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LOS ANGELES (CNS) - Multiple people were injured tonight when a stampede erupted at a gathering to honor slain rapper Nipsey Hussle in Hyde Park.It was not immediately clear what prompted the stampede, which occurred about 8:10 p.m. in front of The Marathon Clothing store near the intersection of Crenshaw Boulevard and Slauson Avenue, where Hussle was gunned down Sunday afternoon.One person was critically injured and taken to a hospital, according to Margaret Stewart of the Los Angeles Fire Department. It was unclear how that person was injured, she said.RELATED: Rapper Nipsey Hussle dead after a shooting near Los Angeles clothing store he is associated withStewart said other people were being treated at the scene, but there were no immediate reports of additional critical injuries.As many as six people at the scene sustained minor injuries, LAPD spokesman Josh Rubenstein told KCAL9.Officers cleared the parking lot where the memorial was taking place, but some from the crowd remained gathered nearby nearly an hour after the stampede occurred.RELATED: Rapper Nipsey Hussle mourned by Rihanna, LeBron JamesPolice were on a modified tactical alert following the stampede, Rubenstein said.Hussle, 33, was gunned down in broad daylight around 3:20 p.m. Sunday in the 3400 block of West Slauson Avenue, in front of the store he founded in 2017 near Crenshaw Boulevard in South Los Angeles. Two other men were wounded in the shooting. 1451

LOS ANGELES (AP) — When Steven Spielberg speaks about the business of Hollywood, everyone generally listens and few dissent. But reports that he intends to support rule changes that could block Netflix from Oscars-eligibility have provoked a heated, and unwieldy, debate online. It has found the legendary filmmaker at odds with some industry heavyweights, who have pointed out that Netflix has been an important supporter of minority filmmakers and stories, especially in awards campaigns, while also reigniting the ongoing streaming versus theatrical debate.Spielberg has weighed in before on whether streaming movies should compete for the film industry's most prestigious award (TV movies, he said last year, should compete for Emmys), but that was before Netflix nearly succeeded in getting its first best picture Oscar for Alfonso Cuaron's "Roma" at last week's Academy Awards. Netflix, of course, did not win the top award — "Green Book," which was produced partially by Spielberg's Amblin Entertainment, did.Still, Netflix was a legitimate contender and this year, the streaming service is likely to step up its awards game even more with Martin Scorsese's "The Irishman," which The Hollywood Reporter said may also gunning for a wide-theatrical release. A teaser ad aired during the 91st Oscars for the gangster drama said "in theaters next fall," instead of the "in select theaters" phrasing that was used for "Roma."But Netflix also isn't playing by the same rules as other studios. The company doesn't report theatrical grosses, for one, and it's been vexing some more traditional Hollywood executives throughout this award season and there have been whispers in recent weeks that a reckoning is coming.Now, Spielberg and others are planning to do something about it by supporting a revised film academy regulation at an upcoming meeting of the organization's board of governors that would disqualify Netflix from the Oscars, or at least how the streaming giant currently operates during awards season.This year "Roma" got a limited theatrical qualifying run and an expensive campaign with one of the industry's most successful awards publicists, Lisa Taback, leading the charge. But Netflix operates somewhat outside of the industry while also infiltrating its most important institutions, like the Oscars and the Motion Picture Association of America. Some like Spielberg, are worried about what that will mean for the future of movies."Steven feels strongly about the difference between the streaming and theatrical situation," an Amblin spokesperson told IndieWire's Anne Thompson late last week. "He'll be happy if the others will join (his campaign) when that comes up. He will see what happens."An Amblin representative said Sunday there was nothing to add.Netflix has its strong defenders, which include the A-list talent it has attracted for its projects. Ben Affleck, speaking at the premiere of his new Netflix film "Triple Frontier," said the streaming service is "heavily invested in telling stories.""It's very exciting because you get the sense you're defining where the future of cinema and distribution is going, you know? Already, people are watching movies on more and more platforms than they ever had, and you get a sense that you're part of sort of the emerging transition," Affleck told The Associated Press on Sunday.Some see Spielberg's position as wrong-minded, especially when it comes to the Academy Awards, which requires a theatrical run to be eligible for an award. Many online have pointed out the hypocrisy that the organization allows members to watch films on DVD screeners before voting.Filmmaker Ava DuVernay tweeted at the film academy's handle in response to the news that the topic would be discussed at a board of governors meeting, which is comprised of only 54 people out of over 8,000 members."I hope if this is true, that you'll have filmmakers in the room or read statements from directors like me who feel differently," DuVernay wrote.Some took a more direct approach, questioning whether Spielberg understands how important Netflix has been to minority filmmakers in recent years.Franklin Leonard, who founded The BlackList, which surveys the best unproduced scripts in Hollywood, noted that Netflix's first four major Oscar campaigns were all by and about people of color: "Beasts of No Nation," ''The 13th," ''Mudbound" and "Roma.""It's possible that Steven Spielberg doesn't know how difficult it is to get movies made in the legacy system as a woman or a person of color. In his extraordinary career, he hasn't exactly produced or executive produced many films directed by them," Leonard tweeted Saturday. "By my count, Spielberg does one roughly every two decades."Netflix's film account tweeted that it was dedicated to give film access for people who either can't afford the movie tickets or live in towns without theaters and also "Letting everyone, everywhere enjoy releases at the same time."It's important to note that Netflix didn't produce "Beasts of No Nation," ''Mudbound" or "Roma," but rather acquired them for distribution. But if Oscar campaigns are no longer part of the equation in a Netflix-partnership, top-tier filmmakers are likely to take their talents and films elsewhere.Others, like "First Reformed" filmmaker Paul Schrader, had a slightly different take."The notion of squeezing 200+ people into a dark unventilated space to see a flickering image was created by exhibition economics not any notion of the 'theatrical experience,'" Schrader wrote in a Facebook post Saturday. "Netflix allows many financially marginal films to have a platform and that's a good thing."But his Academy Award-nominated film, he thinks, would have gotten lost on Netflix and possibly, "Relegated to film esoterica." Netflix had the option to purchase the film out of the Toronto International Film Festival and didn't. A24 did and stuck with the provocative film through awards season."Distribution models are in flux," Schrader concluded. "It's not as simple as theatrical versus streaming."One thing is certain, however: Netflix is not going away any time soon and how it integrates with the traditional structures of Hollywood, like the Oscars, is a story that's still being written.Sean Baker, who directed "The Florida Project," suggested a compromise: That Netflix offered a "theatrical tier" to pricing plans, which would allow members to see its films in theaters for free."I know I'd spend an extra 2 dollars a month to see films like 'Roma' or 'Buster Scruggs' on the big screen," Baker tweeted. "Just an idea with no details ironed out. But we need to find solutions like this in which everybody bends a bit in order to keep the film community (which includes theater owners, film festivals and competitive distributors) alive and kicking."___AP Writer John Carucci contributed to this report. 6882

LOS ANGELES — California has become the first U.S. state to record 2 million confirmed coronavirus cases.A tally by Johns Hopkins University on Thursday morning showed the nation’s most populous state has a total of 2,010,157 infections. There have been more than 23,000 deaths.The grim milestone comes as the COVID-19 crisis that health officials say stems from Thanksgiving gatherings strains California’s medical system. More than 18,000 people are hospitalized and many of the state’s intensive care units are filled. Mobile field hospitals are being erected in several places around California to handle the overflow of patients. The California Department of Public Health this week declared that the two Southern California regions, encompassing Los Angeles, San Diego, Fresno, Bakersfield and the San Joaquin Valley had 0% ICU bed availability. 859

LOS ANGELES (AP) — Four strikingly similar attacks on women in California and Illinois were all planned and executed by a skilled serial killer who studied the lives and homes of victims who lived near him before savagely stabbing them, a prosecutor said Tuesday.Los Angeles County Deputy District Attorney Garrett Dameron in his closing argument tried to establish that the killings of three women and the attempted killing of a fourth who fought him off were all the unmistakable work of 43-year-old Michael Gargiulo.All the attacks were bold but stealthy, Dameron said, coming at night inside or just outside the women's homes by a man with knowledge of the residences and the surrounding neighborhood, knowledge of the life patterns of the victims, and knowledge of how to kill quickly and cover his tracks."Those similarities point to one man, one killer: Michael Gargiulo," Dameron said.The killings involved dozens of deep stab wounds delivered by a strong man, Dameron said. In none of the cases was there evidence of a fight that preceded the stabbing, nor were the victims robbed or sexually assaulted, though prosecutors have alleged that Gargiulo got a sexual thrill from the brutality of the killings. In none of the attacks was a murder weapon found. And all the victims were left in the spot where they were killed."These were monstrous, torturous attacks, all four," Dameron said. "This was someone that was going to take pleasure in plunging a knife into their victim over and over."The prosecution wrapped up its presentation Tuesday afternoon and Gargiulo's lawyers will make their closing argument on Wednesday, when they will likely remind jurors of the dearth of forensic evidence directly tying Gargiulo to the two Southern California killings. He has pleaded not guilty.Dameron said Tuesday that evidence is lacking in some areas because Gargiulo was an expert at getting rid of it, and had researched the subject, according to former friends, girlfriends and co-workers who testified during the trial.The prosecutor said Gargiulo's track-covering has forced authorities to rely on establishing connections between the killings along with other circumstantial evidence, but argued that that evidence remains overwhelming.Dameron began his presentation with a tribute to the case's only surviving victim, Michelle Murphy, who used her "strength and courage" to fight off the much-larger man who attacked her as she lay in bed in her Santa Monica apartment in 2008, an act that would lead to Gargiulo's arrest and eventual charges in three killings dating back to 1993."Eleven years ago, a 26-year-old woman had the strength and courage to fight off a killer," Dameron said. "Thanks to her toughness, not only was she able to survive, but she forced her right-handed attacker to cut himself, leaving a blood trail, and leading investigators to answers they'd been seeking for 15 years."Murphy was the first witness jurors heard in the three-month trial, which also included the testimony of Ashton Kutcher, who was 23 when he was supposed to have drinks with fashion-design student Ashley Ellerin on the night she was stabbed to death at her Hollywood home at age 22 in 2001. Kutcher testified that he arrived very late, looked through Ellerin's window and saw stains that he assumed were spilled wine, and left because he thought she had gone out without him.Gargiulo is awaiting trial in Illinois for the killing of Tricia Pacaccio in 1993 when he was 17 and friends with Pacaccio's younger brother. Prosecutors were allowed to present evidence of the case in his California trial to help establish a pattern between the killings.He's also charged with the murders of Ellerin and Maria Bruno, who was stabbed to death at age 32 at her home in the Los Angeles suburb of El Monte in 2005, and the attempted murder of Murphy.The three murder cases were going increasingly cold until the attack on Murphy set off a chain of events that led to the arrest and charges against Gargiulo, who was living very near each of the women at the time they were attacked.DNA matching Gargiulo was found via his blood on Murphy's bed, under Pacaccio's fingernails, and on a shoe-covering bootie, which Gargiulo used in his work as an air-conditioning repair man, near Bruno's apartment, though Gargiulo lived in the same complex.Gargiulo's charges include special circumstances allegations of multiple murders, lying in wait before killing and using deadly weapon, making him eligible for the death penalty. 4521

LITTLETON, Colo. — A local woman says she entered the My Oreo Creation contest, her idea was picked as a finalist, yet she's never been acknowledged by Oreo as a winner.Taylor Young, of Lone Tree, submitted her idea for a cherry cola flavored Oreo last May. Shortly after submitting her idea, she received a note from Oreo and its parent company, Mondelez International, Inc., that read, "Dear Taylor Young, Thanks for sending us your idea. We thought it was so delicious, we turned it into this one-of-a-kind creation just for you. Straight from the wonder vault. Enjoy!"They also sent her a small packet with two cherry cola flavored Oreo cookies inside."It is pretty good,” Young said. “I tried it.”Young was on cloud nine.The contest states all finalists are awarded ,000. And it states the person who submits the winning flavor will win 0,000.“I, from what I can tell, was the first person to tweet that idea," Young said.But then, for Young, the contest turned sour. Oreo stopped communicating with her. Months went by and in December, she saw her cookie on store shelves.“I reached out to them and I said, 'I'm seeing that my cookie won," Young said.Oreo finally responded saying in part, cherry cola was already in development — so it wasn't her idea, it was theirs."That's not cool," Young said. "If they claim that they already had it in their back pocket, then they don't need to provide prizes to anyone."Oreo and its parent company did not respond to a request for comment. Young finds the whole thing to be disingenuous.“I'm old enough to realize that life isn't always fair,” Young said. “But, if there was a kid who came up with this - and their mom and dad submitted it and they saw it on the shelves, that's really sad. No one deserves that.” 1804