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LOS ANGELES (AP) — Four strikingly similar attacks on women in California and Illinois were all planned and executed by a skilled serial killer who studied the lives and homes of victims who lived near him before savagely stabbing them, a prosecutor said Tuesday.Los Angeles County Deputy District Attorney Garrett Dameron in his closing argument tried to establish that the killings of three women and the attempted killing of a fourth who fought him off were all the unmistakable work of 43-year-old Michael Gargiulo.All the attacks were bold but stealthy, Dameron said, coming at night inside or just outside the women's homes by a man with knowledge of the residences and the surrounding neighborhood, knowledge of the life patterns of the victims, and knowledge of how to kill quickly and cover his tracks."Those similarities point to one man, one killer: Michael Gargiulo," Dameron said.The killings involved dozens of deep stab wounds delivered by a strong man, Dameron said. In none of the cases was there evidence of a fight that preceded the stabbing, nor were the victims robbed or sexually assaulted, though prosecutors have alleged that Gargiulo got a sexual thrill from the brutality of the killings. In none of the attacks was a murder weapon found. And all the victims were left in the spot where they were killed."These were monstrous, torturous attacks, all four," Dameron said. "This was someone that was going to take pleasure in plunging a knife into their victim over and over."The prosecution wrapped up its presentation Tuesday afternoon and Gargiulo's lawyers will make their closing argument on Wednesday, when they will likely remind jurors of the dearth of forensic evidence directly tying Gargiulo to the two Southern California killings. He has pleaded not guilty.Dameron said Tuesday that evidence is lacking in some areas because Gargiulo was an expert at getting rid of it, and had researched the subject, according to former friends, girlfriends and co-workers who testified during the trial.The prosecutor said Gargiulo's track-covering has forced authorities to rely on establishing connections between the killings along with other circumstantial evidence, but argued that that evidence remains overwhelming.Dameron began his presentation with a tribute to the case's only surviving victim, Michelle Murphy, who used her "strength and courage" to fight off the much-larger man who attacked her as she lay in bed in her Santa Monica apartment in 2008, an act that would lead to Gargiulo's arrest and eventual charges in three killings dating back to 1993."Eleven years ago, a 26-year-old woman had the strength and courage to fight off a killer," Dameron said. "Thanks to her toughness, not only was she able to survive, but she forced her right-handed attacker to cut himself, leaving a blood trail, and leading investigators to answers they'd been seeking for 15 years."Murphy was the first witness jurors heard in the three-month trial, which also included the testimony of Ashton Kutcher, who was 23 when he was supposed to have drinks with fashion-design student Ashley Ellerin on the night she was stabbed to death at her Hollywood home at age 22 in 2001. Kutcher testified that he arrived very late, looked through Ellerin's window and saw stains that he assumed were spilled wine, and left because he thought she had gone out without him.Gargiulo is awaiting trial in Illinois for the killing of Tricia Pacaccio in 1993 when he was 17 and friends with Pacaccio's younger brother. Prosecutors were allowed to present evidence of the case in his California trial to help establish a pattern between the killings.He's also charged with the murders of Ellerin and Maria Bruno, who was stabbed to death at age 32 at her home in the Los Angeles suburb of El Monte in 2005, and the attempted murder of Murphy.The three murder cases were going increasingly cold until the attack on Murphy set off a chain of events that led to the arrest and charges against Gargiulo, who was living very near each of the women at the time they were attacked.DNA matching Gargiulo was found via his blood on Murphy's bed, under Pacaccio's fingernails, and on a shoe-covering bootie, which Gargiulo used in his work as an air-conditioning repair man, near Bruno's apartment, though Gargiulo lived in the same complex.Gargiulo's charges include special circumstances allegations of multiple murders, lying in wait before killing and using deadly weapon, making him eligible for the death penalty. 4521

LOS ANGELES, Calif. -- For gig workers who don’t have a typical 9 to 5 job, finding work is a hustle under normal circumstances.With the pandemic shutting down thousands of these specialty jobs across the country for months, many of these workers say it’s been a struggle to even put food on the table.Hollywood makeup artist Robert Maverick is used to creating nightmarish characters. He’s worked on all kinds of sets from live stage productions to blockbuster movies and television shows.Yet, surviving the shutdown, specifically the closure of the entertainment industry, has become a horror all too real.“It’s been the most depressing and stressful time of my life,” said Maverick.Maverick, like many other professionals behind the scenes and independent contractors around the country, works job to job whenever work is available.“We’re mostly middle class, and we don’t walk the red carpet, but we make the people who do look good,” Maverick said.“Many people think we live in a very glamorous world and that we’re very rich and entitled, but the truth is, many of us work on hourly wages and go from project to project,” said Felicia Linsky, a makeup artist who has worked in Hollywood for years. “You’re only as good as the project you get to show up and do,” she said.Career makeup artist Iris Abril, who has worked on shows like "Brooklyn Nine-Nine," said she and her husband are both gig workers. “With the pandemic, it put both of us out of work at the same time,” she said. “It’s really scary and we’re in denial,” said Abril of the fact that all productions across the entertainment industry ground to a halt for months.Now, production may resume, but the question is: how? Many fear they’ll be unemployed for months to come.Linsky started several new online business ventures while out of work in her field. She said it was not only a way to create income but a way to pass the time.“I created a virtual hair coloring and hair cutting service that ended up going across the country,” said Linsky. “I’ve always believed in online businesses, and that’s been my way of segwaying and staying positive and productive,” she said of making sure she did everything she could to bring in income during the shutdown.“We’ve all tried to stay active, but it’s been tremendously upsetting," said Stephen Lighthill, President of the Board of Governors for the American Society of Cinematographers. "It’s the danger of going outside, the danger of the pandemic, and of course what’s happened to our economy. And going forward we’re all very fearful that when we go back to work the world will be a very different place.”Lighthill said across the industry, gig workers on large and small productions will be impacted for years to come, if not permanently. “It’s going to have to change the way we work in the production of films, it's going to change the way people see films, it’s going to change the size of our audiences and where those audiences are going now. As much as we talk about going back to work, but there’s a tremendous amount of fear that we won’t have the right tools in place.”For Maverick, when the work he loved dried up, he filed for unemployment, but because of a banking clerical error, “I received one COVID payment with the regular benefits plus the extra payment of 0,” he said. “That was 10 weeks ago.”He is now still waiting for all the benefits he is owed to arrive."COVID-19 is not as big of a fear to me as sliding into poverty this far in my career where I’m just years away from retirement,” he said.Maverick said the stress and anxiety piled up with his bills. “It’s sad you have to be at this point, 30 years into your career, worried about just having food in the pantry,” he said. “I was eating every third day. I would take vegetables, because they’re cheap, and juice them and put them in the refrigerator and drink them over the course of three days.”In the midst of his physical struggle, Maverick was hit with heartbreak. His brother, an Army veteran, passed away.“I’m a fixer, I’ve always been a fixer. That’s why I do my job as a makeup artist,” he said. “But I can’t fix this. I can’t fix dead.”And he can’t turn Hollywood on overnight for the thousands of people waiting in the wings as filmmakers and lawmakers rescript the choreography on set so the show can safely go on.“Hollywood is not that far away from your front door. You just turn on your TV. We’re always there to entertain you, and we hope that you’re there for us as we struggle through this,” said Maverick. 4529

LOS ANGELES (KGTV/CNS) - A person infected with measles passed through Los Angeles International Airport twice in late May and public health officials are urging anyone who may have been exposed to check their immunization records and report any possible symptoms.According to the Los Angeles County Department of Public Health, the infected person -- who does not live in the area -- passed through LAX twice during the Memorial Day weekend.Possibly exposure may have occurred:-- between 9:30 a.m. and 12:30 p.m. May 26 at LAX Terminal 4 at Gate 48B; and-- between 3:30 and 5:30 p.m. May 28 at the Tom Bradley International Terminal Remote Gate.Health officials noted that anyone who may have been in those areas may be at risk of developing measles for up to 21 days following exposure.People who think they may have been exposed were urged to check their immunization history and contact their health care provider by phone, particularly if they are pregnant or have a weakened immune system. People who develop possible symptoms, such as illness with fever or an unexplained rash, should stay home and call their health care provider.Southern California doctors have been warning the region to watch out for the illness as cases increase across the U.S. this year. In May, CDC officials said the U.S. had already seen its highest amount of measles cases in three decades.In SoCal, San Diego and Los Angeles have been considered high-risk counties for measles cases."Measles is preventable and the way to end this outbreak is to ensure that all children and adults who can get vaccinated, do get vaccinated. Again, I want to reassure parents that vaccines are safe, they do not cause autism. The greater danger is the disease that vaccination prevents," said CDC Director Dr. Robert Redfield.Measles was eliminated in the U.S. in 2000, meaning it was no longer continuously transmitted. So far this year, at least 26 states have seen cases. 1951

LOS ANGELES (AP) — Marge Simpson has advice for a lawyer with the Trump campaign: Do not name call. In a clip posted by Fox's animated series "The Simpsons," matriarch Marge chides the lawyer for comparing her voice to that of Kamala Harris. 250

LOS ANGELES (AP) — A jury on Monday found that Katy Perry's 2013 hit "Dark Horse" improperly copied a 2009 Christian rap song, setting up arguments over how much the singer and other defendants will owe.Monday's decision returned by a nine-member federal jury in a Los Angeles courtroom came five years after Marcus Gray and two co-authors first sued alleging "Dark Horse" stole from "Joyful Noise," a song Gray released under the stage name Flame.The case now goes to a penalty phase, where the jury will decide how much the plaintiffs are owed for copyright infringement.Gray's attorneys argued that the beat and instrumental line featured through nearly half of "Dark Horse" are substantially similar to those of "Joyful Noise.""Dark Horse," a hybrid of pop, trap and hip-hop sounds that was the third single of Perry's 2013 album "Prism," spent four weeks atop the Billboard Hot 100 in early 2014, and earned Perry a Grammy nomination.Perry's attorneys argued that the song sections in question represent the kind of simple musical elements that if found to be subject to copyright would hurt music and all songwriters."They're trying to own basic building blocks of music, the alphabet of music that should be available to everyone," Perry's lawyer Christine Lepera said during closing arguments Thursday.Perry and the song's co-authors, including her producer Dr. Luke, testified during the seven-day trial that none of them had heard the song or heard of Gray before the lawsuit, nor did they listen to Christian music.Gray's attorneys had only to demonstrate, however, that "Joyful Noise" had wide dissemination and could have been heard by Perry and her co-authors, and provide as evidence that it had millions of plays on YouTube and Spotify, and that the album it's included on was nominated for a Grammy."They're trying to shove Mr. Gray into some gospel music alleyway that no one ever visits," said plaintiffs' attorney Michael A. Kahn during closing arguments, when he also pointed out that Perry had begun her career as a Christian artist.Kahn and Gray declined comment but smiled as they left the courtroom after the verdict.The 34-year-old pop superstar and "American Idol" judge brought laughs to the proceedings when she testified during its second day, and her lawyers were having technical troubles getting "Dark Horse" to play in the courtroom."I could perform it live," Perry said.No performance was necessary after the audio issues were fixed. Jurors heard both songs played back-to-back in their entirety at the end of closing arguments this week.Perry was not present for the reading of the verdict Monday afternoon. 2651