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LOS ANGELES (CNS) - A bout of overnight rain will have the potential to unleash rockslides, mudslides and minor debris flows in areas recently stricken by wildfires, National Weather Service forecasters said.The NWS said there's a chance of rain Wednesday evening, a virtual certainty of it after midnight amid southwest winds of around 15 miles per hour and a 50 percent chance on Thanksgiving morning, followed by a partly cloudy afternoon.Between seven-tenths of an inch and an inch-and-a-quarter of rain are expected to fall on coastal slopes and in the foothills, which could trigger slides over areas denuded by the Woolsey Fire in L.A. and Ventura counties and the Hill fire in Ventura County, forecasters said. Highway 1 and Santa Monica Mountain canyon roads are particularly vulnerable, they said.Authorities reminded Southlanders in burn areas of flood safety preparations that should be made before the rain starts.RELATED: Light rain falling in Northern California could hurt Camp Fire search effortThe Woolsey Fire unified command warned that mud and debris flows ``are a very realistic threat to the communities affected by the Hill and Woolsey fires. Due to an increased probability of mud and debris flows in these fire areas, it is important to plan and prepare. Evacuation orders should not be taken lightly, and are ordered because there is a threat to life and property.''Some fire-damaged areas remain unsafe, the electrical system is ``extremely damaged,'' and road crews are working to clear rocks as emergencypersonnel prepare for the impending storm, Department of Public Works Director Mark Pestrella told the Los Angeles County Board of Supervisors.``We're going to have rock fall, we're going to have roads closed,'' Pestrella said. ``The roads will not be safe to travel beginning Wednesday evening."Pestrella said he expected Pacific Coast Highway would be closed at some point.Up-to-date information on road closures can be found at www.lacounty.gov/woolseyfire/rain-after-fire-resources.The NWS said there is a 30 percent probability that the upcoming rainfall will be sufficient to trigger debris flows in the Woolsey Fire and Hill Fire areas.Burn area residents concerned about mudflow can pick up empty sandbags at their local fire stations, and can visit www.lacounty.gov/larain for storm season emergency resources, including Los Angeles County's ``Homeowners Guide to Flood, Debris and Erosion Control.'' The sandbags should be used to divert potential flows, not dam them. 2520

LOS ANGELES (AP) — Scarlett Johansson and Colin Jost have tied the knot a year after engagement. Meals on Wheels America announced Thursday on Instagram that Johansson and Jost married over the weekend in an intimate ceremony. The post said the couple's wedding followed the COVID-19 safety precautions as "directed by the CDC." The organization added that the couple's wish was "to help make a difference for vulnerable older adults during this difficult time by supporting Meals on Wheels."The actress and "Saturday Night Live" star got engaged in 2019 after dating two years. Johansson, 34, was previously married to actor Ryan Reynolds and journalist Romain Dauriac. She and Dauriac share a daughter named Rose, who was born in 2014. This is the first marriage for the 38-year-old Jost, who is the co-anchor of "SNL's" Weekend Update. 846

LOS ANGELES (AP) -- An organizer of a Southern California demonstration against racism has been jailed on suspicion of attempted murder after authorities say she drove through a crowd and struck two counterprotesters.Tatiana Turner was behind bars Sunday after speeding from a Yorba Linda parking lot when her car was surrounded by shouting counterprotesters who had been among demonstrators ordered by police to leave the area.Anthony Bryson, who helped Turner plan the event, said an angry mob surrounded her car and she fled because she feared for her life.Authorities say a man and woman hospitalized were expected to survive. 638

LOS ANGELES — Britney Spears is asking a court to curb her father's control over her life and career.In documents filed Tuesday, Spears asked that her father not return to the role of conservator of her person, which gave him power over her life decisions from 2008 until 2019, when he temporarily stepped aside.According to the BBC, Spears is requesting that her manager, Jodi Montgomery, to permanently remain in charge of her affairs when the conservatorship comes up for an extension on Aug. 22.The issue will be discussed at a Wednesday hearing.The documents give a rare public glimpse of the wishes of the 38-year-old pop superstar. Spears last toured in 2018, and sources say she has no plans to return to performing anytime soon.In recent years, some of Spears' fans have said that they believe the singer was forced into the conservatorship arrangement, prompting a social media campaign to #FreeBritney.An email seeking comment from James Spears' attorney was not immediately returned. 1003

LOS ANGELES (AP) — When Steven Spielberg speaks about the business of Hollywood, everyone generally listens and few dissent. But reports that he intends to support rule changes that could block Netflix from Oscars-eligibility have provoked a heated, and unwieldy, debate online. It has found the legendary filmmaker at odds with some industry heavyweights, who have pointed out that Netflix has been an important supporter of minority filmmakers and stories, especially in awards campaigns, while also reigniting the ongoing streaming versus theatrical debate.Spielberg has weighed in before on whether streaming movies should compete for the film industry's most prestigious award (TV movies, he said last year, should compete for Emmys), but that was before Netflix nearly succeeded in getting its first best picture Oscar for Alfonso Cuaron's "Roma" at last week's Academy Awards. Netflix, of course, did not win the top award — "Green Book," which was produced partially by Spielberg's Amblin Entertainment, did.Still, Netflix was a legitimate contender and this year, the streaming service is likely to step up its awards game even more with Martin Scorsese's "The Irishman," which The Hollywood Reporter said may also gunning for a wide-theatrical release. A teaser ad aired during the 91st Oscars for the gangster drama said "in theaters next fall," instead of the "in select theaters" phrasing that was used for "Roma."But Netflix also isn't playing by the same rules as other studios. The company doesn't report theatrical grosses, for one, and it's been vexing some more traditional Hollywood executives throughout this award season and there have been whispers in recent weeks that a reckoning is coming.Now, Spielberg and others are planning to do something about it by supporting a revised film academy regulation at an upcoming meeting of the organization's board of governors that would disqualify Netflix from the Oscars, or at least how the streaming giant currently operates during awards season.This year "Roma" got a limited theatrical qualifying run and an expensive campaign with one of the industry's most successful awards publicists, Lisa Taback, leading the charge. But Netflix operates somewhat outside of the industry while also infiltrating its most important institutions, like the Oscars and the Motion Picture Association of America. Some like Spielberg, are worried about what that will mean for the future of movies."Steven feels strongly about the difference between the streaming and theatrical situation," an Amblin spokesperson told IndieWire's Anne Thompson late last week. "He'll be happy if the others will join (his campaign) when that comes up. He will see what happens."An Amblin representative said Sunday there was nothing to add.Netflix has its strong defenders, which include the A-list talent it has attracted for its projects. Ben Affleck, speaking at the premiere of his new Netflix film "Triple Frontier," said the streaming service is "heavily invested in telling stories.""It's very exciting because you get the sense you're defining where the future of cinema and distribution is going, you know? Already, people are watching movies on more and more platforms than they ever had, and you get a sense that you're part of sort of the emerging transition," Affleck told The Associated Press on Sunday.Some see Spielberg's position as wrong-minded, especially when it comes to the Academy Awards, which requires a theatrical run to be eligible for an award. Many online have pointed out the hypocrisy that the organization allows members to watch films on DVD screeners before voting.Filmmaker Ava DuVernay tweeted at the film academy's handle in response to the news that the topic would be discussed at a board of governors meeting, which is comprised of only 54 people out of over 8,000 members."I hope if this is true, that you'll have filmmakers in the room or read statements from directors like me who feel differently," DuVernay wrote.Some took a more direct approach, questioning whether Spielberg understands how important Netflix has been to minority filmmakers in recent years.Franklin Leonard, who founded The BlackList, which surveys the best unproduced scripts in Hollywood, noted that Netflix's first four major Oscar campaigns were all by and about people of color: "Beasts of No Nation," ''The 13th," ''Mudbound" and "Roma.""It's possible that Steven Spielberg doesn't know how difficult it is to get movies made in the legacy system as a woman or a person of color. In his extraordinary career, he hasn't exactly produced or executive produced many films directed by them," Leonard tweeted Saturday. "By my count, Spielberg does one roughly every two decades."Netflix's film account tweeted that it was dedicated to give film access for people who either can't afford the movie tickets or live in towns without theaters and also "Letting everyone, everywhere enjoy releases at the same time."It's important to note that Netflix didn't produce "Beasts of No Nation," ''Mudbound" or "Roma," but rather acquired them for distribution. But if Oscar campaigns are no longer part of the equation in a Netflix-partnership, top-tier filmmakers are likely to take their talents and films elsewhere.Others, like "First Reformed" filmmaker Paul Schrader, had a slightly different take."The notion of squeezing 200+ people into a dark unventilated space to see a flickering image was created by exhibition economics not any notion of the 'theatrical experience,'" Schrader wrote in a Facebook post Saturday. "Netflix allows many financially marginal films to have a platform and that's a good thing."But his Academy Award-nominated film, he thinks, would have gotten lost on Netflix and possibly, "Relegated to film esoterica." Netflix had the option to purchase the film out of the Toronto International Film Festival and didn't. A24 did and stuck with the provocative film through awards season."Distribution models are in flux," Schrader concluded. "It's not as simple as theatrical versus streaming."One thing is certain, however: Netflix is not going away any time soon and how it integrates with the traditional structures of Hollywood, like the Oscars, is a story that's still being written.Sean Baker, who directed "The Florida Project," suggested a compromise: That Netflix offered a "theatrical tier" to pricing plans, which would allow members to see its films in theaters for free."I know I'd spend an extra 2 dollars a month to see films like 'Roma' or 'Buster Scruggs' on the big screen," Baker tweeted. "Just an idea with no details ironed out. But we need to find solutions like this in which everybody bends a bit in order to keep the film community (which includes theater owners, film festivals and competitive distributors) alive and kicking."___AP Writer John Carucci contributed to this report. 6882

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