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LOS ANGELES — Britney Spears is asking a court to curb her father's control over her life and career.In documents filed Tuesday, Spears asked that her father not return to the role of conservator of her person, which gave him power over her life decisions from 2008 until 2019, when he temporarily stepped aside.According to the BBC, Spears is requesting that her manager, Jodi Montgomery, to permanently remain in charge of her affairs when the conservatorship comes up for an extension on Aug. 22.The issue will be discussed at a Wednesday hearing.The documents give a rare public glimpse of the wishes of the 38-year-old pop superstar. Spears last toured in 2018, and sources say she has no plans to return to performing anytime soon.In recent years, some of Spears' fans have said that they believe the singer was forced into the conservatorship arrangement, prompting a social media campaign to #FreeBritney.An email seeking comment from James Spears' attorney was not immediately returned. 1003

LOS ANGELES (AP) — When Steven Spielberg speaks about the business of Hollywood, everyone generally listens and few dissent. But reports that he intends to support rule changes that could block Netflix from Oscars-eligibility have provoked a heated, and unwieldy, debate online. It has found the legendary filmmaker at odds with some industry heavyweights, who have pointed out that Netflix has been an important supporter of minority filmmakers and stories, especially in awards campaigns, while also reigniting the ongoing streaming versus theatrical debate.Spielberg has weighed in before on whether streaming movies should compete for the film industry's most prestigious award (TV movies, he said last year, should compete for Emmys), but that was before Netflix nearly succeeded in getting its first best picture Oscar for Alfonso Cuaron's "Roma" at last week's Academy Awards. Netflix, of course, did not win the top award — "Green Book," which was produced partially by Spielberg's Amblin Entertainment, did.Still, Netflix was a legitimate contender and this year, the streaming service is likely to step up its awards game even more with Martin Scorsese's "The Irishman," which The Hollywood Reporter said may also gunning for a wide-theatrical release. A teaser ad aired during the 91st Oscars for the gangster drama said "in theaters next fall," instead of the "in select theaters" phrasing that was used for "Roma."But Netflix also isn't playing by the same rules as other studios. The company doesn't report theatrical grosses, for one, and it's been vexing some more traditional Hollywood executives throughout this award season and there have been whispers in recent weeks that a reckoning is coming.Now, Spielberg and others are planning to do something about it by supporting a revised film academy regulation at an upcoming meeting of the organization's board of governors that would disqualify Netflix from the Oscars, or at least how the streaming giant currently operates during awards season.This year "Roma" got a limited theatrical qualifying run and an expensive campaign with one of the industry's most successful awards publicists, Lisa Taback, leading the charge. But Netflix operates somewhat outside of the industry while also infiltrating its most important institutions, like the Oscars and the Motion Picture Association of America. Some like Spielberg, are worried about what that will mean for the future of movies."Steven feels strongly about the difference between the streaming and theatrical situation," an Amblin spokesperson told IndieWire's Anne Thompson late last week. "He'll be happy if the others will join (his campaign) when that comes up. He will see what happens."An Amblin representative said Sunday there was nothing to add.Netflix has its strong defenders, which include the A-list talent it has attracted for its projects. Ben Affleck, speaking at the premiere of his new Netflix film "Triple Frontier," said the streaming service is "heavily invested in telling stories.""It's very exciting because you get the sense you're defining where the future of cinema and distribution is going, you know? Already, people are watching movies on more and more platforms than they ever had, and you get a sense that you're part of sort of the emerging transition," Affleck told The Associated Press on Sunday.Some see Spielberg's position as wrong-minded, especially when it comes to the Academy Awards, which requires a theatrical run to be eligible for an award. Many online have pointed out the hypocrisy that the organization allows members to watch films on DVD screeners before voting.Filmmaker Ava DuVernay tweeted at the film academy's handle in response to the news that the topic would be discussed at a board of governors meeting, which is comprised of only 54 people out of over 8,000 members."I hope if this is true, that you'll have filmmakers in the room or read statements from directors like me who feel differently," DuVernay wrote.Some took a more direct approach, questioning whether Spielberg understands how important Netflix has been to minority filmmakers in recent years.Franklin Leonard, who founded The BlackList, which surveys the best unproduced scripts in Hollywood, noted that Netflix's first four major Oscar campaigns were all by and about people of color: "Beasts of No Nation," ''The 13th," ''Mudbound" and "Roma.""It's possible that Steven Spielberg doesn't know how difficult it is to get movies made in the legacy system as a woman or a person of color. In his extraordinary career, he hasn't exactly produced or executive produced many films directed by them," Leonard tweeted Saturday. "By my count, Spielberg does one roughly every two decades."Netflix's film account tweeted that it was dedicated to give film access for people who either can't afford the movie tickets or live in towns without theaters and also "Letting everyone, everywhere enjoy releases at the same time."It's important to note that Netflix didn't produce "Beasts of No Nation," ''Mudbound" or "Roma," but rather acquired them for distribution. But if Oscar campaigns are no longer part of the equation in a Netflix-partnership, top-tier filmmakers are likely to take their talents and films elsewhere.Others, like "First Reformed" filmmaker Paul Schrader, had a slightly different take."The notion of squeezing 200+ people into a dark unventilated space to see a flickering image was created by exhibition economics not any notion of the 'theatrical experience,'" Schrader wrote in a Facebook post Saturday. "Netflix allows many financially marginal films to have a platform and that's a good thing."But his Academy Award-nominated film, he thinks, would have gotten lost on Netflix and possibly, "Relegated to film esoterica." Netflix had the option to purchase the film out of the Toronto International Film Festival and didn't. A24 did and stuck with the provocative film through awards season."Distribution models are in flux," Schrader concluded. "It's not as simple as theatrical versus streaming."One thing is certain, however: Netflix is not going away any time soon and how it integrates with the traditional structures of Hollywood, like the Oscars, is a story that's still being written.Sean Baker, who directed "The Florida Project," suggested a compromise: That Netflix offered a "theatrical tier" to pricing plans, which would allow members to see its films in theaters for free."I know I'd spend an extra 2 dollars a month to see films like 'Roma' or 'Buster Scruggs' on the big screen," Baker tweeted. "Just an idea with no details ironed out. But we need to find solutions like this in which everybody bends a bit in order to keep the film community (which includes theater owners, film festivals and competitive distributors) alive and kicking."___AP Writer John Carucci contributed to this report. 6882

LOS ANGELES (AP) — ViacomCBS says it's cutting ties with Nick Cannon because of what the media giant called his 'hateful speech" and anti-Semitic theories. The company's move came in response to remarks made by Cannon on a podcast in which he discussed racial bias with a former Public Enemy member, Richard Griffin. According to NBC News, Cannon said on the podcast episode, which was shot last year but aired on June 30, that Black people were the "true Hebrews" and talked about anti-Semitic conspiracy theories involving the Rothschild family.Cannon produced "Wild 'n Out," a comedy improv series for VH1, the ViacomCBS-owned cable channel. He accused the company in a lengthy Facebook post of trying to silence an "outspoken black man" and said he wants full ownership of the "Wild 'n Out" brand. "If I have furthered the hate speech, I wholeheartedly apologize," Cannon wrote. "But now I am the one making demands. I demand full ownership of my billion-dollar ‘Wild ‘N Out’ brand that I created, and they will continue to misuse and destroy without my leadership! I demand that the hate and back door bullying cease and while we are at it, now that the truth is out, I demand the Apology!” 1203

LOS ANGELES (AP) — Rafer Johnson, who won the decathlon at the 1960 Rome Olympics and helped subdue Robert F. Kennedy's assassin in 1968, has died. He was 86. Family friend Michael Roth says Johnson died Wednesday at his home in Los Angeles. No cause was announced. Johnson was among the world's greatest athletes from 1955 through his Olympic triumph in 1960. The Associated Press reported Johnson won a national decathlon championship in 1956 and a silver medal at the Melbourne Olympics that same year.He lit the torch at the 1984 Los Angeles Games. In June 1968, Johnson was with Kennedy at a hotel in Los Angeles when the senator was shot by Sirhan Sirhan. Johnson, along with former NFL star Rosey Grier and journalist George Plimpton, helped in subduing the shooter. Kennedy died the next day.According to the Associated Press, Johnson called the assassination “one of the most devastating moments in my life.” 925

Logan Stiner was just 18 years old when he died in 2014 — only three days short of graduating from Keystone High School in Lagrange, Ohio. The cause of death: a lethal amount of caffeine in his system.Stiner, who was a wrestler, had taken powdered caffeine often used as a pre-workout boost. According to the FDA, taking one teaspoon is equivalent to drinking 28 cups of coffee at once.Stiner died from cardiac arrhythmia and a seizure as a result of taking the powdered caffeine, according to the coroner.“He was funny, he was smart, he was witty, he was athletic, he had a lot of success on the wrestling mats. He was an all-American kid, the kind of kid you want your son to grow up to be,” said Keystone High School wrestling coach Don Griswold. “To lose a kind soul, a loving soul, full of life like Logan is beyond tough. I still don’t quite know how to sum it all up."Stiner's parents, Dennis and Katie, urged lawmakers to ban the sale?of powdered caffeine. Now, the FDA is taking action, making it illegal to sell bulk powdered caffeine to consumers.“Certainly, this is a passionate subject for Katie and Dennis, and I applaud their efforts and their ongoing efforts to fight for our young people and to prevent future victims,” Griswold said. “The FDA has taken the right steps in protecting our kids and making sure that this potentially lethal product doesn't get into the hands of kids who don’t know what they’re taking and what it does."Senator Sherrod Brown, who helped lead the push for the ban, said in a statement that the FDA ban will “finally help ensure other Ohio families never have to suffer the same way the Stiners did. 1693