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"The Squad" will be back on Capitol Hill to serve another term.The four Democratic Congresswoman — Rep. Alexandria Ocasio-Cortez, D-New York; Rep. Ilhan Omar, D-Minnesota; Rep. Ayanna Pressley, D-Massachusetts and Rep. Rashida Tlaib, D-Michigan — all coasted to re-election on Tuesday night.All four women weren't seriously challenged in their re-election bids, as all won their districts with at least 65% of the vote. Pressley won in a landslide, taking home a commanding 87% of the vote in Massachusetts' 7th District.Omar celebrated the group's re-election bid by tweeting that their "sisterhood is resilient." 622

"The Great British Bake Off" judge Prue Leith took some heat after she revealed what went on in the kitchen.Leith accidentally announced the winner in a tweet hours before the finale aired on Tuesday.The tweet was hastily deleted and Leith tweeted an apology for the spoiler, explaining she was in a different time zone when she sent it out."I am so sorry to the fans of the show for my mistake this morning," her tweet read. "I am in a different time zone and mortified by my error #GBBO."But the incident had already left a bad taste in some viewers' mouths, especially coming on the heels of the furor over judge Mary Berry leaving and being replaced by Leith. The amateur baking competition is a cultural phenomenon both in the UK and abroad.Last year it was announced that the series was leaving the BBC for a new home on Channel 4.Soon after, hosts Sue Perkins and Mel Giedroyc and judge Berry announced they would be departing the show.The gaffe by Leith apparently didn't stop viewers from tuning in, however.According to The Guardian,"The programme attracted an overnight audience of 7.7 million, a 34.6% share of the audience and well above the average for the series before the final of 6 million."For those who missed Leith's tweet and were wondering, contestant Sophie Faldo won. 1303

"We plan for the unplannable."That's how "The Daily Show with Trevor Noah" host puts on a nightly comedy show in the Trump era."It's the 5:30 curse," Noah told CNN's Brian Stelter in a recent interview about his nightly Comedy Central show. "Around 5:30 every single day, that's when the news will break."One glaring example came last week when news broke that AT&T had made payments to Michael Cohen — President Donald Trump's longtime lawyer — in exchange for insight into Trump's thinking on various issues pertinent to AT&T. The news broke around 5 p.m. and AT&T confirmed it at 6:30 p.m. Journalists and comedians scrambled to catch up for their shows.Noah said, "We don't scramble anymore. Now we expect it."Noah took over the late-night comedy program from longtime host Jon Stewart in 2015, just as the presidential race began to heat up.Stelter asked Noah how his show fits into the current era."I think, as the world comes to change, our purpose in that world changes," Noah said.When "there's not much strife, I generally find the comedy will be benign," he added. "As things become scarier, as the world becomes less secure, as people question, you know, the security that they exist within, that's when comedy becomes more cutting, because, in many ways, it's the release valve to that fear or to that tension." 1354

With every flu season, we see misinformation. One recent Facebook post that spread said people who get the flu shot should stay home for two weeks and avoid touching others because they are a walking virus. Our 223

"Black Bear" is a proudly weird film that shakes up the formula to the point that it explodes like a soda left in the fridge.The experimental film's fortunes rise and fall around the dryly comic talents of Aubrey Plaza, who delivers in a major way, exploring the playful cruelty she's subtly hinted at in many of her comedic roles.Plaza explores her dark side as Allison, a manipulative actress, and filmmaker who rents a home from Blair (Sarah Gordon) and her husband, Gabe (Christopher Abbott) to shoot a mysterious new project. She quickly inserts herself into their personal disputes, taking a sadistic pleasure in driving a wedge between the couple with subtle insults and provocations.Allison sees people as her playthings, and freely spins lies, half-truths, and seductive inferences, slithering in and out of suspicion, trust, hostility, and feigned kindness toward her mysterious goals. The interplay between Allison, Gabe, and Blair was enough to carry the movie, which would have been better suited had it stuck with the theme to its bitter end.Instead, the script flips just as the intensity level simmers.Writer/director Lawrence Michael Levine divides the film into two parts. The first is a captivating psychological game, but the second seems like a slew of barely-connected outtakes in which actors have swapped roles.While the scenes are often fascinating as they stand alone, they don't coalesce into much of a unified purpose. If the goal was to satirize the art of filmmaking or play with the quirks of the actor-director-writer dynamic, the result is a convoluted mess. Whatever inside jokes or buried subtext Levine were going for just doesn't translate.The title, which is no doubt some sort of opaque metaphor, also refers to a literal bear who just shows up, because, well, why not? Once Levine has stripped his project of any sense of cohesion, just about anything goes. If his goal was to show how a promising artistic project can derail, he succeeds too mightily.RATING: 2.5 stars out of 4.Phil Villarreal TwitterPhil Villarreal FacebookPhil Villarreal Amazon Author PagePhil Villarreal Rotten Tomatoes 2143