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MLB and the league’s player union held negotiations this week, days after a contentious series of statements between the league and union indicated the 2020 season is in peril.The league and players are working on a plan to begin the 2020 season after it was postponed by the spread of the coronavirus. With most professional sports leagues coming back this summer, MLB has yet to formalize a plan for resumption.MLB Commissioner Rob Manfred said that a new set of proposals have been forwarded to the players.The tone from Manfred on Wednesday differed from earlier in the week.“We left that meeting with a jointly developed framework that we agreed could form the basis of an agreement and subject to conversations with our respective constituents,” Manfred said. “I summarized that framework numerous times in the meeting and sent Tony a written summary today. Consistent with our conversations yesterday, I am encouraging the Clubs to move forward and I trust Tony is doing the same.”Earlier on Wednesday, reports surfaced that the league and players have finalized a deal, but those reports appeared to be premature as the MLBPA said that no agreement has been made.At odds is the number of games to be played, and whether players will be paid a full prorated amount for those games. MLB said that based on an agreement between the leagues and players days after the league suspended Spring Training, players would only be paid a full prorated salary if games were held in front of fans. As of now, the likelihood of MLB games being played in front of fans this season appears to be low.The players union has complained that the league is attempting to play the fewest number of games possible.“The commissioner has repeatedly threatened to schedule a dramatically shortened season unless players agree to hundreds of millions in further concessions,” the MLBPA said on June 13. “Our response has been consistent that such concessions are unwarranted, would be fundamentally unfair to players, and that our sport deserves the fullest 2020 season possible.” 2069

Monday was a day one fan of pop star Pink will never forget.At a concert on Monday in Australia, Pink spotted a fan's sign that said she was a 14-year-old fan and wanted a hug from Pink after the death of her mother. According to a number of videos posted on social media, Pink spotted the sign and took a moment to leave the stage to visit the fan identified by the Australian ABC as Leah Murphy. According to the Australian ABC, Leah and her mother had tickets for Pink's concert on Monday in Brisbane. But unfortunately for Leah, her mother died in June. Instead of Leah's mother attending the concert, aunt Katrina Dorkin was in attendance. Dorkin and a cadre of Leah's friends in the crowd held up signs to try to get the singer's attention.  790

MORENO VALLEY, Calif. (AP) — A 13-year-old boy seriously injured in an attack involving two other students at a Southern California middle school is "clinically dead" after life-saving treatments failed, authorities said Wednesday.The family of the teen identified only as "Diego" plans to donate his organs, according to a Riverside County Sheriff's Department press release.The student was assaulted Sept. 16 at Landmark Middle School in the city of Moreno Valley, the department said.Two other juveniles who are also students at the school could face prosecution in the assault. Both were booked into juvenile hall last week. Officials have not said if the charges against the two have been increased because of the boy's death.No further information will immediately be released due to the ages of all involved, the department said.The Moreno Valley Unified School District said it will provide counselors at Landmark.A remembrance ceremony will be held at the school Thursday evening."This is a life-changing tragedy for everyone involved, including the staff and students at Landmark Middle School," Mayor Yxstian Gutierrez said in a statement.Moreno Valley is a city of about 194,000 people 60 miles (97 kilometers) east of Los Angeles. 1251

Minneapolis Mayor Jacob Frey requested the help of Minnesota's National Guard Wednesday after false rumors of an officer-involved shooting in the city prompted rioting and looting.On Wednesday evening, Frey imposed a city-wide curfew from 10 p.m. to 6 a.m. and asked for members of the National Guard in help patrolling his city's streets. Minnesota Gov. Tim Waltz declared a state of emergency and activated 150 State Patrol troopers, according to the Star-Tribune.The chain of events that led to looting and rioting began when police spotted a homicide suspect near Nicollet Mall. As police closed in on the suspect, he pulled out a gun and shot himself.The man who died has not yet been identified.The Minneapolis Police released surveillance video from the incident within 90 minutes of the shooting. Video does not show officers firing weapons but shows them appearing on the scene seconds after the self-inflicted gunshot wound.However, the incident sparked rumors online that officers had shot and killed the man. Hours later, a group of protesters gathered at Nicollet Mall to call for justice.Though some in the crowd attempted to inform the others that police were not involved in the shooting, the protests nonetheless devolved into looting. A Nordstrom Rack and a Target in the area were among the stores hit."This is a tragic incident for all involved," said Frey. "What the city needs now is healing, not more property destruction."Minneapolis saw several nights of violent protests in late May and early June, following the death of George Floyd at the hands of the city's police officers. Wednesday's incident also came as the nation grapples with the police shooting of Jacob Blake in Kenosha, Wisconsin. 1729

Money has never mattered that much to David Hockney, as long as he has enough to continue working. But equally, he's also always had a good memory for figures -- for the pounds, shillings and pence. As a student at London's Royal College of Art, he remembers selling a drawing to a friend and fellow student, the American painter Ron Kitaj, for a princely ￡5. It meant that he could buy cigarettes in packs of 20. He sold another early painting, "Adhesiveness" (1960), to photographer Cecil Beaton for ￡40. That meant he could begin planning to travel abroad.As it happens, Hockney also has a clear memory of what "Portrait of an Artist (Pool with Two Figures)" originally fetched shortly after he painted it. On Thursday, at a Christie's auction in New York, the painting was sold for .3 million, an auction record for a living artist. But back in 1972, his New York dealer sold it for just ,000.For Hockney, the memory is still bittersweet. He felt ripped off. Last year, at his studio in the Hollywood Hills, he told CNN, "I thought it was a lot of money at the time, but within six months, it was sold again for ,000."After the sale, Hockney's American dealer, Andre Emmerich, "realized the pictures (in the show) were underpriced. A lot had been underpriced." But by then, it was too late. And so, as is often the case in the art market, someone other than the artist made a swift and substantial profit.More is known about the creation of "Portrait of an Artist (Pool with Two Figures)" than virtually any other single Hockney painting. The 1974 biopic "A Bigger Splash" chronicled its creation, and Hockney himself wrote about the painting in detail in 1988's "David Hockney by David Hockney: My Early Years.""A Bigger Splash" was shot from 1971 to 1973 by British director Jack Hazan, who was given special access to Hockney, then living and working in London's Notting Hill, and his inner circle. A mix of fact and fiction, it centers on the painful unraveling of Hockney's five-year relationship with a young American artist, Peter Schlesinger.Hockney told CNN the painting was inspired by an accidental juxtaposition of "two photographs on my studio floor, one of the Peter and another of a swimmer, and they were just lying there and I put them together." In his 1988 memoir, "David Hockney by David Hockney: My Early Years," he wrote: "The idea of painting two figures in different styles appealed so much that I began the painting immediately."He worked on the picture for six solid months. The standing figure was always Peter Schlesinger. According to his official biographer, Christopher Simon Sykes, Hockney painted the swimmer first but then coated the canvas with a preparatory gesso, which prevented him from altering the position of the pool or the standing figure. It was a mistake.Hockney gradually realized the painting -- in particular, the angle of the swimming pool -- just wasn't right. He wrote that, "The figures never related to one another nor to the background. I changed the setting constantly from distant mountains to a claustrophobic wall and back again to mountains. I even tried a glass wall."Realizing the futility of his efforts, Hockney abandoned that effort and, reinvigorated, started the painting all over again. He chose a new setting, a pool by a house in the south of France that belonged to British film director Tony Richardson. He took two models with him: a photographer named John St. Clair and Mo McDermott, his studio assistant.He took hundreds of photos of the two. St. Clair, the submerged swimmer, dived into the pool in his white briefs so many times that he eventually cracked his head on the bottom and had to stop. McDermott acted as Schlesinger's stand-in, wearing his reddish pink jacket by the pool. Back in London, Hockney persuaded Schlesinger to pose for him early one morning in Hyde Park for yet more photos.Once back at his Notting Hill studio, Hockney painted for 18 hours a day on a canvas seven feet by 10. At one point, Hockney is filmed taking a Polaroid of the unfinished painting. At another moment, he paints in Schlesinger's brown hair with a long brush. "I must admit that I loved working on that picture, working with such intensity," he later told biographer Sykes. "It was marvelous doing it, really thrilling."While he spent six months of the first version, the final "Portrait of an Artist (Pool with Two Figures)" was finished in just two weeks, to meet a deadline for a New York show in May 1972. In "A Bigger Splash," Hockney, with his trademark bleached blond hair and black, owlish spectacles, stands in bright red braces and a bow tie, carefully checking out how the painting was hung and lit in the show. It was the star exhibit, perhaps an expression of Hockney's personal loss and his acceptance that his long affair with Schlesinger was finally over.But as we now know, all this wasn't without a sense of Hockney feeling cheated by what happened next. An American, apparently alerted by a British dealer, just came in off the street and bought it. The dealer then promptly took it to an art fair in Germany and sold it to a London collector for nearly three times the price. As he wrote in "My Early Years": "Within a year people had made far more on that picture than Kasmin (John Kasmin, his London dealer), Andre (Emmerich, his New York dealer) or I had. Considering the effort and trouble and everything that had gone into it, it seemed such a cheap thing to do."We can only imagine how Hockney will feel after this sale, when the painting he worked so hard on has sold for more than 5,000 times its original price. The current seller and the auction house will no doubt profit, but, as a Christie's spokesperson confirmed, "the artist will not be financially benefiting."Christie's hasn't named the seller, but he's believed to be British businessman Joe Lewis, who has famously collected postwar British art for some time.At 81, Lewis happens to be the same age as Hockney. He also has a net worth of billion. 6042

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