精神障碍去南昌那家医院南昌市精神障科,南昌市第十二医院治精神科医生到底靠谱吗,南昌治疗神经病那个医院,幻觉那个医院好南昌市,南昌市那里治癔病,南昌那家敏感多疑症医院好点,南昌发狂症医院那个好

LOS ANGELES (AP) — Authorities say a murder suspect has died while hospitalized following a shootout with police during a chase last week in Southern California.The Los Angeles County Sheriff's Department says Dylan Andres Lindsay died Thursday of an apparent self-inflicted gunshot wound suffered on May 10.The department says investigators believe the 24-year-old shot himself after trading gunfire with police during a high-speed car chase. He had been hospitalized in critical condition.RELATED: Suspect in killing held after California car chase, shootoutLindsay was suspected of shooting and killing a liquor store owner in the city of Downey on May 7.Officials say during the pursuit, the suspect fired a large-caliber revolver at police from the passenger seat of a Prius.A woman driving the Prius was shot, but her injury was not life-threatening. 864

LOS ANGELES, Calif. -- For gig workers who don’t have a typical 9 to 5 job, finding work is a hustle under normal circumstances.With the pandemic shutting down thousands of these specialty jobs across the country for months, many of these workers say it’s been a struggle to even put food on the table.Hollywood makeup artist Robert Maverick is used to creating nightmarish characters. He’s worked on all kinds of sets from live stage productions to blockbuster movies and television shows.Yet, surviving the shutdown, specifically the closure of the entertainment industry, has become a horror all too real.“It’s been the most depressing and stressful time of my life,” said Maverick.Maverick, like many other professionals behind the scenes and independent contractors around the country, works job to job whenever work is available.“We’re mostly middle class, and we don’t walk the red carpet, but we make the people who do look good,” Maverick said.“Many people think we live in a very glamorous world and that we’re very rich and entitled, but the truth is, many of us work on hourly wages and go from project to project,” said Felicia Linsky, a makeup artist who has worked in Hollywood for years. “You’re only as good as the project you get to show up and do,” she said.Career makeup artist Iris Abril, who has worked on shows like "Brooklyn Nine-Nine," said she and her husband are both gig workers. “With the pandemic, it put both of us out of work at the same time,” she said. “It’s really scary and we’re in denial,” said Abril of the fact that all productions across the entertainment industry ground to a halt for months.Now, production may resume, but the question is: how? Many fear they’ll be unemployed for months to come.Linsky started several new online business ventures while out of work in her field. She said it was not only a way to create income but a way to pass the time.“I created a virtual hair coloring and hair cutting service that ended up going across the country,” said Linsky. “I’ve always believed in online businesses, and that’s been my way of segwaying and staying positive and productive,” she said of making sure she did everything she could to bring in income during the shutdown.“We’ve all tried to stay active, but it’s been tremendously upsetting," said Stephen Lighthill, President of the Board of Governors for the American Society of Cinematographers. "It’s the danger of going outside, the danger of the pandemic, and of course what’s happened to our economy. And going forward we’re all very fearful that when we go back to work the world will be a very different place.”Lighthill said across the industry, gig workers on large and small productions will be impacted for years to come, if not permanently. “It’s going to have to change the way we work in the production of films, it's going to change the way people see films, it’s going to change the size of our audiences and where those audiences are going now. As much as we talk about going back to work, but there’s a tremendous amount of fear that we won’t have the right tools in place.”For Maverick, when the work he loved dried up, he filed for unemployment, but because of a banking clerical error, “I received one COVID payment with the regular benefits plus the extra payment of 0,” he said. “That was 10 weeks ago.”He is now still waiting for all the benefits he is owed to arrive."COVID-19 is not as big of a fear to me as sliding into poverty this far in my career where I’m just years away from retirement,” he said.Maverick said the stress and anxiety piled up with his bills. “It’s sad you have to be at this point, 30 years into your career, worried about just having food in the pantry,” he said. “I was eating every third day. I would take vegetables, because they’re cheap, and juice them and put them in the refrigerator and drink them over the course of three days.”In the midst of his physical struggle, Maverick was hit with heartbreak. His brother, an Army veteran, passed away.“I’m a fixer, I’ve always been a fixer. That’s why I do my job as a makeup artist,” he said. “But I can’t fix this. I can’t fix dead.”And he can’t turn Hollywood on overnight for the thousands of people waiting in the wings as filmmakers and lawmakers rescript the choreography on set so the show can safely go on.“Hollywood is not that far away from your front door. You just turn on your TV. We’re always there to entertain you, and we hope that you’re there for us as we struggle through this,” said Maverick. 4529

LOS ANGELES (AP) — The widow of a man who died in a fiery dive boat disaster that killed 34 people in waters off California is suing the vessel's owners.Christine Dignam, who lost her husband Justin Dignam, filed her claim Monday in Los Angeles federal court.The lawsuit against Santa Barbara-based Truth Aquatics is the first from a relative of those who died on the boat.RELATED: San Diego woman killed in deadly Conception boat fire off Santa BarbaraThe lawsuit is a counterclaim to a lawsuit filed pre-emptively by owners of the boat, called the Conception, to protect them from liability under a quirk of maritime law.The fire is the subject of ongoing criminal and safety inquiries by federal authorities. The blaze's cause has not been determined.Lawyers for the boat company did not immediately respond to emails seeking comment on the lawsuit. 860

LOS ANGELES (AP) — When a wildfire burned across Big Sur two years ago and threatened hundreds of homes scattered on the scenic hills, thousands of firefighters responded with overwhelming force, attacking flames from the air and ground.In the first week, the blaze destroyed 57 homes and killed a bulldozer operator, then moved into remote wilderness in the Los Padres National Forest. Yet for nearly three more months the attack barely let up.The Soberanes Fire burned its way into the record books, costing 2 million as the most expensive wildland firefight in U.S. history in what a new report calls an "extreme example of excessive, unaccountable, budget-busting suppression spending."The report by Firefighters United for Safety, Ethics, and Ecology criticizes fire managers for not adapting their approach to the changing nature of the blaze. The nonprofit group, which gets funding from the Leonard DiCaprio Foundation and other environmental organizations, advocates ending "warfare on wildfires" by ecologically managing them.The report suggests the Forest Service response was the result of a "use it or lose it" attitude to spend its entire budget, which had been boosted by 0 million because of a destructive 2015 fire season. The agency managed to spend nearly all its 2016 money in a less-active fire season on about half the amount of land that burned the year before."They just kept going crazy on it," report author Timothy Ingalsbee said. "It wasn't demand-driven. It was supply-driven. They had all this extra money Congress had given them, and they had to justify that."Forest Service officials would not comment directly on the report. After asking The Associated Press to provide written questions, the agency declined to answer them and issued a short statement saying it was committed to reducing costs in similarly large fires."Protection of people first and then resources are our primary considerations," the statement said. "Every fire is evaluated to determine the appropriate strategy. We continually look for opportunities to improve outcomes and accountability and to find more cost-efficient and effective methods of managing wildfires."In addition to burning 206 square miles (534 square kilometers), the smoky fire closed signature parks in the area and put a damper on tourism in Big Sur during the peak season of its only industry. Monterey County estimated a 40 percent loss in revenue for the summer season in the area.An internal Forest Service review produced last year and obtained by the AP reached some of the same conclusions as Ingalsbee.For example, the department's review found that from Aug. 9 to Sept. 29, 2016, the number of threatened structures remained at 400 even as the fire grew by more than 90 square miles (230 square kilometers), which indicated the risk to property had abated as the flames burned into the wilderness. During that period, firefighting costs grew by 0 million.The review found forest managers didn't think they could deviate from the "overwhelming force concept" aimed at suppression. It also said the agency's protocol for managing long-term wildfires "does not sufficiently evaluate and adjust to changing risk."One challenge fire commanders faced was an outdated forest management plan for Los Padres that called for full suppression of all wildfires, Ingalsbee said.Mike Warren, a retired National Park Service firefighter who reviewed the report, questioned the wisdom of suppressing fires in remote wilderness where flames can help eliminate brush and other flammable vegetation that could fuel a later wildfire.When Warren was fire management officer at Sequoia and Kings Canyon National Parks, they would let blazes burn in the wilderness if they were confident the fire would stay in the park.The challenge in a place like the tourist-dependent Big Sur area is pressure from politicians, homeowners, businesses, loggers and ranchers to control the fire, Warren said."When is enough enough?" he said. "When do you back off say, 'This is it. We're just going to let it do its thing.' That takes some real political will."The Forest Service's internal review inspired Ingalsbee to file public records requests for other documents that led to his report.Among his findings:— About a fifth of the area burned was from fires set to clear brush and vegetation between outer perimeters and the active fire. One of these blazes jumped fire lines. These burnout operations created additional smoke and cost an estimated million.— A nearly million air campaign, including large air tankers that cost ,720 per hour, was largely ineffective. Retardant is effective at slowing flames only where ground crews can remove vegetation to create containment lines. But drops were done deep in steep, rugged wilderness where it was too dangerous to send crews, and even where flames never reached.— Bulldozers, which cost ,700 per hour, tore up wilderness, creating what Ingalsbee called "ghost roads" that will remain for years. The Forest Service spent an estimated million a day for weeks repairing damage done by dozers.The report concluded that once the blaze that broke out July 22, 2016, entered wilderness, there was little chance of stopping it before fall rains fell.Chad Hanson, an expert on fire and director of the John Muir Project, a nonprofit environmental group, said the cost was stunning, but the approach to fire was business as usual."It's sort of shocking that this massive amount of taxpayer money is being spent trying to suppress backcountry fires that are weather-driven and can't be stopped until the weather changes, rather than focusing resources on protecting communities," Hanson said. "On the other hand, I'm not surprised the Forest Service is doing this because it's been their practice for years."One beneficiary of the firefighting effort was Tom Little Bear Nason, who lives in a homestead in the national forest his family has owned for 150 years. He was also a contractor on the fire, with a team of dozer operators.Nason, chairman of the Esselen Tribe of Monterey County, credited the suppression effort with helping save his property. But he said costs shot up when managers went overboard on backfires and cut contingency lines too far from the fire.He also criticized the leadership on the fire, which changed every couple of weeks, for disregarding a pre-attack fire plan drawn up by local, state and federal agencies, tribal leaders, environmentalists and homeowners that included information on protecting historic and cultural sites.He said those plans "got chucked out the window" and led to significant losses. A homesteader cabin burned to the ground, sacred sites such as burial grounds were plowed over, and a rock where tribal members gave birth was struck by a bulldozer."Lots of efforts went to protect communities that went above and beyond" what was necessary, Nason said. "They were acting on the worst-case scenario." 6975

LOS ANGELES (KGTV) -- A famous Los Angeles bakery is planning to launch a new bake at home service.According to the Daily Breeze, Porto’s Bakery in Los Angeles will launch the new service on Tuesday, October 9. The service will ship pastries nationwide.Several famous treats will be made available, including meat pies, Refugio guava and cheese pastries.The company says the items will be shipped to customers in about two days.Click here for more information. 468