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LOS ANGELES (KGTV) - An alleged serial rapist accused of attacking seven women while posing as a rideshare driver will be charged next month in Los Angeles.The L.A. County District Attorney’s Office said Nicolas Morales, 44, targeted women in Beverly Hills, Los Angeles, Alhambra, and West Hollywood.The crimes happened between October 2016 and last January, according to KABC.Morales faces 27 felony counts including rape, forcible oral copulation, sodomy by use of force, sexual penetration by a foreign object, and attempted kidnapping. He also used a knife in the crimes, officials said.Prosecutors did not provide details about the crimes. They asked for bail to be set at .3 million.If convicted, Morales faces a maximum possible sentence of 300 years to life in state prison and lifetime sex offender registration.An arraignment scheduled for Tuesday was postponed until March 8. 902

Live music might feel like a thing of the past, but venues and event organizers are working on ideas to bring it back sooner rather than later in the age of COVID-19.Ticketmaster says it has been working with event organizers and venues to navigate how they plan to admit fans to live sporting events and concerts once a vaccine is released.On Wednesday, Pfizer updated its vaccine efficacy, saying it is 95 percent effective and is seeking clearance soon. Earlier in the week, Moderna announced its vaccine also was 95 percent effective.Ticketmaster says it has discussed the idea of using a person’s vaccine status as a possible barometer of protection for admittance into events. In an email, the company said, “In short, we are not forcing anyone to do anything. Just exploring the ability to enhance our existing digital ticket capabilities to offer solutions for event organizers that could include testing and vaccine information with 3rd party health providers. Just a tool in the box for those that may want to use.”Here is how Ticketmaster says it might work: People who wanted to attend an event would upload their vaccine status through an app that connects to a third-party health care provider. That company would store the information and keep all other details private, abiding by HIPAA laws, according to Ticketmaster. That provider would then mark that person’s status so they could present their digital ticket along with their vaccine status at the event.Ticketmaster says this would not be mandatory, noting “Ticketmaster does not have the power to set policies around safety/entry requirements, which would include vaccines and/or testing protocols. That is up to the discretion of the event organizer. Ticketmaster continues to work with event organizers on all COVID safety measures and it will be up to each event organizer to set future requirements, based on their preferences and local health guidelines.” 1941

Looking to undermine rival Joe Biden 20 days before the election, President Donald Trump’s campaign has seized on a tabloid story offering bizarre twists to a familiar line of attack: Biden’s relationship with Ukraine. But the story in the New York Post raises more questions than answers, including about the authenticity of an email at the center of the story. The origins of the story also trace back to Trump lawyer Rudy Giuliani, who has repeatedly pushed unfounded claims about Biden and his son, Hunter Biden. Even if the emails in the Post are legitimate, they don’t validate Trump and Giuliani’s claims that Biden’s actions were influenced by his son’s business dealings in Ukraine.The email reportedly is from Vadym Pozharskyi, an adviser to Burisma’s board, and reads thank you "for inviting me to DC and giving an opportunity to meet your father and spent (sic) some time together. It’s realty (sic) an honor and pleasure.” The Biden campaign told the Associated Press that it could not find a meeting between the then vice president and Pozharskyi on Biden's schedule. Given that the emails came directly from Trump's representatives, there are questions on the authenticity of the emails, which the Post reports came from a device left by Hunter Biden at a repair shop. Meanwhile, Twitter and Facebook have announced that they're limiting the spread of the post while they work to validate the report's authenticity. Even if authentic, the report would appear to still violate Twitter's anti-hacking guidelines."The policy, established in 2018, prohibits the use of our service to distribute content obtained without authorization. We don’t want to incentivize hacking by allowing Twitter to be used as distribution for possibly illegally obtained materials," Twitter said in a statement. The social media platforms were criticized by Trump supporters on Wednesday for alleged censorship. 1911

LOS ANGELES (CNS) - Uber and Lyft will keep operating in San Diego and across California -- for now -- with a state appeals court Thursday putting on hold a ruling requiring the ride-hailing companies to classify their drivers as employees instead of independent contractors.The decision by the state's 1st District Court of Appeal averted threats by Uber and Lyft to shut down all California operations at midnight. Uber officials said earlier this week they would likely shut down, and Lyft issued a statement earlier Thursday saying its operations would be halting at midnight.In a blog post on Thursday morning, Lyft stated: “At 11:59PM PT today our rideshare operations in California will be suspended. This is not something we wanted to do, as we know millions of Californians depend on Lyft for daily, essential trips.”Lyft added: “This change would also necessitate an overhaul of the entire business model -- it’s not a switch that can be flipped overnight.”The dispute traces its roots to the state's passage of Assembly Bill 5, which effectively required the companies to classify their drivers as employees, a move supporters said would guarantee their wages and assure them of other benefits and workplace protections.The companies, however, said the move would require a complete overhaul of their operations and would actually hurt drivers -- forcing them to work set schedules instead of giving them the flexibility to work only when they wanted. The companies also said the move would result in many drivers losing their jobs unless they could work standard hours, and would likely also harm overall service for riders.California Attorney General Xavier Becerra, and the city attorneys of San Diego, Los Angeles and San Francisco argued in court that Uber and Lyft have misclassified their drivers as independent contractors, preventing them from receiving "the compensation and benefits they have earned through the dignity of their labor" such as the right to minimum wage, sick leave, unemployment insurance and workers' compensation benefits.On Aug. 10, San Francisco-based Judge Ethan P. Schulman ruled against the companies, but he stayed his decision for 10 days to give them time to appeal. They did so, resulting in Thursday's last-minute ruling putting Schulman's ruling on hold.The court, however, warned the companies to continue preparing for the possible switch to employee drivers, saying each company must submit a sworn statement by Sept. 4 "confirming that it has developed implementation plans." The companies must also affirm they are prepared to actually implement those plans and switch to the employee system within 30 days if they ultimately lose their appeal and a company-sponsored measure on the November ballot fails.That ballot measure, Proposition 22, would allow ride-hailing drivers to work as independent contractors.The court scheduled oral arguments in the appeal for Oct. 13.Lyft contends that four out of five drivers prefer working as independent contractors so they can have more flexibility. 3056

LONDON (AP) — Ginger Baker, the volatile and propulsive British musician who was best known for his time with the power trio Cream, died Sunday at age 80, his family said.Baker wielded his blues power and jazz technique to help break open popular music and become one of the world's most admired and feared musicians.With blazing eyes, orange-red hair and a temperament to match, the London native ranked with The Who's Keith Moon and Led Zeppelin's John Bonham as the embodiment of musical and personal fury. Using twin bass drums, Baker fashioned a pounding, poly-rhythmic style uncommonly swift and heavy that inspired and intimidated countless musicians. But every beat seemed to mirror an offstage eruption — whether his violent dislike of Cream bandmate Jack Bruce or his on-camera assault of a documentary maker, Jay Bulger, whom he smashed in the nose with his walking stick.Bulger would call the film, released in 2012, "Beware of Mr. Baker."Baker's family said on Twitter that he died Sunday: "We are very sad to say that Ginger has passed away peacefully in hospital this morning."His daughter Nettie confirmed that Baker died in Britain but gave no other details. The family had said on Sept. 25 that Baker was critically ill in the hospital.While Rolling Stone magazine once ranked him the third-greatest rock drummer of all time, behind Moon and Bonham, Baker had contempt for Moon and others he dismissed as "bashers" without style or background. Baker and his many admirers saw him as a rounded, sophisticated musician — an arranger, composer and student of the craft, absorbing sounds from around the world. He had been playing jazz since he was a teenager and spent years in Africa in the 1970s, forming a close friendship with the Nigerian musician-activist Fela Kuti."He was so unique and had such a distinctive personality," Stewart Copeland of the Police told www.musicradar.com in 2013. "Nobody else followed in his footsteps. Everybody tried to be John Bonham and copy his licks, but it's rare that you hear anybody doing the Ginger Baker thing."But many fans thought of Baker as a rock star, who teamed with Eric Clapton and Bruce in the mid-1960s to become Cream — one of the first supergroups and first power trios. All three were known individually in the London blues scene and together they helped make rock history by elevating instrumental prowess above the songs themselves, even as they had hits with "Sunshine of Your Love," ''I Feel Free" and "White Room."Cream was among the most successful acts of its time, selling more than 10 million records. But by 1968 Baker and Bruce had worn each other out and even Clapton had tired of their deafening, marathon jams, including the Baker showcase "Toad," one of rock's first extended drum solos. Cream split up at the end of the year, departing with two sold-out shows at London's Albert Hall. When told by Bulger that he was a founding father of heavy metal, Baker snarled that the genre "should have been aborted."To the surprise of many, especially Clapton, he and Baker were soon part of another super group, Blind Faith, which also featured singer-keyboardist Stevie Winwood and bassist Ric Grech.As Clapton would recall, he and Winwood had been playing informally when Baker turned up (Baker would allege that Clapton invited him). Named Blind Faith by a rueful Clapton, the band was overwhelmed by expectations from the moment it debuted in June 1969 before some 100,000 at a concert in London's Hyde Park. It split up after completing just one, self-titled album, as notable for its cover photo of a topless young girl as for its music. A highlight from the record: Baker's cymbal splashes on Winwood's lyrical ballad "Can't Find My Way Home."From the 1970s on, Baker was ever more unpredictable. He moved to Nigeria, took up polo, drove a Land Rover across the Sahara, lived on a ranch in South Africa, divorced his first wife and married three more times.He recorded with Kuti and other Nigerians, jammed with Art Blakey, Elvin Jones and other jazz drummers and played with John Lydon's Public Image Ltd. He founded Ginger Baker's Air Force, which cost a fortune and imploded after two albums. He endured his old enemy, Bruce, when Cream was inducted into the Rock and Roll Hall of Fame in 1993 and for Cream reunion concerts a decade later. Bruce died in 2014.Baker continued to perform regularly in his 70s despite arthritis, heart trouble, hearing loss dating from his years with Cream and lung disease from smoking. No strangers to vices and not a fan of modesty, he called his memoir "Hellraiser: The Autobiography of the World's Greatest Drummer.""John Bonham once made a statement that there were only two drummers in British rock 'n' roll; himself and Ginger Baker," Baker wrote in his book. "My reaction to this was, 'You cheeky little bastard!'"Born in 1939, Peter Edward Baker was the son of a bricklayer killed during World War II when Ginger was just 4. His father left behind a letter that Ginger Baker would quote from: "Use your fists; they're your best pals so often."Baker was a drummer from early on, even rapping out rhythms on his school desk as he mimicked the big band music he loved and didn't let the occasional caning from a teacher deter him. As a teenager, he was playing in local groups and was mentored by percussionist Phil Seamen."At this party, there was a little band and all the kids chanted at me, 'Play the drums!''', Baker told The Independent in 2009. "I'd never sat behind a kit before, but I sat down — and I could play! One of the musicians turned round and said, 'Bloody hell, we've got a drummer', and I thought, 'Bloody hell, I'm a drummer.'"Baker came of age just as London was learning the blues, with such future superstars as Clapton, Mick Jagger and Jimmy Page among the pioneers. Baker joined Alexis Korner's Blues Incorporated, where he met (and soon disliked, for allegedly playing too loud) the Scottish-born bassist Jack Bruce, with whom he was thrown together again as members of the popular British group the Graham Bond Organization.Clapton, meanwhile, was London's hottest guitarist, thanks to his work with the Yardbirds and John Mayall's Blues Breakers, his extraordinary speed and agility inspiring "Clapton is God" graffiti. Clapton, Baker and Bruce would call their band Cream because they considered themselves the best musicians around."Oh for god's sake, I've never played rock," Baker told the blog JazzWax in 2013. "Cream was two jazz players and a blues guitarist playing improvised music. We never played the same thing two nights running. Jack and I had been in jazz bands for years. All that stuff I did on the drums in Cream didn't come from drugs, either. It was from me. It was jazz."___Italie reported from New York. Kelvin Chan contributed from London. 6828