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LOS ANGELES (AP) — When Steven Spielberg speaks about the business of Hollywood, everyone generally listens and few dissent. But reports that he intends to support rule changes that could block Netflix from Oscars-eligibility have provoked a heated, and unwieldy, debate online. It has found the legendary filmmaker at odds with some industry heavyweights, who have pointed out that Netflix has been an important supporter of minority filmmakers and stories, especially in awards campaigns, while also reigniting the ongoing streaming versus theatrical debate.Spielberg has weighed in before on whether streaming movies should compete for the film industry's most prestigious award (TV movies, he said last year, should compete for Emmys), but that was before Netflix nearly succeeded in getting its first best picture Oscar for Alfonso Cuaron's "Roma" at last week's Academy Awards. Netflix, of course, did not win the top award — "Green Book," which was produced partially by Spielberg's Amblin Entertainment, did.Still, Netflix was a legitimate contender and this year, the streaming service is likely to step up its awards game even more with Martin Scorsese's "The Irishman," which The Hollywood Reporter said may also gunning for a wide-theatrical release. A teaser ad aired during the 91st Oscars for the gangster drama said "in theaters next fall," instead of the "in select theaters" phrasing that was used for "Roma."But Netflix also isn't playing by the same rules as other studios. The company doesn't report theatrical grosses, for one, and it's been vexing some more traditional Hollywood executives throughout this award season and there have been whispers in recent weeks that a reckoning is coming.Now, Spielberg and others are planning to do something about it by supporting a revised film academy regulation at an upcoming meeting of the organization's board of governors that would disqualify Netflix from the Oscars, or at least how the streaming giant currently operates during awards season.This year "Roma" got a limited theatrical qualifying run and an expensive campaign with one of the industry's most successful awards publicists, Lisa Taback, leading the charge. But Netflix operates somewhat outside of the industry while also infiltrating its most important institutions, like the Oscars and the Motion Picture Association of America. Some like Spielberg, are worried about what that will mean for the future of movies."Steven feels strongly about the difference between the streaming and theatrical situation," an Amblin spokesperson told IndieWire's Anne Thompson late last week. "He'll be happy if the others will join (his campaign) when that comes up. He will see what happens."An Amblin representative said Sunday there was nothing to add.Netflix has its strong defenders, which include the A-list talent it has attracted for its projects. Ben Affleck, speaking at the premiere of his new Netflix film "Triple Frontier," said the streaming service is "heavily invested in telling stories.""It's very exciting because you get the sense you're defining where the future of cinema and distribution is going, you know? Already, people are watching movies on more and more platforms than they ever had, and you get a sense that you're part of sort of the emerging transition," Affleck told The Associated Press on Sunday.Some see Spielberg's position as wrong-minded, especially when it comes to the Academy Awards, which requires a theatrical run to be eligible for an award. Many online have pointed out the hypocrisy that the organization allows members to watch films on DVD screeners before voting.Filmmaker Ava DuVernay tweeted at the film academy's handle in response to the news that the topic would be discussed at a board of governors meeting, which is comprised of only 54 people out of over 8,000 members."I hope if this is true, that you'll have filmmakers in the room or read statements from directors like me who feel differently," DuVernay wrote.Some took a more direct approach, questioning whether Spielberg understands how important Netflix has been to minority filmmakers in recent years.Franklin Leonard, who founded The BlackList, which surveys the best unproduced scripts in Hollywood, noted that Netflix's first four major Oscar campaigns were all by and about people of color: "Beasts of No Nation," ''The 13th," ''Mudbound" and "Roma.""It's possible that Steven Spielberg doesn't know how difficult it is to get movies made in the legacy system as a woman or a person of color. In his extraordinary career, he hasn't exactly produced or executive produced many films directed by them," Leonard tweeted Saturday. "By my count, Spielberg does one roughly every two decades."Netflix's film account tweeted that it was dedicated to give film access for people who either can't afford the movie tickets or live in towns without theaters and also "Letting everyone, everywhere enjoy releases at the same time."It's important to note that Netflix didn't produce "Beasts of No Nation," ''Mudbound" or "Roma," but rather acquired them for distribution. But if Oscar campaigns are no longer part of the equation in a Netflix-partnership, top-tier filmmakers are likely to take their talents and films elsewhere.Others, like "First Reformed" filmmaker Paul Schrader, had a slightly different take."The notion of squeezing 200+ people into a dark unventilated space to see a flickering image was created by exhibition economics not any notion of the 'theatrical experience,'" Schrader wrote in a Facebook post Saturday. "Netflix allows many financially marginal films to have a platform and that's a good thing."But his Academy Award-nominated film, he thinks, would have gotten lost on Netflix and possibly, "Relegated to film esoterica." Netflix had the option to purchase the film out of the Toronto International Film Festival and didn't. A24 did and stuck with the provocative film through awards season."Distribution models are in flux," Schrader concluded. "It's not as simple as theatrical versus streaming."One thing is certain, however: Netflix is not going away any time soon and how it integrates with the traditional structures of Hollywood, like the Oscars, is a story that's still being written.Sean Baker, who directed "The Florida Project," suggested a compromise: That Netflix offered a "theatrical tier" to pricing plans, which would allow members to see its films in theaters for free."I know I'd spend an extra 2 dollars a month to see films like 'Roma' or 'Buster Scruggs' on the big screen," Baker tweeted. "Just an idea with no details ironed out. But we need to find solutions like this in which everybody bends a bit in order to keep the film community (which includes theater owners, film festivals and competitive distributors) alive and kicking."___AP Writer John Carucci contributed to this report. 6882

LOS ANGELES (AP) — Robert Forster, the handsome and omnipresent character actor who got a career resurgence and Oscar nomination for playing bail bondsman Max Cherry in "Jackie Brown," died Friday. He was 78.Publicist Kathie Berlin said Forster died of brain cancer following a brief illness. He was at home in Los Angeles, surrounded by family, including his four children and partner Denise Grayson.Condolences poured in Friday night on social media.Bryan Cranston called Forster a "lovely man and a consummate actor" in a tweet. The two met on the 1980 film "Alligator" and then worked together again on the television show "Breaking Bad" and its spinoff film, "El Camino," which launched Friday on Netflix."I never forgot how kind and generous he was to a young kid just starting out in Hollywood," Cranston wrote.His "Jackie Brown" co-star Samuel L. Jackson tweeted that Forster was "truly a class act/Actor!!"A native of Rochester, New York, Forster quite literally stumbled into acting when in college, intending to be a lawyer, he followed a fellow female student he was trying to talk to into an auditorium where "Bye Bye Birdie" auditions were being held. He would be cast in that show, that fellow student would become his wife with whom he had three daughters, and it would start him on a new trajectory as an actor.A fortuitous role in the 1965 Broadway production "Mrs. Dally Has a Lover" put him on the radar of Darryl Zanuck, who signed him to a studio contract. He would soon make his film debut in the 1967 John Huston film "Reflections in a Golden Eye," which starred Marlon Brando and Elizabeth Taylor.Forster would go on to star in Haskell Wexler's documentary-style Chicago classic "Medium Cool" and the detective television series "Banyon." It was an early high point that he would later say was the beginning of a "27-year slump."He worked consistently throughout the 1970s and 1980s in mostly forgettable B-movies — ultimately appearing in over 100 films, many out of necessity."I had four kids, I took any job I could get," he said in an interview with the Chicago Tribune last year. "Every time it reached a lower level I thought I could tolerate, it dropped some more, and then some more. Near the end, I had no agent, no manager, no lawyer, no nothing. I was taking whatever fell through the cracks."It was Quentin Tarantino's 1997 film "Jackie Brown" that put him back on the map. Tarantino created the role of Max Cherry with Forster in mind — the actor had unsuccessfully auditioned for a part in "Reservoir Dogs," but the director promised not to forget him.In an interview with Fandor last year, Forster recalled that when presented with the script for "Jackie Brown," he told Tarantino, "I'm sure they're not going to let you hire me."Tarantino replied: "I hire anybody I want.""And that's when I realized I was going to get another shot at a career," Forster said. "He gave me a career back and the last 14 years have been fabulous."The performance opposite Pam Grier became one of the more heartwarming Hollywood comeback stories, earning him his first and only Academy Award nomination. He ultimately lost the golden statuette to Robin Williams, who won that year for "Good Will Hunting."After "Jackie Brown," he worked consistently and at a decidedly higher level than during the "slump," appearing in films like David Lynch's "Mulholland Drive," ''Me, Myself and Irene," ''The Descendants," ''Olympus Has Fallen," and "What They Had," and in television shows like "Breaking Bad" and the "Twin Peaks" revival. He said he loved trying out comedy as Tim Allen's father in "Last Man Standing."He'll also appear later this year in the Steven Spielberg-produced Apple+ series "Amazing Stories."Even in his down days, Forster always considered himself lucky."You learn to take whatever jobs there are and make the best you can out of whatever you've got. And anyone in any walk of life, if they can figure that out, has a lot better finish than those who cannot stand to take a picture that doesn't pay you as much or isn't as good as the last one," he told IndieWire in 2011. "Attitude is everything."Forster is survived by his four children, four grandchildren and Grayson, his partner of 16 years. 4241

LOS ANGELES (CNS) - In a tearful news conference, the Riverside couple wounded when an off-duty Los Angeles police officer fatally shot their developmentally disabled son during what the lawman contends was an act of self- defense at a Costco in Corona decried the shooting Monday and said they presented no danger to the officer. ``I begged and told him not to shoot,'' Russell French told reporters at the Ayres Hotel in Corona. ``I said we have no guns and my son is sick. He still shot.'' Russell and Paola French's son, 32-year-old Kenneth French, was killed when Los Angeles Police Department Officer Salvador Sanchez opened fire the afternoon of June 14 inside the Costco store after what the officer's attorney has described as a life-threatening assault by Kenneth. Sanchez, a Southwest Division patrol officer who has been with the police department since May 2012, is on paid administrative leave. Dale Galipo, attorney for the French family, again insisted the shooting was not only unwarranted, but ``one of the most egregious shootings I have seen.'' Galipo said he filed a damages claim Monday against the LAPD and the city of Los Angeles, a precursor to a lawsuit. He did not specify a damages amount being sought. Kenneth French's parents suffered gunshot wounds to the back when the lawman opened fire, according to Galipo, who said earlier the injuries confirm ``that they were not facing in Officer Sanchez's direction at the time they were shot.'' He said the couple have had a difficult physical recovery. Galipo called for the release of surveillance video from inside the Costco store. The release has been blocked by a court order obtained by the Riverside County District Attorney's Office, which is investigating the shooting to determine if charges are warranted. District Attorney Mike Hestrin declined to comment on the matter Friday. He told City News Service in June that the Corona Police Department had submitted its findings on the Costco incident without a specific recommendation, leaving it to the D.A.'s office to make an unbiased determination regarding potential criminality. Conflicting stories emerged over the circumstances, with the officer's attorney, David Winslow, insisting his client responded appropriately. Kenneth French, whom Galipo said was a diagnosed schizophrenic and nonverbal, was in the freezer section of the store at 480 N. McKinley St. when he came into contact with Sanchez, according to witnesses. Corona police said the off-duty officer was shopping with his family, holding his 18-month-old son in his arms, when, ``without provocation, (Kenneth French) assaulted the officer.'' According to Winslow, Sanchez was knocked to the floor and briefly lost consciousness. When he awoke, he found his son next to him, screaming. Winslow said his client ``had no choice but to use deadly force'' in self- defense. Galipo told reporters that Kenneth French, who had recently been taken off of his medications for undisclosed reasons, pushed or shoved the officer in the back in a food-sample line, but he denied that there was any serious threat. He also said French's parents tried to explain to the officer that their son was intellectually disabled. Galipo called Sanchez's response ``a complete over-reaction.'' He pointed out that, ``if anyone other than an off-duty police officer had shot three unarmed civilians in a Costco, that person would be in jail and facing criminal charges for murder.'' Winslow, however, repudiated the ``push or shove'' description, saying French's action amounted to ``a violent attack.'' The officer suffered minor injuries, but his son was not hurt. 3654

LONDON (AP) — The World Health Organization is acknowledging the possibility that COVID-19 might be spread in the air under certain conditions.This comes after an open letter from more than 200 scientists published this week urging the agency to do so.WHO has long dismissed the possibility that the coronavirus is airborne except for certain risky medical procedures, such as when patients are first put on breathing machines.But it noted on Thursday that studies evaluating COVID-19 outbreaks in restaurants, choir practices and fitness classes suggested the virus might have been spread in the air. 609

London's transport authority said Friday that it will not renew Uber's license, saying the company is not "fit and proper."Transport for London cited the company's approach to reporting serious criminal offenses, and its use of software that prevented regulators and law enforcement from monitoring the app.The agency made the announcement from its Twitter account. 373

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