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LOS ANGELES (AP) — Deputies arrested a 13-year-old boy and seized a semi-automatic rifle after he threatened to shoot other students and staff at a Los Angeles-area middle school, authorities said Friday.In a separate case, a boy at another school was taken into custody involving a planned shooting.The arrests came barely a week after deputies were frantically summoned to a high school in Santa Clarita, where a 16-year-old boy killed two fellow students and took his own life.Since then, the Los Angeles County Sheriff’s Department has investigated at least 30 school threats, spokesman Sgt. Bob Boese said.RELATED: Santa Clarita high school shooting: 2 killed, 3 hurt; suspected shooter in 'grave' conditionThe incidents that resulted in the arrests were the only ones deemed credible.At Animo Mae Jemison Charter Middle School in Willowbrook, just south of downtown Los Angeles, multiple students overheard the 13-year-old say Thursday that he would carry out the shooting on campus the following day, Sheriff Alex Villanueva said.The students alerted teachers and police were notified.Deputies searched the boy’s home and discovered an AR-15-style rifle, 100 rounds of ammunition, a list of names and a drawing of the school, Villanueva said.The boy was arrested without incident on suspicion of making criminal threats. An adult male relative also was arrested and could face weapons charges, Boese said.RELATED: Teen used ‘ghost gun’ in California high school shootingInvestigators were trying to determine who owns the gun that authorities initially called a ghost gun — a weapon without a serial number made from parts from other guns. Villanueva later clarified the weapon has a serial number.Villanueva praised school officials for quickly notifying authorities about the threat.“The fact that people stepped forward and said what they had heard led us to prevent a tragedy today,” he said.The other boy was arrested Thursday in Palmdale, north of Los Angeles. Villanueva said the student at Knight High School made threats on social media following a campus fight.The sheriff said the boy acknowledged posting threats along with pictures of a teen with a gun. No weapon was recovered in the case.RELATED: Trauma Surgeons call for urgent intervention after school shootingThe sheriff’s department still hasn’t determined a motive for the deadly Nov. 14 shooting at Saugus High School in Santa Clarita.Villanueva said the . semi-automatic pistol used by gunman Nathaniel Berhow was assembled from gun parts and did not have a serial number. Police have not determined where and when Berhow got the gun.___Associated Press reporters Brian Melley and Michael R. Blood in Los Angeles contributed to this report. 2728

LOS ANGELES, Calif. -- For gig workers who don’t have a typical 9 to 5 job, finding work is a hustle under normal circumstances.With the pandemic shutting down thousands of these specialty jobs across the country for months, many of these workers say it’s been a struggle to even put food on the table.Hollywood makeup artist Robert Maverick is used to creating nightmarish characters. He’s worked on all kinds of sets from live stage productions to blockbuster movies and television shows.Yet, surviving the shutdown, specifically the closure of the entertainment industry, has become a horror all too real.“It’s been the most depressing and stressful time of my life,” said Maverick.Maverick, like many other professionals behind the scenes and independent contractors around the country, works job to job whenever work is available.“We’re mostly middle class, and we don’t walk the red carpet, but we make the people who do look good,” Maverick said.“Many people think we live in a very glamorous world and that we’re very rich and entitled, but the truth is, many of us work on hourly wages and go from project to project,” said Felicia Linsky, a makeup artist who has worked in Hollywood for years. “You’re only as good as the project you get to show up and do,” she said.Career makeup artist Iris Abril, who has worked on shows like "Brooklyn Nine-Nine," said she and her husband are both gig workers. “With the pandemic, it put both of us out of work at the same time,” she said. “It’s really scary and we’re in denial,” said Abril of the fact that all productions across the entertainment industry ground to a halt for months.Now, production may resume, but the question is: how? Many fear they’ll be unemployed for months to come.Linsky started several new online business ventures while out of work in her field. She said it was not only a way to create income but a way to pass the time.“I created a virtual hair coloring and hair cutting service that ended up going across the country,” said Linsky. “I’ve always believed in online businesses, and that’s been my way of segwaying and staying positive and productive,” she said of making sure she did everything she could to bring in income during the shutdown.“We’ve all tried to stay active, but it’s been tremendously upsetting," said Stephen Lighthill, President of the Board of Governors for the American Society of Cinematographers. "It’s the danger of going outside, the danger of the pandemic, and of course what’s happened to our economy. And going forward we’re all very fearful that when we go back to work the world will be a very different place.”Lighthill said across the industry, gig workers on large and small productions will be impacted for years to come, if not permanently. “It’s going to have to change the way we work in the production of films, it's going to change the way people see films, it’s going to change the size of our audiences and where those audiences are going now. As much as we talk about going back to work, but there’s a tremendous amount of fear that we won’t have the right tools in place.”For Maverick, when the work he loved dried up, he filed for unemployment, but because of a banking clerical error, “I received one COVID payment with the regular benefits plus the extra payment of 0,” he said. “That was 10 weeks ago.”He is now still waiting for all the benefits he is owed to arrive."COVID-19 is not as big of a fear to me as sliding into poverty this far in my career where I’m just years away from retirement,” he said.Maverick said the stress and anxiety piled up with his bills. “It’s sad you have to be at this point, 30 years into your career, worried about just having food in the pantry,” he said. “I was eating every third day. I would take vegetables, because they’re cheap, and juice them and put them in the refrigerator and drink them over the course of three days.”In the midst of his physical struggle, Maverick was hit with heartbreak. His brother, an Army veteran, passed away.“I’m a fixer, I’ve always been a fixer. That’s why I do my job as a makeup artist,” he said. “But I can’t fix this. I can’t fix dead.”And he can’t turn Hollywood on overnight for the thousands of people waiting in the wings as filmmakers and lawmakers rescript the choreography on set so the show can safely go on.“Hollywood is not that far away from your front door. You just turn on your TV. We’re always there to entertain you, and we hope that you’re there for us as we struggle through this,” said Maverick. 4529

LOS ANGELES (AP) — Katy Perry, her collaborators and her record label must pay more than .78 million because the pop star's 2013 hit "Dark Horse" copied a 2009 Christian rap song, a federal jury decided Thursday.It was an underdog victory for rapper Marcus Gray, a relatively obscure artist once known as Flame, whose 5-year-old lawsuit survived constant court challenges and a trial against top-flight attorneys for Perry and the five other music-industry heavyweights who wrote her song.The amount fell well short of the nearly million sought by attorneys for Gray and the two co-writers of "Joyful Noise" — Emanuel Lambert and Chike Ojukwu — but they said they were pleased."We weren't here seeking to punish anyone," said Gray's attorney, Michael A. Kahn. "Our clients came here seeking justice, and they feel they received justice from a jury of their peers."Perry herself was hit for just over 0,000, with Capitol Records responsible for the biggest part of the award — .2 million. Defense attorneys had argued for an overall award of about 0,000.Perry's attorney, Christine Lepera, said they plan to vigorously fight the decision."The writers of Dark Horse consider this a travesty of justice," Lepera said."Dark Horse," which combines elements of pop, hip-hop and trap styles, was a mega-hit for the Santa Barbara, California-born singer, with its call-and-response chorus of "Are you ready for (ready for), a perfect storm (perfect storm)?"It spent four weeks at No. 1 on Billboard's Hot 100 in early 2014, and Perry would later perform it at the Super Bowl.Gray, a native of St. Louis, sued later in 2014. His song of earnest and ebullient praise stood in stark contrast to the playful black magic evoked by "Dark Horse," and an early version of the lawsuit faulted Perry's song for tainting the sanctity of his.The two-week trial had two phases: One about music, one about money.Perry took the witness stand on the first day of testimony. She testified, as her co-writers would, that she had never heard of Gray or Flame or "Joyful Noise" until he sued.She got a rare laugh from the courtroom when her attorneys were struggling with technical issues as they tried to play a part of "Dark Horse.""I could perform it for you live," said Perry, who did not appear in court for the rest of the trial.The jury heard testimony from musicologists on the disputed section of the two songs — a piece of the musical backing track that plays during the verses of "Dark Horse" and throughout almost all of "Joyful Noise."While jurors were told to consider only those sections, they gave a surprisingly sweeping verdict Monday that held all six songwriters responsible for copying "Joyful Noise." That included Perry, who wrote only lyrics, her co-lyricist Sarah Hudson, and Juicy J, who only provided a rap verse for the song.The instrumental track that was most at issue was created by Dr. Luke, Max Martin and Circuit.During closing arguments earlier Thursday, Gray's attorneys said that because the relevant riff plays through 45 percent of "Dark Horse," the plaintiffs should get 45 percent of its earnings, including every album that included it. They put those overall earnings at million, thus seeking nearly million.The defense argued that only fractions of the album earnings should count for the single song and that considerable promotional expenses paid by Capitol Records should be subtracted.Gray's attorneys said those expenses were gratuitous, pointing out to jurors that they included ,000 for a hairstylist for Perry for one awards show and nearly ,000 for flashing cocktail ice cubes.The nine jurors deliberated for two full days to reach their initial verdict but took just a few hours to decide on dollar amounts.Perry's five co-writers were each given penalties to pay that ranged from about ,000 for Dr. Luke to more than 0,000 for Martin.The jurors decided that the instrumental riff the two sides were fighting over was responsible for 22.5 percent of the success of "Dark Horse" and handed out the awards accordingly.The defendants' fight against the decision will begin immediately. U.S. District Judge Christina A. Snyder, who presided over the trial, will now consider a motion to throw out the case.Lepera, Perry's attorney, said outside court that the plaintiffs presented no evidence of copyright infringement, no evidence that the songwriters had access to "Joyful Noise" and no evidence the songs that were substantially similar."The only matter in common is an unprotectable C and a B note, repeated," Lepera said. "We've been receiving outcry from people all over the world, including other musicologists."If the judge upholds the verdict, the case will almost certainly head to an appeals court, where jury awards in similar cases have often been changed or thrown out in recent years.In the case of another 2013 mega-hit, "Blurred Lines," a jury found singers Robin Thicke and Pharrell Williams copied R&B legend Marvin Gaye's "Got to Give it Up" and ordered them to pay Gaye's children nearly .4 million. The award was trimmed on appeal last year to just short of million.Kahn said he would be happy to keep up the battle."We think this is a fair and a just result, and we will defend it no matter how they fight it," he said. 5314

LOS ANGELES (AP) — The New York and Los Angeles police departments are poking some fun at their perceived rivalry and wading into a hotly contested debate: Is "Die Hard" a Christmas movie?It began when NYPD tweeted Monday that they'd been working with LAPD "to protect Christmas since Hans Gruber's 1988 attack on Nakatomi Plaza" with the hashtag, #YesItsAChristmasMovie.The debate over whether the Bruce Willis blockbuster is a Christmas movie has emerged in recent years. RELATED: 'Die Hard' trailer recut to look more like a Christmas filmSet on Christmas Eve, the movie follows NYPD Detective John McClane as he singlehandedly stops a group of terrorists led by Gruber (Alan Rickman) in Los Angeles.On this Christmas Eve, we’d like to acknowledge our partners at @LAPDHQ who have been working with us to protect Christmas since Hans Gruber’s 1988 attack on Nakatomi Plaza. #DetectiveJohnMclean #YesItsAChristmasMovie pic.twitter.com/qOEgD1Lqt3— NYPD NEWS (@NYPDnews) December 24, 2018 998

LONDON (AP) — Royal Dutch Shell says it is planning to cut between 7,000 and 9,000 jobs worldwide by the end of 2022 following a collapse in demand for oil and a subsequent slide in oil prices during the coronavirus pandemic.The oil giant said Wednesday that around 1,500 employees have already agreed to take voluntary redundancy this year and that it is looking at a raft of other areas where it can cut costs, such as travel, its use of contractors and virtual working.Overall, it said it expects the cost-cutting measures to secure annual cost savings of between billion and .5 billion by 2022.CEO Ben van Beurden said in an interview posted on the Shell website that the jobs cuts will reduce the amount of people between the company’s leadership and its lower level employees.“None of this changes our values as a company, and we will do what we have to do with honesty, integrity and respect for people,” wrote the CEO. “We will be as fast as we can and we will show care for all those who lose their roles or who are negatively affected.”Once the reorganization is complete, the CEO says he believes many more people will be positively affected – working in a quicker, more customer-focused organization and enabled to take the decisions that make a difference. 1282