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The word home can mean a lot of different things, but it also usually means a safe space where you can go and rest your head. “May 20, 2010 was my move in date,” said Lisa Saenz who lives in the Denver neighborhood of Sun Valley. It's affordable housing run by the Denver housing authority. It's been Saenz’s home for a long time. When Saenz first moved here, she says it wasn’t such a great place to live. “It was a lot of nonsense by the neighbors and kind of a lot of crime. I was kind of scared to come outside and leave. I used to keep the kids inside,” said Saenz. But she says things have really changed since, and Sun Valley feels more like a community. “My neighbors are my family, I didn’t have one, I still don’t have one. I’m like the last survivor besides my two kids,” said Saenz. Ismael Guerrero who runs the Denver Housing Authority says for a long time, it was tough to get people to talk about the need for public housing. “Public housing, affordable housing overall, for many years has not been the highest priority politically as a policy,” said Guerrero.And if you ask Saenz, that stigma is real. “I remember once my son’s friend from middle school knew that we lived here. He was invited his friend to spend the night, but once his mom knew he lived here, he wasn’t allowed to come over and it kind of made my son feel bad," Saenz said. But Guerrero is trying to change the narrative around public housing, and he’s trying to make Sun Valley, look more like this. The Mariposa community is just 10 minutes away, but looks totally different. Guerrero says it’s an example of public housing in the 21st century. It’s what people who work in public housing call a mixed income community. A blend of market rate apartments and homes mixed in with low income units. “What I get really excited about is not just the housing we provide, but I think the quality of life we can bring out residents, especially in our newer communities,” said Guerrero. And the transformation has already started in Sun Valley. Construction has started on new mixed income units in the neighborhood. DHA’s plan says all of the low income units will be replaced and the area will add market rate units as well. “Going from maybe 350 total units of housing in that neighborhood today probably to over 500 units over the next five years,” said Guerrero. Lisa says she's not worried about being pushed out of the new neighborhood. “I don’t think it’s a bad thing, and no they’re not making us leave. We leave if we don’t want to live here... I think all anywhere you go there’s going to be change, not just Sun Valley," said Saenz. She's right. According to the National Low Income Housing Coalition, America needs at least 7 million more affordable homes than what's currently available. And cities all over are looking for solutions. “There’s more political will I think locally and at the state levels now because mayors and council members and commissioners are having to deal with residents across a wider income spectrum who are saying hey, I can’t work and live in my own neighborhood, in my own community and we need to do something about that,” said Guerrero There are a lot of creative solutions out there from the tiny home fad to providing a tax credit to renters or even having tech giants do their fair share and donate hundreds of millions of dollars to affordable housing programs like Amazon and Microsoft have pledged to do. But one solution is in every report and study. Build more homes. More affordable homes. Because when people have a safe affordable place to live, their house becomes a home, and their neighborhood becomes a community. “That really has an impact in terms of youth doing better in school, our families across the board having healthier food options, healthier transportation options, and our seniors being able to age in place in a healthy way that lets them live independently for much longer,” said Guerrero. 3963

The two prison staff members who'd been guarding the unit where Jeffrey Epstein died by apparent suicide failed to check on him that night for about three hours, The New York Times 193

Their story gripped the world: determined divers racing against time and water to rescue 12 boys and their soccer coach trapped for more than two weeks in a flooded cave deep inside a northern Thai mountain.The ordeal in late June and early July 2018 had barely ended when filmmakers began their own race to get the nail-biting drama onto cinema screens. The first of those projects will premiere this weekend, when director Tom Waller’s “The Cave” shows at the Busan Film Festival in South Korea.The film was shot over three months earlier this year and has been in post-production since then. The 45-year-old Thai-born, British-raised filmmaker said the epic tale of the Wild Boars football team was a story he simply had to tell.The boys and their coach entered the Tham Luang cave complex after soccer practice and were quickly trapped inside by rising floodwater. Despite a massive search, the boys spent nine nights lost in the cave before they were spotted by an expert diver. It would take another eight days before they were all safe.Waller was visiting his father in Ireland when he saw television news accounts of the drama.“I thought this would be an amazing story to tell on screen,” he said.But putting the parts together after their dramatic rescue proved to be a challenge. Thailand’s government, at the time led by a military junta, became very protective of the story, barring unauthorized access to the Wild Boars or their parents. Waller often feared his production might be shut down.His good fortune was that the events at the Tham Luang cave in Chiang Rai province had multiple angles and interesting characters. Especially compelling were the stories of the rescuers, particularly the expert divers who rallied from around the world. He decided to make a film “about the volunteer spirit of the rescue.”Other people proposed telling the story from the point of view of the boys, and Netflix nailed down those rights in a deal brokered by the Thai government.“I took the view that this was going to be a story about the people we didn’t know about, about the cave divers who came all the way from across the planet,” Waller said. “They literally dropped everything to go and help, and I just felt that that was more of an exciting story to tell, to find out how these boys were brought out and what they did to get them out.”Waller even had more than a dozen key rescue personnel play themselves.Waller said they were natural actors, blending in almost seamlessly with the professionals around them, and helped by the accuracy of the settings and the production’s close attention to detail.“What you are really doing is asking them to remember what they did and to show us what they were doing and what they were feeling like at the time,” he said. “That was really very emotional for some of them because it was absolutely real.”Waller said his film is likely to have a visceral effect on some viewers, evoking a measure of claustrophobia.“It’s a sort of immersive experience with the sound of the environment, you know, the fact that is very dark and murky, that the water is not clear,” he said.“In Hollywood films, when they do underwater scenes, everything is crystal clear. But in this film it’s murky and I think that’s the big difference. This film lends itself to being more of a realistic portrayal of what happened.”Some scenes were filmed on location at the entrance to the actual Tham Luang cave, but most of the action was shot elsewhere, Waller said.“We filmed in real water caves that were flooded, all year-round,” he said. “It is very authentic in terms of real caves, real flooded tunnels, real divers and real creepy-crawlies in there. So it was no mean feat trying to get a crew to go and film in these caves.”“The Cave” goes on general release in Thailand on Nov. 28. 3824

Toni Morrison, author of seminal works of literature on the black experience such as "Beloved," "Song of Solomon" and "Sula" and the first African-American woman to win a Nobel Prize, has died, her publisher Knopf confirmed to CNN.She was 88.Morrison's novels gazed unflinchingly on the lives of African Americans and told their stories with a singular lyricism, from the post-Civil War maelstrom of "Beloved" to the colonial setting of "A Mercy" to the modern yet classic dilemmas depicted in her 11th novel, "God Help the Child."Her talent for intertwining the stark realities of black life with hints of magical realism and breathtaking prose gained Morrison a loyal literary following. She was lauded for her ability to mount complex characters and build historically dense worlds distant in time yet eerily familiar to the modern reader.Themes such as slavery, misogyny, colorism and supernaturalism came to life in her hands.A decorated novelist, editor and educator -- among other prestigious academic appointments, she was a professor emeritus at Princeton University -- Morrison said writing was the state in which she found true freedom."I know how to write forever. I don't think I could have happily stayed here in the world if I did n't not have a way of thinking about it, which is what writing is for me. It's control. Nobody tells me what to do. It's mine, it''s free, and it's a way of thinking. It's pure knowledge," Morrison said.The words of othersMorrison, who was nearly 40 when she published her first novel in 1970, wasn't an overnight success.The author was born Chloe Anthony Wofford on February 18, 1931, in Lorain, Ohio, the daughter of George and Ella Ramah Wofford, whom she often credited with instilling in her a love of the arts.A strong and prolific reader as a child, Morrison studied Latin and devoured European literature.Growing up in Lorain, Morrison has said, she played and attended school with children of various backgrounds, many of them immigrants. Race and racism were not the overriding concerns in her childhood that they would become in her books."When I was in first grade, nobody thought I was inferior. I was the only black in the class and the only child who could read," she once told the 2255

The powerful wildfires that have burned millions of acres of land are spreading so much smoke into the sky, NASA said that the smoke has circumnavigated the Earth. NASA said that the NOAA/NASA Suomi NPP satellite detected smoke south of Australia that was carried completely around the world. NASA uses its satellite fleet to detect wildfires, sometimes detecting wildfires in remote areas before officials on the ground. "NASA satellites can show the movement of the smoke across the globe as evidenced above, but other instruments found onboard can give scientists, firefighters, health experts, local government, and others information about what is happening on the ground in real-time," NASA said.Tracking the smoke also allows NASA to detect changes in air quality. Aerosols from wildfire smoke, as well as pollution and volcanic ash, can affect human health. "Aerosols compromise human health when inhaled by people with asthma or other respiratory illnesses," NASA said. "Aerosols also have an affect on the weather and climate by cooling or warming the earth, helping or preventing clouds from forming." 1124

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