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More than a decade before the #MeToo movement, Arnold Schwarzenegger was accused by multiple women of groping and humiliating them.The year was 2003 and the "Terminator" star was running for governor of California.He denied the allegations at the time?and his campaign chalked it up to an escalating political attack against him.Schwarzenegger now says "Looking back, I stepped over the line several times, and I was the first one to say sorry.""I feel bad about it, and I apologize. When I became governor, I wanted to make sure that no one, including me, ever makes this mistake," he recently told Men's Health.?"That's why we took sexual-harassment courses, to have a clear understanding, from a legal point of view and also from a regular behavior point of view, of what is accepted and what is not."Last year, allegations of sexual misconduct against Hollywood mogul Harvey Weinstein kicked off an international conversation about the treatment of women and led to the downfall of several powerful men across several industries.The allegations against Weinstein range from harassment to rape, include the stories of more than 80 women and span several decades. Through a spokesperson, Weinstein has repeatedly denied "any allegations of nonconsensual sex; he has pleaded not guilty to six sex crime charges in New York, including two counts of rape.On Thursday, a New York judge dismissed one of the counts of criminal sexual act in the first degree against Weinstein.Schwarzenegger, who left the governor's office in 2011, was not criminally charged in connection with any of the allegations about him.He told Men's Health he has not changed his views on masculinity."I'm a guy," Schwarzenegger said. "I would not change my view of who I am."The actor added "The woman I was originally most in love with was my mother.""I respected her, and she was a fantastic woman," he said. "I always had respect for women."CNN has reached out to Schwarzenegger for additional comment. 1996

More than 30 states are reporting increases in opioid related overdoses and those from other drugs during the pandemic, particularly involving fentanyl, according to the American Medical Association.The government has taken steps to curb deaths during the pandemic by allowing for more flexibility in prescribing medications for opioid use disorder and lifting other restrictions on pain medications.Meanwhile, the National Safety Council is calling on businesses to get ready for an increase in substance misuse in the workplace.“Employers not only have a responsibility, they have a call to arms here to make sure as they bring employees back to work, that they are directly addressing their mental health and providing them the resources that they need to be able to navigate,” said Lorraine Martin, President of the National Safety Council. “It’s just as important as the PPE and sanitization for hygiene that we will all need to have when we come back to work.”Martin recognizes mental health and substance misuse are often interconnected.Now, with the additional stress and unrest related to George Floyd’s death on top of COVID-19, people may be self-medicating even more.The National Safety Council put out resources and tools to help businesses help struggling employees, but they believe the most important thing leaders can do is talk about it.“The most mature companies are addressing this head on,” said Martin. “We know that substance misuse is a disease, not a decision, and if you can come at it with that attitude and make sure you create that safe space for your employees, that can make all the difference.”Not addressing substance misuse is a serious threat to worker safety and costs a lot of money in terms of productivity, absenteeism and workers compensation claims.On the other hand, employees that work through these issues with their employer often come out on the other side more loyal and productive. 1937

MILWAUKEE — Christopher R. Ward has been charged with second-degree reckless homicide in the death of 14-year-old Jada Wright. Police responded to the scene late last Wednesday night at their home on the city's northwest side. According to police, Jada has cerebral palsy, and Ward was her personal care worker. Initially, the 18-year-old defendant reported to police that Jada had complications with her feeding earlier that night. He said was not involved in her death, and claimed she had a history of injuring herself.Jada's school physical therapist said she never saw Jada injure herself. She also said Jada was missing from school for a month.Ward was taken into custody after an autopsy revealed blunt force trauma to her abdomen.After further questioning, Ward admitted he had become frustrated with the girl while trying to feed her through her feeding tube. She had maneuvered her tube out of her stomach, frustrating him further. In response, he punched her in the stomach. Ward reconnected her tube and left the room. Upon returning, he saw she had vomited on herself, and did not seek additional care for her or tell first responders about his actions.    1207

Money has never mattered that much to David Hockney, as long as he has enough to continue working. But equally, he's also always had a good memory for figures -- for the pounds, shillings and pence. As a student at London's Royal College of Art, he remembers selling a drawing to a friend and fellow student, the American painter Ron Kitaj, for a princely ￡5. It meant that he could buy cigarettes in packs of 20. He sold another early painting, "Adhesiveness" (1960), to photographer Cecil Beaton for ￡40. That meant he could begin planning to travel abroad.As it happens, Hockney also has a clear memory of what "Portrait of an Artist (Pool with Two Figures)" originally fetched shortly after he painted it. On Thursday, at a Christie's auction in New York, the painting was sold for .3 million, an auction record for a living artist. But back in 1972, his New York dealer sold it for just ,000.For Hockney, the memory is still bittersweet. He felt ripped off. Last year, at his studio in the Hollywood Hills, he told CNN, "I thought it was a lot of money at the time, but within six months, it was sold again for ,000."After the sale, Hockney's American dealer, Andre Emmerich, "realized the pictures (in the show) were underpriced. A lot had been underpriced." But by then, it was too late. And so, as is often the case in the art market, someone other than the artist made a swift and substantial profit.More is known about the creation of "Portrait of an Artist (Pool with Two Figures)" than virtually any other single Hockney painting. The 1974 biopic "A Bigger Splash" chronicled its creation, and Hockney himself wrote about the painting in detail in 1988's "David Hockney by David Hockney: My Early Years.""A Bigger Splash" was shot from 1971 to 1973 by British director Jack Hazan, who was given special access to Hockney, then living and working in London's Notting Hill, and his inner circle. A mix of fact and fiction, it centers on the painful unraveling of Hockney's five-year relationship with a young American artist, Peter Schlesinger.Hockney told CNN the painting was inspired by an accidental juxtaposition of "two photographs on my studio floor, one of the Peter and another of a swimmer, and they were just lying there and I put them together." In his 1988 memoir, "David Hockney by David Hockney: My Early Years," he wrote: "The idea of painting two figures in different styles appealed so much that I began the painting immediately."He worked on the picture for six solid months. The standing figure was always Peter Schlesinger. According to his official biographer, Christopher Simon Sykes, Hockney painted the swimmer first but then coated the canvas with a preparatory gesso, which prevented him from altering the position of the pool or the standing figure. It was a mistake.Hockney gradually realized the painting -- in particular, the angle of the swimming pool -- just wasn't right. He wrote that, "The figures never related to one another nor to the background. I changed the setting constantly from distant mountains to a claustrophobic wall and back again to mountains. I even tried a glass wall."Realizing the futility of his efforts, Hockney abandoned that effort and, reinvigorated, started the painting all over again. He chose a new setting, a pool by a house in the south of France that belonged to British film director Tony Richardson. He took two models with him: a photographer named John St. Clair and Mo McDermott, his studio assistant.He took hundreds of photos of the two. St. Clair, the submerged swimmer, dived into the pool in his white briefs so many times that he eventually cracked his head on the bottom and had to stop. McDermott acted as Schlesinger's stand-in, wearing his reddish pink jacket by the pool. Back in London, Hockney persuaded Schlesinger to pose for him early one morning in Hyde Park for yet more photos.Once back at his Notting Hill studio, Hockney painted for 18 hours a day on a canvas seven feet by 10. At one point, Hockney is filmed taking a Polaroid of the unfinished painting. At another moment, he paints in Schlesinger's brown hair with a long brush. "I must admit that I loved working on that picture, working with such intensity," he later told biographer Sykes. "It was marvelous doing it, really thrilling."While he spent six months of the first version, the final "Portrait of an Artist (Pool with Two Figures)" was finished in just two weeks, to meet a deadline for a New York show in May 1972. In "A Bigger Splash," Hockney, with his trademark bleached blond hair and black, owlish spectacles, stands in bright red braces and a bow tie, carefully checking out how the painting was hung and lit in the show. It was the star exhibit, perhaps an expression of Hockney's personal loss and his acceptance that his long affair with Schlesinger was finally over.But as we now know, all this wasn't without a sense of Hockney feeling cheated by what happened next. An American, apparently alerted by a British dealer, just came in off the street and bought it. The dealer then promptly took it to an art fair in Germany and sold it to a London collector for nearly three times the price. As he wrote in "My Early Years": "Within a year people had made far more on that picture than Kasmin (John Kasmin, his London dealer), Andre (Emmerich, his New York dealer) or I had. Considering the effort and trouble and everything that had gone into it, it seemed such a cheap thing to do."We can only imagine how Hockney will feel after this sale, when the painting he worked so hard on has sold for more than 5,000 times its original price. The current seller and the auction house will no doubt profit, but, as a Christie's spokesperson confirmed, "the artist will not be financially benefiting."Christie's hasn't named the seller, but he's believed to be British businessman Joe Lewis, who has famously collected postwar British art for some time.At 81, Lewis happens to be the same age as Hockney. He also has a net worth of billion. 6042

Minneapolis city council passed 2021 budget funding that includes cutting .7 million from the city's police department and redirecting those funds to social programs, according to the Minneapolis Star Tribune, CNN and CBS News.The 2021 budget is the first one the city has passed since the death of George Floyd at the hands of police in May. Floyd's death sparked a nationwide protest movement against police brutality.According to the Star Tribune, the .7 million in police budget cuts will be redistributed to fund mental health crisis teams, as well as train 911 dispatchers to assess mental health crisis calls. The budget cuts will also allow other employees to handle theft and property damage reports.However, the Star Tribune notes that the budget keeps in place a plan for the department to hire more officers in future years. The council initially planned to pass a budget that would drop department staffing levels from 770 to 750 in 2022 but kept in place the department's current staffing target of 888 to avoid a veto from Mayor Jacob Frey."My colleagues were right to leave the targeted staffing level unchanged from 888 and continue moving forward with our shared priorities," Frey said in a statement. "The additional funding for new public safety solutions will also allow the City to continue upscaling important mental health, non-police response, and social service components in our emergency response system."The new budget comes as progressive Democrats call on local municipalities to "defund the police" and re-allocate those funds to social services. Other major cities like New York City and Albuquerque, New Mexico have removed funding from departments or shifted some emergency responsibilities away from armed police officers.Floyd died in May when a Minneapolis police officer kneeled on his neck for nearly nine minutes as they attempted to take him into custody for using counterfeit money to buy cigarettes. Several other officers stood by as Officer Derek Chauvin knelt on Floyd's neck as he struggled to breathe. Chauvin and three other officers face charges in connection to Floyd's death. 2140

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