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LOS ANGELES, Calif. -- For gig workers who don’t have a typical 9 to 5 job, finding work is a hustle under normal circumstances.With the pandemic shutting down thousands of these specialty jobs across the country for months, many of these workers say it’s been a struggle to even put food on the table.Hollywood makeup artist Robert Maverick is used to creating nightmarish characters. He’s worked on all kinds of sets from live stage productions to blockbuster movies and television shows.Yet, surviving the shutdown, specifically the closure of the entertainment industry, has become a horror all too real.“It’s been the most depressing and stressful time of my life,” said Maverick.Maverick, like many other professionals behind the scenes and independent contractors around the country, works job to job whenever work is available.“We’re mostly middle class, and we don’t walk the red carpet, but we make the people who do look good,” Maverick said.“Many people think we live in a very glamorous world and that we’re very rich and entitled, but the truth is, many of us work on hourly wages and go from project to project,” said Felicia Linsky, a makeup artist who has worked in Hollywood for years. “You’re only as good as the project you get to show up and do,” she said.Career makeup artist Iris Abril, who has worked on shows like "Brooklyn Nine-Nine," said she and her husband are both gig workers. “With the pandemic, it put both of us out of work at the same time,” she said. “It’s really scary and we’re in denial,” said Abril of the fact that all productions across the entertainment industry ground to a halt for months.Now, production may resume, but the question is: how? Many fear they’ll be unemployed for months to come.Linsky started several new online business ventures while out of work in her field. She said it was not only a way to create income but a way to pass the time.“I created a virtual hair coloring and hair cutting service that ended up going across the country,” said Linsky. “I’ve always believed in online businesses, and that’s been my way of segwaying and staying positive and productive,” she said of making sure she did everything she could to bring in income during the shutdown.“We’ve all tried to stay active, but it’s been tremendously upsetting," said Stephen Lighthill, President of the Board of Governors for the American Society of Cinematographers. "It’s the danger of going outside, the danger of the pandemic, and of course what’s happened to our economy. And going forward we’re all very fearful that when we go back to work the world will be a very different place.”Lighthill said across the industry, gig workers on large and small productions will be impacted for years to come, if not permanently. “It’s going to have to change the way we work in the production of films, it's going to change the way people see films, it’s going to change the size of our audiences and where those audiences are going now. As much as we talk about going back to work, but there’s a tremendous amount of fear that we won’t have the right tools in place.”For Maverick, when the work he loved dried up, he filed for unemployment, but because of a banking clerical error, “I received one COVID payment with the regular benefits plus the extra payment of 0,” he said. “That was 10 weeks ago.”He is now still waiting for all the benefits he is owed to arrive."COVID-19 is not as big of a fear to me as sliding into poverty this far in my career where I’m just years away from retirement,” he said.Maverick said the stress and anxiety piled up with his bills. “It’s sad you have to be at this point, 30 years into your career, worried about just having food in the pantry,” he said. “I was eating every third day. I would take vegetables, because they’re cheap, and juice them and put them in the refrigerator and drink them over the course of three days.”In the midst of his physical struggle, Maverick was hit with heartbreak. His brother, an Army veteran, passed away.“I’m a fixer, I’ve always been a fixer. That’s why I do my job as a makeup artist,” he said. “But I can’t fix this. I can’t fix dead.”And he can’t turn Hollywood on overnight for the thousands of people waiting in the wings as filmmakers and lawmakers rescript the choreography on set so the show can safely go on.“Hollywood is not that far away from your front door. You just turn on your TV. We’re always there to entertain you, and we hope that you’re there for us as we struggle through this,” said Maverick. 4529

LONG BEACH, Calif. (KGTV) -- Cell phone video that surfaced Monday shows good Samaritans rescuing passengers from a sinking car.The rescue happened in Long Beach after the car accidentally crashed through the railing, slamming into the water.Inside the car at the time of the crash were a woman, her son and a dog. All the passengers made it out safely thanks to the heroic actions. 390

LOS ANGELES (AP) — Jockeys and exercise riders in California will be working under a more restrictive rule governing the use of whips. The amended rule was designed to further protect horses without compromising the safety of horses and riders, although as written it is not being widely embraced by some riders. Riders cannot use the whip more than six times during a race, excluding showing or waving the whip or tapping the horse on the shoulder. Violators face a ,000 fine and three-day suspension. 512

LOS ANGELES (CNS) - A China Airlines flight crew spotted what appeared to be a person flying a jet pack 6,000 feet above the ground near LAX Wednesday, less than two months after two separate airline crews reported seeing a jet pack in the Cudahy and South Gate areas.China Airlines flight 006 was approaching LAX about 1:45 p.m. when the crew "reported seeing what appeared to be someone in a jet pack at an approximate altitude of 6,000 feet, about seven miles northwest of Los Angeles International Airport," the Federal Aviation Administration said.The FAA is also investigating an Aug. 30 sighting of what appeared to be a person in a jet pack about 3,000 feet above the ground in the Cudahy and South Gate areas, but investigators have not been able to verify those reports, the FAA's Ian Gregor said Wednesday.RELATED: FBI releases map of Sunday's 'guy in a jet pack' in Los AngelesAt the time of the August sightings, the pilot of American Airlines flight 1997 radioed the LAX tower to make the unusual report of somebody apparently flying at about 3,000 feet with a jet pack. The plane was flying northwest of the junction of the 710 and the Century (105) freeways, according to a map released by the FBI. More specifically, it appears the plane was in the area west of the 710, east of San Juan Avenue, north of Firestone Boulevard and south of Cudahy Park."Tower, American 1997. We just passed a guy in a jet pack," the pilot said on the August radio transmission. An air-traffic controller -- noticeably taken aback by the report -- responded, "American 1997, OK, thank you for the update. Left side or right side?""Off the left side," the pilot replied, "at maybe, uh, 300 yards or so, at our altitude."At least one other pilot, aboard a Southwest Airlines flight that August, also spotted the unusual aviator: "Tower, we just saw the guy pass by us," the pilot reported.The LAX tower alerted an inbound JetBlue pilot to beware of "a person with a jet pack reported 300 yards south of the L.A. final at about 3,000 feet." The pilot responded, "We heard and are definitely looking."The bewildered air-traffic controller responded, "Only in L.A."Further information about Wednesday's sighting was not immediately available from the FAA. 2255

LOS ANGELES (CNS) - Pop star Ariana Grande is suing fashion retailer Forever 21 and its spin-off cosmetics brand, Riley Rose, for million, alleging in court papers filed in Los Angeles that the company used a look-alike model in an ad campaign without permission.The complaint, filed in U.S. District Court, alleges that the trademark violations took place in late 2018 and early this year, using unlicensed imagery from her ``Thank U, Next'' album and ``7 Rings'' music video.A Forever 21 representative issued a statement on the company's behalf.``While we dispute the allegations, we are huge supporters of Ariana Grande and have worked with her licensing company over the past two years,'' the statement reads. ``We are hopeful that we will find a mutually agreeable resolution and can continue to work together in the future.''Grande alleges that Forever 21 ran the ad campaign on its website and social media platforms.``As of February 2019, Ms. Grande became the most-followed woman on Instagram in the world, amassing more than 160 million Instagram followers; a title she continues to hold through the date of filing this complaint," according to the lawsuit. ``Even a single social media post by Ms. Grande can garner fees of several hundred thousand dollars, and her longer-term endorsement arrangements command fees in the millions of dollars.'' 1369