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7.5/10The original Super Mario All-Stars for the Super Nintendo is pound-for-pound the greatest video game cartridge ever released. Having easy access to Mario’s first three 2D adventures provides an easy way to experience the evolution and improvements made with each entry. Most importantly, all three of those games still hold up in 2020. When it comes to Super Mario 3D All-Stars, a package that includes Super Mario 64, Super Mario Sunshine, and Super Mario Galaxy, this is not the case, but that doesn’t mean Nintendo’s new collection on the Switch is one to overlook. Image from Nintendo.com Super Mario 64Let’s get this out of the way. Super Mario 64 does not hold up. I know, it saddens me too. Mario’s first 3D adventure is arguably one of the most important video games of all time, but mamma-mia, has this game aged poorly. As soon as I jumped into the Bob-omb Battlefield course at the start, my gaming brain was startled by the game’s awful camera system, which makes completing an objective far more frustrating than I remember in 1996. Obtaining stars on each course is still exhilarating, but the excitement stemmed from the relief of conquering the awkward jumping angles, rather than accomplishing the task at hand. When it comes to visuals, the game looks exactly how you remember, albeit a bit smoother in some textures. It even retains the 4:3 aspect ratio. If you’re looking to experience the origins of 3D Mario titles, give this a look, if just for a nostalgia fill and move on. Image from Nintendo.com Super Mario SunshineThe most non-traditional of 3D Mario entries is by far Super Mario Sunshine. Originally on the only console to ever feature a handle, the Nintendo Gamecube, this game is worth a second look. Sunshine’s verticality, combined with its open-world structure, feels surprisingly modern and its difficulty remains among the highest in the Mario series, even if it’s sometimes unintentional due to the game’s bugginess. Controlling Mario with his water-filled jet pack still feels unlike anything else in the series, making for some literal refreshing mechanics that I enjoyed during my playthrough. From an art standpoint, I absolutely adore the colorful, tropical look of Isle Delfino and the characters that populate it. It’s not the best 3D Mario game, but don’t overlook this nautical adventure. Image from Nintendo.com Super Mario GalaxyThis was my first time experiencing Mario’s outer space escapade. If you told me this game came out this generation, you could easily fool me. Super Mario Galaxy hasn’t aged a day since its release in 2007. Its space-aesthetic rivals the art direction of any Nintendo Switch game to date, and its tight controls feel fantastic. Running around bite-sized planets, playing with gravity, and that launching into the next world animation makes me want to stop writing this review and go play it right now. I am cherishing the number of stars I have left to collect. It’s a real shame that Super Mario Galaxy 2 was left off of this collection. Perhaps it’s time to go dig out my Wii to experience the sequel. Galaxy is reason enough to purchase this bundle, even at the slightly steep price point.The full packageSuper Mario 3D All-Stars is just the meat and potatoes without any added junk food to consume. Aside from a playlist of 175 iconic Mario jams to listen to separately, this collection has zero special features. I would have loved to see a documentary about the making of these games, or even some never-before-seen sketches when the game was in its early stages. Instead, we’re simply left with the bare minimum of the three original games with some slightly improved visuals. Still, though, this is the easiest way to play these titles in 2020. If you’re on the fence about purchasing, this game is only available until March 31, 2021, according to Nintendo. While the timed-purchasing opportunity seems pointless, this collection is a thrilling and nostalgic trip down memory lane.Review code provided by publisher For more game reviews, follow Joey Greaber Facebook|Twitter 4184

Pedro Rios says the idea that immigrants are coming to this country solely to be a burden to the United States is absolutely false. Rios is the Executive Director of American Friends Service Committee – a national organization that has worked on immigration and border issues for 42 years. He says he is against a new rule that disqualifies immigrants from a green card if they use certain government benefits, because he says it's causing people to drop out of benefit services they do qualify for. “In this case, prenatal care is not a targeted benefit. However, someone might decide to stop receiving that care simply because they fear that it would place them at the crosshairs of some sort of immigration enforcement operation,” Rios said. Dulce Garcia, an immigration attorney and DACA recipient, agrees with Rios. She says the rule has a two-fold impact: it denies more people the ability to qualify as a legal permanent resident, and now people are afraid of accessing other public benefits. She knows from personal experience when her family had to live inside a car and with very little food. “We’re going to see more people like my parents who were afraid of accessing public benefits and decided to risk our health essentially by remaining unsheltered and by struggling with food,” Garcia said. The Supplemental Nutrition Assistance Program (SNAP) is a food program that's among those included in the rule. If immigrants collect those benefits more than 12 months in three years, they can't get a green card - and become a permanent resident. “We all fall on hard times. My family fell on hard times, and I wish that we would have had people telling us ‘it’s OK, it’s OK to receive help’ so that we would be safe.” As the executive director of Border Angels, a nonprofit that advocates for the immigrant community, Garcia says she tries to empower immigrants with accurate information so they know what benefits they’re still eligible for. However, there are people in favor of the rule, like Agnes Gibboney, who was born in Hungary. Her family entered the U.S. in 1970. “When we immigrated to the U.S., my parents had to sign a document stating they would not apply for any public assistance. That my father could support my mother, my brother and myself,” Gibboney said. Gibboney says she doesn't like the idea of immigrants using taxpayer dollars for services. “The importance of being fully vetted is for the government to know who is coming into this country. To make sure you are of good moral standing, to make sure you’re going to be a good citizen, and make sure that you’re gonna be a plus to this country,” Gibboney said. When it announced the new rule, the Department of Homeland Security called self-sufficiency a core American value. On the other hand, Rios says public benefits might be necessary in order for some immigrants to eventually become self-sufficient.“What we’ve seen in the past is when their needs aren’t being met, then it’s harder for them to support themselves in other ways,” Rios said.  3052

View this post on Instagram Please join me and send a card to a nursing home. Senior citizens need our love more than ever right now. They are isolated and not able to be visited by loved ones. I was thinking this morning that a card could really cheer them up. Thanks for reading this and if you do write one, please send me a pic so I can share and we can continue to spread the love together. ???????????????? A post shared by @ heidilgardner on Mar 12, 2020 at 4:52pm PDT 507

ABBOTT PARK, Ill. – As the coronavirus continues to spread and the need for more testing grows with it, labs across the U.S. are racing to get approval for their tests for COVID-19. The company Abbott is one of them. “Abbott was able to get an emergency use authorization for a new test, molecular test for the SARS-coronavirus-2,” said John Hackett, Jr., the Divisional Vice President of Applied Research and Technology at Abbott. Researchers inside their Illinois lab created a test that can be used with the company’s testing system, called “m2000 RealTime.” That’s key because the company says that system is already widely available in hospitals and testing labs around the country. “These are in hospitals and academic centers and this is where the test volume is,” Hackett said. The speed in regulatory approval from the FDA for the test was unprecedented. The company said that, normally, it can take several years to get a test approved; this one happened in a matter of weeks. Their testing system can run through 470 patient tests per day. “This is a massive impact when you think about trying to get results back to the physicians,” Hackett said. “This is actionable information - either a person's infected or they're not.” About 150,000 tests are now on their way to hospitals and labs in 18 states – including New York, California and Washington – some of the hardest hit by COVID-19. The company plans to be producing a million tests a week by the end of this month. Other companies, including those in California and Texas, have similar authorizations from the FDA and are hoping to provide more tests. “The key thing here is to get to a point where we can change the trajectory, reduce the trajectory, reduce the number of new infections that are occurring,” Hackett said.It’s a change they hope might put a dent in the coronavirus pandemic. 1872

BALTIMORE, Md. – For 95-year-old Betty Cooke, her lifelong passion of turning metal into wearable works of art began in the 1940s. “I was always interested in making things, whether it's metal clay or whatever,” she said. “And I kind of took to this and I had a good feel for the simplicity of it.” It’s a simplicity celebrated not just at her Baltimore store, but also at the Baltimore Museum of Art. “They really stand out, they're really sculptural, they're really dimensional – they move on the body,” said Virginia Anderson, Baltimore Museum of Art Curator of American Art. Betty’s works are just one part of “2020 Vision,” a pledge by the museum in 2020 to only purchase art by female artists. “Of course, it was duly noted that this is this centennial of white women receiving the votes in the United States,” said Christopher Bedford, Director of the Baltimore Museum of Art. “So, we thought ‘well, this would be a great moment to analyze our collection, begin to understand some of our historical deficits.” How big are those gender deficits? A study last year published in the Public Library of Science looked at 18 major museums in the U.S. and found that 85 percent of the artists in their collections were white and 87 percent were men. This, despite the fact that half of the professional artists in the U.S. are women. At the Baltimore Museum of Art, the disparity is even more lopsided. “We have roughly four percent,” Bedford said. “Four percent of our collection is works by women.” Now, though, with 21 of their 23 curators being women, the Baltimore Museum of Art plans to spend at least .5 million this year, acquiring pieces by female artists – like those created by Betty Cooke. “This is a big moment for the women,” Cooke said. “I hope and I expect it to continue and I think it's pretty great.”Another recent study found that smaller museums seem to be doing better than larger ones, when it comes to buying works by female artists. Larger museums, though, point out that they often face not just financial constraints, but also by what art wealthy donors choose to offer the museums. 2126

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