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LOS ANGELES (AP) — A fiery crash involving a big rig has injured three people, two critically, and backed up traffic on a Southern California freeway for miles.Authorities say a truck loaded with concrete and gravel hit a car shortly before 3 p.m. Monday on northbound Interstate 405 in the busy Sepulveda Pass area of Los Angeles. The trailer overturned on top of the car, pinning someone underneath and both vehicles burst into flames.Bystanders stopped and managed to pull the trapped person and two others to safety.However, the three reportedly suffered burns, including the truck driver. Two people were hospitalized in critical condition and the third was in fair condition.Lanes on both sides of the freeway were closed, backing up both northbound and southbound traffic. 787

Looking to camp out on the couch and take down a show that will keep you up way too late and help you procrastinate from doing more important tasks? Here are five shows to stream.MYTHIC QUEST: RAVEN'S BANQUETPremise: Egos and agendas clash as a goofy bunch of game developers maintains a "World of Warcraft"-style online game.Stars: Rob McElhenney, Charlotte Nicdao, Danny Pudi, David Hornsby.Service: Apple TV+.Why it's impossible to stop watching: Consistently hilarious, the sitcom is a worthy successor to the likes of "30 Rock," "The Office" and "Parks and Recreation." McElhenney and Hornsby, who are veterans of "It's Always Sunny in Philadelphia," bring that show's zany, offbeat feel along with them. This is the jewel in Apple TV+'s first round of releases.THE COMEDY STOREPremise: A docuseries that explores the history of the iconic New York City comedy club, which helped launch the careers of Jerry Seinfeld, Jim Carrey, and others.Stars: Howie Mandel, Jim Carrey, Robin Williams, Chris Rock.Service: Showtime.Why it's impossible to stop watching: If you have any sort of appreciation for the history of stand-up comedy, you'll cherish this passionately told, well-researched docuseries. The raw emotion that comes through in interviews with the comic legends -- who see the club as a second home -- is as charming as it is disarming. The series debuts Oct. 4.WE ARE WHO WE AREPremise: American military brat teens -- who are often left to fend for themselves by distant, self-involved parents -- come of age at an Italian military base.Stars: Francesca Scorsese, Jack Dylan Grazer, Chloe Sevigny, Alice Bragga.Service: HBO Max.Why it's impossible to stop watching: As hard-hitting and visceral as HBO's "Euphoria," the series digs into the brutal challenges and alarming confusion that comes with adolescence. Excellent performances and incisive writing keep the story driving forward. The eight-episode miniseries launched Sept. 14 and wraps up Nov. 2.THE GOOD LORD BIRDPremise: Abolitionist John Brown leads a ragtag crew of anti-slavery soldiers to stage an uprising against slaveholders, leading to a raid on the Army depot at Harpers Ferry.Stars: Ethan Hawke, Daveed Diggs, Wyatt Russell, Joshua Caleb Johnson.Service: Showtime.Why it's impossible to stop watching: Hawke transforms into the charismatic anti-slavery crusader, owning the screen with a formidable presence. A strong supporting cast helps sell the desperation and ambition of the anti-slavery warriors. The eight-episode series debuts Oct. 4.SUPERSTOREPremise: A mix of slacker and go-getters work together at a Walmart-style big box store.Stars: America Ferrara, Ben Feldman, Lauren Ash, Mark McKinney, Colton Dunn.Service: Hulu, Peacock.Why it's impossible to stop watching: Excellent chemistry among the cast makes this sitcom a triumph. Endlessly rewatchable, the series thrives in a constant flow of one-off jokes, as well as an engrossing story that allows characters to develop and change. Season 6 debuts Oct. 29.Phil Villarreal TwitterPhil Villarreal FacebookPhil Villarreal Amazon Author PagePhil Villarreal Rotten Tomatoes 3130

LOS ANGELES (AP) — When Steven Spielberg speaks about the business of Hollywood, everyone generally listens and few dissent. But reports that he intends to support rule changes that could block Netflix from Oscars-eligibility have provoked a heated, and unwieldy, debate online. It has found the legendary filmmaker at odds with some industry heavyweights, who have pointed out that Netflix has been an important supporter of minority filmmakers and stories, especially in awards campaigns, while also reigniting the ongoing streaming versus theatrical debate.Spielberg has weighed in before on whether streaming movies should compete for the film industry's most prestigious award (TV movies, he said last year, should compete for Emmys), but that was before Netflix nearly succeeded in getting its first best picture Oscar for Alfonso Cuaron's "Roma" at last week's Academy Awards. Netflix, of course, did not win the top award — "Green Book," which was produced partially by Spielberg's Amblin Entertainment, did.Still, Netflix was a legitimate contender and this year, the streaming service is likely to step up its awards game even more with Martin Scorsese's "The Irishman," which The Hollywood Reporter said may also gunning for a wide-theatrical release. A teaser ad aired during the 91st Oscars for the gangster drama said "in theaters next fall," instead of the "in select theaters" phrasing that was used for "Roma."But Netflix also isn't playing by the same rules as other studios. The company doesn't report theatrical grosses, for one, and it's been vexing some more traditional Hollywood executives throughout this award season and there have been whispers in recent weeks that a reckoning is coming.Now, Spielberg and others are planning to do something about it by supporting a revised film academy regulation at an upcoming meeting of the organization's board of governors that would disqualify Netflix from the Oscars, or at least how the streaming giant currently operates during awards season.This year "Roma" got a limited theatrical qualifying run and an expensive campaign with one of the industry's most successful awards publicists, Lisa Taback, leading the charge. But Netflix operates somewhat outside of the industry while also infiltrating its most important institutions, like the Oscars and the Motion Picture Association of America. Some like Spielberg, are worried about what that will mean for the future of movies."Steven feels strongly about the difference between the streaming and theatrical situation," an Amblin spokesperson told IndieWire's Anne Thompson late last week. "He'll be happy if the others will join (his campaign) when that comes up. He will see what happens."An Amblin representative said Sunday there was nothing to add.Netflix has its strong defenders, which include the A-list talent it has attracted for its projects. Ben Affleck, speaking at the premiere of his new Netflix film "Triple Frontier," said the streaming service is "heavily invested in telling stories.""It's very exciting because you get the sense you're defining where the future of cinema and distribution is going, you know? Already, people are watching movies on more and more platforms than they ever had, and you get a sense that you're part of sort of the emerging transition," Affleck told The Associated Press on Sunday.Some see Spielberg's position as wrong-minded, especially when it comes to the Academy Awards, which requires a theatrical run to be eligible for an award. Many online have pointed out the hypocrisy that the organization allows members to watch films on DVD screeners before voting.Filmmaker Ava DuVernay tweeted at the film academy's handle in response to the news that the topic would be discussed at a board of governors meeting, which is comprised of only 54 people out of over 8,000 members."I hope if this is true, that you'll have filmmakers in the room or read statements from directors like me who feel differently," DuVernay wrote.Some took a more direct approach, questioning whether Spielberg understands how important Netflix has been to minority filmmakers in recent years.Franklin Leonard, who founded The BlackList, which surveys the best unproduced scripts in Hollywood, noted that Netflix's first four major Oscar campaigns were all by and about people of color: "Beasts of No Nation," ''The 13th," ''Mudbound" and "Roma.""It's possible that Steven Spielberg doesn't know how difficult it is to get movies made in the legacy system as a woman or a person of color. In his extraordinary career, he hasn't exactly produced or executive produced many films directed by them," Leonard tweeted Saturday. "By my count, Spielberg does one roughly every two decades."Netflix's film account tweeted that it was dedicated to give film access for people who either can't afford the movie tickets or live in towns without theaters and also "Letting everyone, everywhere enjoy releases at the same time."It's important to note that Netflix didn't produce "Beasts of No Nation," ''Mudbound" or "Roma," but rather acquired them for distribution. But if Oscar campaigns are no longer part of the equation in a Netflix-partnership, top-tier filmmakers are likely to take their talents and films elsewhere.Others, like "First Reformed" filmmaker Paul Schrader, had a slightly different take."The notion of squeezing 200+ people into a dark unventilated space to see a flickering image was created by exhibition economics not any notion of the 'theatrical experience,'" Schrader wrote in a Facebook post Saturday. "Netflix allows many financially marginal films to have a platform and that's a good thing."But his Academy Award-nominated film, he thinks, would have gotten lost on Netflix and possibly, "Relegated to film esoterica." Netflix had the option to purchase the film out of the Toronto International Film Festival and didn't. A24 did and stuck with the provocative film through awards season."Distribution models are in flux," Schrader concluded. "It's not as simple as theatrical versus streaming."One thing is certain, however: Netflix is not going away any time soon and how it integrates with the traditional structures of Hollywood, like the Oscars, is a story that's still being written.Sean Baker, who directed "The Florida Project," suggested a compromise: That Netflix offered a "theatrical tier" to pricing plans, which would allow members to see its films in theaters for free."I know I'd spend an extra 2 dollars a month to see films like 'Roma' or 'Buster Scruggs' on the big screen," Baker tweeted. "Just an idea with no details ironed out. But we need to find solutions like this in which everybody bends a bit in order to keep the film community (which includes theater owners, film festivals and competitive distributors) alive and kicking."___AP Writer John Carucci contributed to this report. 6882

LOS ANGELES (AP) — Madden NFL players will have the opportunity to see how Colin Kaepernick might fare if he was back on the field. EA Sports has announced that the company has partnered with Kaepernick and is including him in the latest version of Madden 21. Fans can sign Kaepernick as a free agent in franchise mode and put him at the helm of any NFL team, as well as including him on any team in the play now mode. The 32-year-old quarterback hasn't been offered a contract since he last played for the San Francisco 49ers in 2016, the same year he began kneeling during the national anthem to protest racial injustice. 631

LOS ANGELES (AP) — Health officials say the number of coronavirus cases in California is surging to the highest level since the start of the pandemic. The California Department of Health and Human Services reported more than 15,000 cases Saturday and another 14,000 cases on Sunday. They come even before the Thanksgiving holiday that has many health officials concerned. A curfew took effect Saturday requiring people to stay home from 10 p.m. to 5 a.m. affecting most Californians, and Los Angeles is on the verge of an even tougher lockdown. Meanwhile, more than 200 people at a San Francisco Bay Area racetrack have tested positive. 644

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