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The House Committee on Labor and Education is holding a hearing on the topic of reopening schools amid the coronavirus pandemic on Thursday — about a week after Democrats on the committee said the White House blocked health officials from testifying during the hearing.Last Friday, CNN and Politico reported that Democrats' request to have CDC Director Dr. Robert Redfield testify at the hearing was denied by the White House."Dr. Redfield has testified on the Hill at least four times over the last three months. We need our doctors focused on the pandemic response," an email from the White House to committee members read, according to CNN.Democrats claim that their request was for any high-ranking CDC official, not just Redfield.No Trump administration officials are testifying at Thursday's hearing. That includes Education Sec. Betsy DeVos, and members of the Coronavirus Task Force like Drs. Anthony Fauci and Deborah Birx.According to the Committee's website, witnesses include Michael Hinojosa, the Superintendent of the Dallas Independent School District; Leslie Boggs, the president of the National Parent Teacher Association; Dr. Penny Schwinn, the Commissioner of the Tennessee Department of Education and Dr. Sean O'Leary, the Vice Chair of the Committee on Infectious Diseases at the American Academy of Pediatrics. 1340

The Justice Department is preventing Senate investigators from interviewing two top FBI officials who could provide first-hand testimony over the firing of former FBI Director James Comey, the latest sign that Special Counsel Robert Mueller could be investigating the circumstances around the firing, officials tell CNN.The previously undisclosed turf war comes as the Senate judiciary committee has not yet given assurances to the special counsel's office that it could have unfettered access to the transcript of the interview it conducted last week with the President's eldest son, Donald Trump Jr., saying that the full Senate must first authorize the release of the information to Mueller's team. 709

The number of empty apartments available to rent in Manhattan soared to its highest level in recent history this summer.There are more than 13,000 apartments on the market in the heart of New York City, according to a real estate report from Douglas Elliman and Miller Samuel. The group says this is the most inventory they have seen in Manhattan in 14 years of keeping track.July’s spike of 13,117 available units is an increase over June’s inventory of 10,789.For context, July 2020’s inventory is nearly 122 percent higher than last year; in July 2019 there were roughly 5,900 available apartments.The group also says July had the biggest year-over-year drop in median rent price in nearly nine years. The median rental price for an apartment in Manhattan, including anything from a studio to a 3-bedroom, was ,320 in July, and was ,595 in July 2019.The report also tracks the Queens and Brooklyn rental market. Both saw huge spikes in inventory, but none as large as Manhattan.Moving help website HireaHelper.com released results of a recent study on 2020 moving trends.Their study also found high-rent cities like San Francisco and New York saw more people leaving than moving in; both cities had 80 percent more people moving out of the area than moving in. New York as a state had 64 percent more people leaving than moving in.Click here to see where people are moving to according to the study. 1415

The Pennsylvania Academy of the Arts, or PAFA, is the nation’s oldest art school and museum but it’s facing a new dilemma: what to do with an artist’s work when the artist is accused of sexual misconduct.                                                                                                                                                                       The artist in question is portraitist Chuck Close. He may not be a household name to you and I, but in the art community he’s huge. He’s considered a pioneer of portrait work who rose to prominence in the 1960s who made a name for himself in the way he incorporated photography within the world of painting.But this past December, four female models accused the artist of sexual harassment, claims the Close denied in an interview with the New York Times. Close, through a rep, declined our request comment.Brooke Davis Anderson, PAFA’s museum director, had a tough call to make: what to do with a high-profile exhibit, on view in one of their most prominent galleries, filled with Close’s work.“I’m very hesitant to censor artwork,” Anderson said. She and the museum executive leadership convened their art community of students, staff, and patrons to gauge the reactions to try to fiigure out ho to handle the exhibit.“We really asked everybody what they were feeling, thinking, how they were responding,” Anderson said. “How they felt we should respond as an institution, and collectively what this meant for us.”The broader discussion is not all that new. You may recall that a few years back, “The Cosby Show” was pulled from syndication following allegations made by a slew of women against its star and creator Bill Cosby. It’s since made a slow re-emergence on small cable networks.In the past year, we’ve had to ask ourselves whether we as a society are comfortable enjoying re-runs of “Louie” on FX in the wake of comedian Louis C.K.’s admitted mistreatment of women. Or what about previous seasons of “House of Cards” now that allegations regarding Kevin Spacey have come to light?Even Pablo Picasso was known to have mistreated the opposite sex.The obvious question becomes: can an artist’s work be separated completely form the artist and their personal decisions?[,We asked Melissa Joseph and Candace Jensen, both students at PAFA who took part in the museum’s forum on what to do with the Close exhibit. “That’s like the zinger question!” Jensen said, through laughter.“Many students did want the [Chuck Close] show to come down,” Joseph added. “You just want it to go away, you know? You don’t want to have to look at it anymore.”But, she says, over a few weeks’ time her views evolved.“If you think about what’s going to be most productive for this movement, what’s going to actually move things forward, your initial emotional reaction isn’t always the right one.”Jensen interjected.“Well yeah but don’t diminish emotional responses. Emotional responses are really tied up with moral responses,” Jensen said, adding that understanding the context in which art was made is key.“Being willing to value the aesthetic decisions that were made and also be critical of the maker,” Jensen said. “So it’s not a black and white.”PAFA is not the only institution having to navigate this gray area.Seattle University recently removed a Chuck Close self-portrait hanging in a campus library.The National Gallery of Art in Washington, DC indefinitely postponed its Chuck Close exhibit that was set to open in May. A museum spokesperson declined an interview but told us in an email that “all parties involved” agreed that it was “not the appropriate time” to present the installation. Anderson made the final call for PAFA: keep the Close exhibit, but with a caveat in the adjoining gallery right next door.“The site of an exhibition isn’t where you respond by censorship or changing the project. I rather felt that what we could do because of our real estate here. We had an opportunity to have a dialogue with another project.”That other project is what they’re calling a “response exhibit,” a gallery created to force a conversation that explores gender and equality in the art community.“There are no longer town halls and town squares,” Anderson said. “So what if a museum was a site where we could say we don’t agree, and lets unpack how we don’t agree. And let’s understand how we don’t agree, and maybe that advances us a little bit.”Anderson pointed out some of the highlights of the responsive exhibit, including a timeline regarding how and when the art world can become “an equitable space.”“How do we get more women in leadership positions? Women artists and collections, people of color, trans people, how do we create that balance?” 5181

The price of wine is going up.Global wine production slumped to its lowest level in 60 years in 2017, according to data from the International Organisation of Vine and Wine.The most recent harvest produced 25 billion liters of wine, a decrease from 26.7 billion in 2016 and 27.6 billion in 2015. The decline was driven by weak harvests in key markets including Europe and South Africa.The shortage has caused the wholesale price of basic wine in Italy to skyrocket 74% over the previous year, according to the European Commission. Prices are up 45% in Spain and over 10% in France.Analysts said that producers, dealers and retailers will absorb some of the price hikes, but consumers will end up paying more -- especially for cheaper bottles."The wine companies that are targeting very low prices ... will be hit the worst, because their margins are very low," said Stephen Rannekleiv, a global beverages strategist at Rabobank. "When prices go up, it puts a lot of strain on them."Reduced supply will also hurt quality."There will be, in some cases, lower quality wines getting blended into slightly higher value products, so everyone kind of goes down a tier in quality," said Rannekleiv.Producers were hardest hit in Europe, where heavy hailstorms and harsh frosts damaged vineyards in early 2017 before a summer drought took its toll. The continent accounts for 65% of global wine production, and 57% of consumption.European production dropped 15% in 2017. Production fell 21% in Italy, 18% in France and 15% in Spain, according to the Commission.Other regions had problems, too.Wildfires destroyed or tainted some of the harvest in California, and drought harmed vineyards in South Africa. Warm weather can cause grapes to ripen early and be smaller in size.Rannekleiv said the result was a global harvest that was even worse than analysts had feared. The pain could spread to other industries.Rannekleiv said the slump in production means there will be less wine to divert for use in other products. Brandy and vinegar makers could be hurt, for example. 2067