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NEW YORK (AP) — The Cooper Hewitt, Smithsonian Design Museum has acquired two emoji that have helped broaden diversity for users of the tiny pictures. It becomes the third museum to add emoji to their digital collections. The New York museum acquired the “person with headscarf” and “inter-skintone couple” emoji for its burgeoning collection of digital assets. The museum plans an exhibition explaining the significance of the two through interviews and images, but the pandemic has put an opening date in limbo, said Andrea Lipps, Cooper Hewitt’s associate curator of contemporary design.“The desire to acquire these particular emoji arose from what we were seeing as the desire for inclusion and representation of various groups and communities and couples on the emoji keyboard,” Lipps told The Associated Press in an interview ahead of the announcement.The emoji are commonly known as “woman in hijab” and “interracial couple.”The hijab emoji, as it’s informally known, was submitted in 2016 to the Unicode Consortium, a nonprofit that oversees emoji standards with voting members from the world’s top digital companies. A then 15-year-old Saudi Arabian girl, Rayouf Alhumedhi, attracted worldwide attention as she campaigned for its inclusion. She was selected as one of Time magazine’s most influential teens of 2017.The interracial couple emoji was submitted to Unicode in 2018 and arrived on devices last year, giving people their first chance to combine multiple skin tones in a single emoji. It builds on the advocacy work of Katrina Parrott, a Black, Houston-based entrepreneur inspired to create diverse skin tones in emoji after her daughter lamented she couldn’t properly represent herself on keyboards. 1726

NEW YORK — In a blistering rebuke of President Donald Trump, Gov. Andrew Cuomo called the sitting president the worst "in history" from a New York vantage point after a report emerged that the president signed a memo ordering the federal government to begin the process of defunding New York City and other cities where protests have broken out and crime has increased.Federal agencies were told by the administration to send reports to the White House Office of Management and Budget to details funds that can be redirected away from New York City; Washington, D.C.; Seattle and Portland, the New York Post reported."President Trump has actively sought to punish NYC since day one," Cuomo said in a tweet. "He let COVID ambush New York. He refuses to provide funds that states and cities MUST receive to recover. He is not a king. He cannot 'defund' NYC. It's an illegal stunt."New York City gets more than billion annually from the federal government, according to a 2017 report from city's comptroller.Cuomo, in a Wednesday night conference call, said it was personal for Trump."New York City rejected him — always," Cuomo said. "He was dismissed as a clown in New York City."He said the Trump administration has done everything in their power to hurt New York City, citing a lack of funding or action for the Second Avenue Subway, the LaGuardia AirTrain, congestion pricing and, of course, the coronavirus pandemic."The best thing he did for New York City was leave," Cuomo said. "Good riddance."This comes at the same time as Congress squabbles over providing financial assistance to state and local governments in a coronavirus relief bill. The city government is currently dealing with a budget shortfall that could result in the dismissal of 22,000 municipal workers.In addition to condemnation from Albany, City Hall criticized the president's actions."As much as Donald Trump wants New York City to drop dead, we will never let this stand," a spokesperson for Mayor Bill de Blasio said. "This has nothing to do with 'law and order.' This is a racist campaign stunt out of the Oval Office to attack millions of people of color."In March, Trump threatened to withhold law enforcement grants from New York, and other sanctuary cities like it. At the time, Mayor de Blasio warned the cut would affect budgets for law enforcement and other first responders. Now, with the city reeling from the impacts of the coronavirus pandemic, that impact could be even worse.It's a threat that dates back to 2016. At the time, the first page of Trump’s “100 -day action plan to Make America Great Again” said Trump would cancel federal funding to sanctuary cities “to restore security and the constitutional rule of law.”A 2017 analysis from City Comptroller Scott Stringer found that about 10 percent of the money the city spends each year to keep residents healthy, safe and informed comes from the federal government.A request for comment has been left for the White House Office of Management and Budget.While it's likely that the president's memo will lead to a complex legal discussion, Cuomo was more succinct."President Ford said 'drop dead,'" Cuomo said of the infamous Daily News front page from 1975. "President Trump has actively been trying to kill New York City ever since he's been elected."This article was written by Corey Crockett and Aliza Chasan for WPIX. 3381

NEW YORK (AP) — Carl Reiner, the ingenious and versatile writer, actor and director who broke through as a “second banana” to Sid Caesar and rose to comedy’s front ranks as the creator of “The Dick Van Dyke Show” and straight man to Mel Brooks’ “2000 Year Old Man,” has died. He was 98.Reiner’s assistant Judy Nagy said he died Monday night of natural causes his home in Beverly Hills, California.He was one of show business’ best-liked men, the tall, bald Reiner was a welcome face on the small and silver screens, in Caesar’s 1950s troupe, as the snarling, toupee-wearing Alan Brady of “The Dick Van Dyke Show” and in such films as “The Russians Are Coming, the Russians Are Coming” and “It’s a Mad, Mad, Mad, Mad World.”In recent years, he was part of the roguish gang in the “Ocean’s Eleven” movies starring George Clooney and appeared in documentaries including “Broadway: Beyond the Golden Age” and “If You’re Not in the Obit, Eat Breakfast.”Films he directed included “Oh, God!” starring George Burns and John Denver; “All of Me,” with Steve Martin and Lily Tomlin; and the 1970 comedy “Where’s Poppa?” He was especially proud of his books, including “Enter Laughing,” an autobiographical novel later adapted into a film and Broadway show; and “My Anecdotal Life,” a memoir published in 2003. He recounted his childhood and creative journey in the 2013 book, “I Remember Me.”But many remember Reiner for “The Dick Van Dyke Show,” one of the most popular television series of all time and a model of ensemble playing, physical comedy, and timeless, good-natured wit. It starred Van Dyke as a television comedy writer working for a demanding, eccentric boss (Reiner) and living with his wife (Mary Tyler Moore in her first major TV role) and young son in suburban New Rochelle, New York.“The Van Dyke show is probably the most thrilling of my accomplishments because that was very, very personal,” Reiner once said. “It was about me and my wife, living in New Rochelle and working on the Sid Caesar show."Reiner is the father of actor-director Rob Reiner.His death was first reported Tuesday by the celebrity website TMZ. 2134

NIAGARA FALLS, N.Y. — Since the 1800s, many daredevils have tried to conquer Niagara Falls in a variety of ways.While some had success, like Nick Wallenda who walked across the Falls on a tightrope in 2012, others did not survive.Kirk Jones is one of those who died in his attempt.Jones got notoriety in 2003 when he survived a jump over the Horseshoe Falls wearing no protective equipment. 398

NEW YORK (AP) — Wells Fargo CEO Charles Scharf is apologizing for comments he made about the difficulty of finding qualified Black executives. Scharf said in a memo released this week that “there is a very limited pool of black talent to recruit from” in corporate America. The comments and similar statements made in a Zoom meeting led to an intense backlash in Washington and from advocacy groups. Scharf on Wednesday said in a prepared statement that the comments he made reflect “my own unconscious bias.”“There is no question Wells Fargo has to make meaningful progress to increase diverse representation,” he wrote. 629