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"Flippy," the burger-flipping robot introduced recently at a Pasadena, Calif., burger restaurant, has been taken offline after one day on the job.The robot was taken off the line, in fast-food terms, at CaliBurger, BBC News reported, after it was unable to keep up with demand. Miso Robotics introduced the robot as a potential replacement to human cooks.So the burger-flipping robot has been switched off until coders can update it.Interest and news about Flippy's "hiring" created an increased demand at the restaurant, leading to more orders than it could handle.CaliBurger is reportedly working with staff to make sure the kitchen is working around Flippy as efficiently as possible as well. The restaurant hopes to eventually deploy Flippys in more of its locations.Miso Robotics says Flippy can detect when raw burger patties are placed on the grill and monitors each one. A cloud-based software from the company keeps track of the cook time and alerts workers when it's time to dress the burger patty.Flippy will be able to cook up to 2,000 burgers a day, the company touts. Here's a look at how the robotic arm works: 1163

"Lemonade stand! Snack bar!" they shout loudly. At the corner of Peabody Drive and Hardy Cash Drive in Hampton, Virginia you'll find a group of determined kids."We are raising money for single mothers that are struggling. They have to do so much on their own," said 11-year-old Cartier Carey.Cartier is the leader of the "Carti Pack" and CEO of his lemonade stand, one unlike any other."We sell lemonade, chips, candy - all types of stuff that people want, and it's not expensive," he said.Each dollar spent towards a cup of the summertime drink and goodies on the side goes towards buying diapers for local families in need."The diapers are for mothers or anyone that has babies," Cartier said.It's an unusual business model, but one that's working."There's a shortage of Pampers and wipes in the stores because of the pandemic, so this couldn't have come at a better time," said Anthony Carey, Cartier's dad.A rising sixth-grader like Cartier and his friends could be out playing sports or riding bikes, but instead, they're helping single mothers in the community."There are a lot of grown-ups out there not doing what we're doing," Cartier said."As a parent, it makes me feel spectacular," Anthony said.This lemonade stand isn't a first for Cartier. He started the non-profit Kids 4 Change 757 about a year ago."Not only are they helping older adults, but [they're also] helping children see they can make a change inside of their community," Anthony said.So far this week, Cartier and his friends have raised ,200, most of which is going to buy the diapers."I'm shocked," Cartier said.Cartier and his friends will be out in Hampton at the corner of Peabody Drive and Hardy Cash Drive through Friday.WTKR's Chelsea Donovan first reported this story. 1763

"The Shape of Water" floated to the top as best picture at the 90th annual Academy Awards, bringing a suspenseful close to an awards season punctuated by the sexual-harassment scandals that have roiled Hollywood.The Oscars are a big, unwieldy beast, which invariably try to serve too many masters. Yet if the intent was ultimately to maintain a celebratory tone without ignoring either the outside world or the elephant in the room throughout this year's awards, host Jimmy Kimmel and the show itself largely succeeded.Aside from best picture, the awards both spread the wealth among a number of films and mostly followed the anticipated script, with few major surprises among the highest-profile categories. The show also managed to deal with serious issues -- from Time's Up to diversity and inclusion -- without sacrificing a sense of fun and irreverence.Last year, the two-month awards process was dominated by the collective response to the newly minted Trump administration. While politics played a significant part in Sunday's telecast, there was also the matter of the #MeToo movement, as the entertainment industry still seeks to get its own house in order.Kimmel addressed the #MeToo movement and Time's Up campaign head-on in his opening monologue, which mocked various targets -- including, inevitably, the Trump White House -- with a light, clever touch.Indeed, while Kimmel might have become a more polarizing figure with his entry into the healthcare and gun-control debates, he again brought a genial persona to the emcee role, one that somewhat leavened the seriousness and bouts of pretentiousness that can drip into the ceremony.Toward that end, Kimmel not only joked about the show's length but offered a jet ski as an incentive to whoever gave the shortest speech. (This being the Oscars -- a career milestone for honorees -- the sentiment is admirable, but they might need a bigger boat.)The host also again enlisted ordinary people into the act -- this time taking a group of stars to surprise the audience in a nearby theater. As with last year's similar stunt, the idea was better than the execution, but it did give the show a welcome and refreshing jolt of energy.In terms of politics, Kimmel extended an endorsement to the planned march for gun control being organized by students impacted by the Parkland school shooting. When the documentary "Icarus," about a Russian whistleblower, won, he deadpanned, "Now we know at least [Vladimir] Putin didn't rig this competition."The audience also loudly cheered acknowledgment of the Dreamers, those youths brought to America without legal documentation; "Coco," the animated feature, whose producers gave thanks to Mexico, where the story takes place; and Common's passionate rap, which took President Trump to task on multiple fronts. Director Guillermo del Toro also spoke of the power of film to tear down walls, not erect them.The issue of sexual harassment was given powerful voice by several actresses who have publicly spoken out about disgraced producer Harvey Weinstein, allegations that, because of his outsized role, cast a shadow over awards season. Ashley Judd cited "a mighty chorus that is finally saying Time's Up." Frances McDormand also used her speech to deliver a message of female empowerment, having all the women nominees stand -- a symbolic gesture if there ever was one.For an event like the Oscars, avoiding major snafus is always part of the challenge, especially after last year's envelope mix-up. Bringing back Warren Beatty and Faye Dunaway as presenters nicely added closure to that farcical finale.There were, admittedly, an over-abundance of clip packages, although given the 90th-anniversary milestone, that was hardly a surprise.The producers also provided the requisite mix of old and new, featuring the stars of superhero fare like "Black Panther" and "Wonder Woman" while giving nostalgic nods to Eva Marie Saint, Rita Moreno and Jane Fonda. Throw in screenplay winner James Ivory, 89, and for an industry that prize's youth, it was an inordinately good night for octogenarians.While the best-picture balloting kept Oscar watchers guessing, the acting nominations went according to form, including lead actors McDormand and Gary Oldman, and supporting honors for Sam Rockwell and Allison Janney.The Oscars are still absorbing the impact of the #OscarsSoWhite campaign, the hash tag created a few years ago in response to the absence of people of color among nominees. Since then, the Academy of Motion Picture Arts and Sciences has expanded its membership by roughly 20% and inducted more women and people of color, new blood that might have had an impact on the awards, producer more openness to genres that have usually been overlooked in the past.Notably, sexual-harassment claims also bled into the pre-show coverage, with the E! network featuring Ryan Seacrest emceeing its red-carpet arrivals despite allegations against him by a former wardrobe stylist, which the host has denied. 5021

You're stressed out. You look around frantically, sure that the walls are closing in on you. There appears to be no way out. You look around and see friends and loved ones trapped in a similar situation, and wonder not only how you all wound up in this mess, but why it was that you actually paid to put yourself in this situation.So where are you, an escape room? Not quite. You're in "Escape Room." The movie. Your plight is the accumulation of questionable choices, and your price is being stuck in a bizarro, idiotic mess for nearly two hours.Game over. You lose.A movie that only wound up in theaters because it's the first Friday of the year — the ninth batter slot of the movie world — "Escape Room" manages to meet lowered expectations and somehow manage to slide right below them.Its C-level stars swap insipid one-liners, perish in a sloppy mess of mediocre special effects and struggle to solve puzzles that range from slap-you-in-the-face obvious to head-shakingly obtuse. Playing like a second-rate "Saw" sequel, it stretches its this premise until it snaps, taking your attention along with it.Escape rooms are famous for taking groups of friends and loved ones and transforming them into bitter enemies who can no longer stand the sight of one another. Their obtuse, teamwork-oriented puzzles have a dastardly way of breeding distrust and contempt in the name of "team building."It's only natural that a movie based on the concept would be similarly sinister and counterproductive. Moviegoers expecting something coherent and competent will leave the theater bitter and unfulfilled. Tyler Labine, Logan Miller, Deborah Ann Woll, Taylor Russell, Logan Miller and Nik Dodani play the hapless contestants who find themselves tricked into taking part in a real-life escape room series that promises ,000 to the winners. Second prize, they quickly learn, is swift, grisly death.These sure aren't the sort of rooms you'll find down at the local strip mall. Contestants are torched, dropped, gassed and electrocuted, usually due to their own idiocy. You start to feel guilty for rooting for the escape room itself, rather than any of the dopey characters.Worse still, director Adam Robitel and his screenwriters go for a twist ending that succeeds in unpredictability only because it's so incomprehensible. By the time the finale hits -- and it makes impact with a thud -- you're so worn out that you're not even annoyed by the inanity. You're simply grateful the end credits are at hand, and with it your sweet escape.RATING: 1.5 stars out of 4 2568

SAN DIEGO (KGTV) - San Diego Police Chief David Nisleit tells 10news he's awaiting coronavirus test results for five police officers.Amid the coronavirus outbreak, the days remain busy for police, whether helping those in need, enforcing beach closures, or responding to calls. That means interactions with people who may have COVID-19."I'm waiting for results for five officers. The officers remain isolated right now. We've had some officers' tests come back negative, so that's great news," said Chief Nisleit.A police spokesperson told 10news officers have been self-reporting possible exposure, both on-duty and off-duty. A medical expert then determines if they should be tested. "We have some officers that are showing symptoms, and then we have some other officers that are isolated because they've been exposed," said Chief Nisleit.The precautions being taken by law enforcement across the county include sanitizing vehicles and social distancing, and if physical contact with the public is necessary, the use of masks, goggles and gloves. A spokesperson from Oceanside Police says they're doing more phone or online reports when possible. Dispatch and officers are also asking more questions about cold and flu-like symptoms.A video from the Chula Vista Department tells the public, "We may ask you to wear a mask." Starting Friday, Chula Vista Police will be taking an extra step. A spokesperson says they'll strongly suggest officers wear protective equipment for all interactions with the public closer than six feet. 10news reached out to law enforcement across the county. The Sheriff's Department, along with El Cajon, Chula Vista, Oceanside, and Carlsbad Police say none of their officers has tested positive. 1739

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