exit/In are the kind of spaces where smaller artists get their start. In cities across the country, independent venues are deeply engrained in the culture of the communities they operate in.For musician Daniel Donato, not having a stage like Exit/In to play on has been difficult.“I want to create memories that people can go back to. I want to be somebody’s Friday night. And the first thing a musician plays is the venue, they don’t play their instrument, they play the venue they’re in,” Donato said.In addition to the income he’s lost, the 25-year-old musician is also missing out on a chance to refine his craft. There are countless musicians like him across the country stuck in a kind of painful limbo.“I have to have the energy of the people in the room, take that, put it in a guitar and make it something great,” he added.By the end of the year, live performance venues are expected to lose about billion on ticket sales alone. Because of the impending crisis facing smaller venues, nearly 2,800 have banded together to form the National Independent Venue Association (NIVA).A stunning 90 percent of venues in the organization say they will close by the end of the year without any federal assistance.“It’s happening and every day that goes by is a risk that it happens more, people have run out of money,” explained Audrey Fix Schaefer, who serves as the director of communication for the group.In recent months, NIVA has created the "Save Our Stages Act." It’s a billion grant program for independent venues with bi-partisan support. Now, all they need is a vote in Congress.“People have run out of money and they’re running out of hope,” she added.As for Cobb, it's not just about the jobs that have been lost, it's about the music that the country may never hear if independent venues go silent forever.“It’s hard to think about American music without this network of independent music venues that have existed in this country for decades now. American music, as we know it, would not exist. I’m afraid that’s what we’re about to learn the hard way is it can’t exist the way we know it if these venues go away,” Cobb said.But for now, that's a song Cobb is trying not to write, hoping that the sun doesn't permanently set on some of the nation's most beloved stages. 3854

The last time Tiger Woods won a major tournament, George W. Bush was the President, the iPad had not been invented yet and smartphones were only for wealthy. When Woods won the 2008 US Open, he not only needed to defeat Rocco Mediate in a sudden death playoff, he needed to rehab his knee due to a stress fracture, which caused him to miss the rest of the season. In the decade that followed, Woods' game slowly declined. Even though he was the PGA Tour's Player of the Year in 2009 and 2013, golf's four majors still eluded Woods. After having a successful 2013, Woods' health has declined. His declining health was evident last May when he was arrested near his Florida home for DUI. Woods was unable to balance his prescriptions, which caused him to fall asleep behind the wheel. Woods said last year that his goal was to be able to walk comfortably again. After several failed attempts at rehabbing his back, he is finally able to play pain free. Being able to play pain free has allowed Woods to be considered the favorite, according to Vegas, of winning the Masters. Woods has been in contention in both of his last two tournaments. He was just a putt away from forcing a playoff at last month's Valspar Championship. But it has been 13 years since Woods left Augusta with a Green Jacket, causing many to doubt if Woods would ever win the Masters again, let alone a Major. Among those who doubted Woods was the golfer himself. That was until last December, his first tournament back after missing a year to rehab his back. "After a few tournaments in, I felt more comfortable," Woods said. "I started getting used to what I could do, and then I started putting the pieces together that started preparing to play events, started competing and keeping score and posting numbers, and all of a sudden I started getting my feels back, and here we are."One person who is happy to see Woods back at Augusta is Phil Mickelson, once a bitter foe of Woods. Mickelson and Woods played together in a practice round on Tuesday. "I think that nobody respects and appreciates what he's done for the game more because nobody's benefited from what he's done for the game of golf more than I have," Mickelson said. "I've always had that appreciation and respect for him. To see him back out playing is incredible. We all feel that."I texted him a while ago when he was playing at Valspar that it felt like it was a different time continuum because I found myself pulling so hard for him. It was unusual."Odds makers list Woods as a 10-to-1 favorite to win this weekend. Given that Woods was barely able to walk a year ago due to pain in his back, winning the Masters would complete an incredible comeback to the sport Woods once dominated. But Woods said there have been bigger comebacks in the sports than the one he is trying to attempt. "I think that one of the greatest comebacks in all of sport is the gentleman who won here, Mr. Hogan," Woods said. "I mean, he got hit by a bus and came back and won major championships. The pain he had to endure, the things he had to do just to play, the wrapping of the leg, all the hot tubs and just the?? how hard it was for him to walk, walk period, and he ended up walking 36 holes and winning a U.S. Open."One thing standing in Woods' way is not his health, but the amount of talent that has developed in golf in recent years. Arguably, Woods is a big reason why there are so many golfers competing at a high level. "A lot of these kids have?? some of their first memories are of when I won my last major championship," Woods said. "That's what's crazy. Like, for instance, we're talking about Thomas Pieters today, he was born only a couple months before Fred won here. So it just puts in perspective for us, and for me especially, hearing some of these guys." 3894

The New York City Ballet announced they would stream their 2019 performance of George Balanchine's "The Nutcracker" on Marquee TV due to the coronavirus pandemic.2020 marks the first year since its debut in February 1954 that the dance company will not perform NYC's holiday season's signature event.The production will be available beginning Dec. 11 through Jan. 3. 374