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CINCINNATI, Ohio — Comprehensive multi-platform reporting and collaboration with news outlets are trends among winners of the 2018 Scripps Howard Awards. "Their work embodies the meaning of journalism that brings important truths to light, holds the powerful accountable and changes our world," said a release from the Scripps Howard Foundation. Winners of its 66th awards competed in 15 categories. The Scripps Howard Foundation will present more than 0,000 in prize money to the winning organizations and journalists at its annual awards show on April 18 in Cincinnati. Here are the winners for this year:Breaking News: South Florida Sun Sentinel (Deerfield Beach) for “Parkland: A Breaking News Story that Demanded a Long-Term Commitment” – Coverage of the shooting at Marjorie Stoneman Douglas High School.Judges’ comments: “Breaking news coverage is not often an area where demonstrable impact can be shown, but the Sun Sentinel’s dogged real-time pursuit of every angle of the breaking story and underlying contributors to this tragedy has had a lasting impact on Parkland, on journalism and on the national conversation about guns in America.” Finalists: The Kansas City (Missouri) Star – “Tragedy on Table Rock Lake”; Pittsburgh Post-Gazette – “Tree of Life Shooting” Broadcast – Local Coverage: KNTV (San Jose, California) for “Transgender Kids: A Changing Student Body” – A story exploring the issue of transgender reassignment decisions. Judges’ comments: “The winner in this category, in part, wins for taking on a subject that, 20 years from now we will likely look back on and wonder why it was a subject at all. We were most impressed at the mature, non-sensational way this story treated the subject.” Finalists: KARE (Minneapolis) – “A Pattern of Denial”; KUSA (Denver) – “Lien on Me” Broadcast – National, International Coverage: MSNBC for “Putin’s Covert War” – An investigation into the main players in the 2016 election meddling story. Judges’ comments: “MSNBC reporter Richard Engle goes inside one of the most important and hard-to-crack stories of our time – the spread of Russian influence on international affairs and on U.S. politics. He shows, through audio recordings, for example, how American troops confront Russian-hired mercenaries in Syria, and he tracks down a former KGB spy turned double agent now living in London to learn more about how Russia put out ‘hit contracts’ on opponents.” Finalists: Frontline PBS and ProPublica – “Documenting Hate”; Vice News – “After the Fall” Business/Financial Reporting: International Consortium of Investigative Journalists, NBC News Investigative Unit, Associated Press and more than 50 media partners for “Implant Files” – An investigation into the medical devices and implants industry and its related injuries and deaths. Judges’ comments: “Excellently planned, researched, documented, reported and written with key findings highlighted throughout. The compelling personal stories of patients give life to the numbers.”Finalists: Bloomberg – “Sign Here to Lose Everything”; Reveal from the Center for Investigative Reporting, PRX, Associated Press and PBS NewsHour – “Kept Out” Community Journalism: Knoxville (Tennessee) News Sentinel for “The Devastation of TVA’s Coal Ash Spill” – Coverage of the workers who were sickened cleaning up the country’s worst coal ash spill. Judges’ comments: “Reporter Jamie Satterfield delivers excellent watchdog work that truly holds the powerful accountable. Her investigation is deeply reported and swarms all the important angles. The series of stories were well sourced and contained videos with on-the-record accounts that hit viewers between the eyes. Satterfield’s extraordinary efforts result in change-inducing and life-saving journalism.” Finalists: The Marshall Project and Tennessean (Nashville) – “Tennessee’s ‘Safekeepers’”; The Post and Courier (Charleston, South Carolina) – “Minimally Adequate” Environmental Reporting: National Geographic for “Planet or Plastic?” – Reporting on the alarming volume of plastic in our world. Judges’ comments: “National Geographic’s ‘Planet or Plastic?’ has catapulted the conversation onto a global platform by creating awareness and catalyzing action. Journalism like this shines a light on policy flaws and irresponsible manufacturing and empowers citizens and communities to be proactive about protecting our environment and the people and animals it supports.” Finalists: Center for Public Integrity, The Texas Tribune (Austin), Newsy and Associated Press – “Blowout: Inside America’s Energy Gamble”; Charleston (West Virginia) Gazette-Mail and ProPublica – “The New Power Brokers: West Virginia’s Natural Gas Industry” Distinguished Service to the First Amendment: The Dallas Morning News for “Pain and Profit” – An investigation into the failures in Texas’ privatized Medicaid system. Judges’ comments: "The impact of the investigation is impressive. Sick people are getting the services they are entitled to; the state has spent million on 100 new regulators; the legislature is considering a package of bills expected to lead to a crackdown on companies that deny medically needed services…none of this could have been accomplished without the use of public records requests and resourceful use of duplicate records held by other states when their requests were denied.” Finalists: Atlanta Journal-Constitution and WSB-TV (Atlanta) – “How Atlanta Trampled the Public’s Right to Know”; The Denver Post – “Shrouded Justice” Human Interest Storytelling: The New York Times and ProPublica for “Blood Will Tell” – An investigation of a forensic technique used in the criminal justice system, despite concerns about its reliability. Judges’ comments: “Extraordinary storytelling with careful selection and organization of a massive amount of material. The story somehow manages to present a troubling indictment of blood spatter analysis and its misuse in our courts — and at the same time, to tell the deeply human tragedy of this husband and wife and all those decades the man spent in prison.” Finalists: The New York Times – “Lost in the Storm”; Univision – “America First: The Legacy of an Immigration Raid” Innovation: BBC for “Anatomy of a Killing” – A project that used forensic analysis of viral video footage to prove the occurrence of a series of executions in Cameroon, Africa.Judges’ comments: “This is a story where the innovation was integral to the journalism instead of just enhancing the story. This investigation done from laptops in London taps readily available digital tools to show the potential power of investigative journalism when traditional skills are paired up with modern digital resources. The genesis of this project – a video that went viral – is one that can serve as a replicable model for other newsrooms.” Finalists: The New York Times – “Visual Forensics”; South Florida Sun Sentinel – “Parkland” Investigative Reporting: Reuters for “Myanmar Burning” – Reporting on the expulsion of Rohingya Muslims in Myanmar. Judges’ comments: “Brave, intrepid collection of reporting. Reporters Wa Lone and Kyaw Soe Oo gathered comprehensive evidence from survivors, witnesses and families of the victims to tell the story of atrocities that may otherwise not have been brought to light. The reporters remain imprisoned in Myanmar, but the work they began resonated throughout the world.” Finalists: Star Tribune (Minneapolis) – “Denied Justice”; The Wall Street Journal – “Trump’s Hush Money” Multimedia Journalism: Frontline PBS and The GroundTruth Project for “The Last Generation: An Interactive Film on the Marshall Islands” – A collaborative reporting project on climate change and its effect on the population of the Marshall Islands.Judges’ comments: “Frontline and GroundTruth introduce viewers to this issue through the lens of a generation of children on the Marshall Islands, their lives likely be displaced by rising waters. Using a smartly presented mix of documentary video, explainer text and illustrated graphics to present the science, ‘The Last Generation’ gives a space for these kids to articulate what climate change means for their futures. And as viewers navigate through the story, they might also glimpse their own potential fate." Finalists: The Oregonian/OregonLive.com (Portland) – “Ghosts of Highway 20”; South Florida Sun Sentinel – “Unprepared and Overwhelmed” Opinion: Palestine (Texas) Herald-Press for “What Are They Hiding?” – Commentary that questioned two issues affecting the Palestine community: an athletic commission’s treatment of a football player and the state of Texas’ rush to execute condemned prisoners. Judges’ comments: “In their clarity and detail, the editorials would be worthy of the best efforts of the largest metro newspapers in America. The fact that they were all published by a small Texas paper with less than a 10,000 circulation is an example of journalism that speaks truth to power when doing so could invite truly unpleasant consequences.”Finalists: Bloomberg – Tim O’Brien columns for Bloomberg Opinion; Capital Gazette (Annapolis, Maryland) – “Capital Gazette Shooting and Aftermath” Radio/Podcast: Michigan Radio for “Believed” – A podcast that tells the stories of survivors of abuse by former Olympic gymnastics doctor Larry Nassar. Judges’ comments: “The lifelong costs and consequences of childhood sexual abuse were made vividly, urgently clear in the superb Michigan Radio series ‘Believed.’ Using interrogation tapes, archival audio and in-depth interviews with the victims and their families, the Michigan Radio reporters skillfully led listeners through a staggering loss of innocence.” Finalists: WBEZ-FM (Chicago) and Chicago Tribune – “16 Shots”; WNYC Studios – “Aftereffect” Topic of the Year: Midterm Elections: Vice News for “She’s Running” – A four-part web series on female candidates running for office in the 2018 midterm elections. Judges’ comments: “What Vice News did so impressively in its series “She’s Running” was document just how hard it is to be a young female candidate running for the first time on her own terms – and winning. Each episode was filled with candid moments that revealed what it takes to run for office. We were impressed by Vice’s choice to do this in a non-narrated way, giving the viewer front-row seats to the unfolding drama of this race."Finalists: CBS News: “60 Minutes” – “As Texas Goes”; The Washington Post – “Midterm Election” Visual Journalism: Marcus Yam of the Los Angeles Times for his newspaper photojournalism portfolio. Judges’ comments: “Each submission demonstrated his mastery of key photographic elements such as light, composition and an intimacy that builds a visual narrative that draws the reader in and connects you to the subjects so that one feels their plight and our shared humanity. In this, he fulfilled one of journalism’s highest principles, giving voice to the voiceless.” Finalists: David Goldman photography portfolio for the Associated Press; BBC – “Trail of the Deadly Drug Trade” Journalism Education AwardsThe Scripps Howard Foundation, in partnership with the Association for Education in Journalism and Mass Communication, also announced the winners of its two journalism education awards:Teacher of the Year: Jinx Broussard – Manship School of Mass Communication, Louisiana State University (Baton Rouge) Finalists: Kathleen Culver – School of Journalism and Mass Communication, University of Wisconsin-Madison; Meenakshi Gigi Durham – School of Journalism and Mass Communication, University of Iowa (Iowa City)Administrator of the Year: Dean Diane McFarlin – College of Journalism and Communications, University of Florida (Gainesville) Finalist: Director Judy Oskam – School of Journalism and Mass Communication, Texas State University (San Marcos) 11825
Could the switch to streaming TV be finally slowing down?Millions of cable customers have been cutting the cord the past 5 years. But with many streaming services raising prices in 2019, going cable-free may not mean lower monthly fees.With the average cable bill now more than 0 a month (and bills including home phone and internet approaching 0), many are curious about Apple's upcoming TV service, just announced this week.It is expected to provide 25 streaming channels for between to a month (though Apple was curiously silent on pricing during its rollout this week).HBO is also unveiling a streaming service for a month.Add in Sling TV, Sony's Playstation VUE, and Hulu Plus and Netflix, and there are plenty of options.Costs add up fastBut 778
Eleven people have died so far in 2019 while climbing Mount Everest, a behemoth of a mountain that towers 29, 029 feet above sea level. This is more than twice the number of people who died climbing Everest in 2018, which saw only five deaths that season.But it's not the number of deaths that some may find shocking — it's the reasons behind them. Only two of this season's Mount Everest deaths can be attributed to falls.So what's killing climbers ascending the mountain? It's primarily exhaustion and altitude sickness, and something called "the death zone."Seasoned climbers call any part of the mountain above 26,000 feet "the death zone" because there is only so long a human can survive at that elevation due to lack of oxygen. "Even when using bottled oxygen, supplemental oxygen, there's only a very few number of hours that we can actually survive up there before our bodies start to shut down," mountain guide Adrian Ballinger told CNN. And, unfortunately, the wait at the summit of Mount Everest plays a role in these deaths because the longer someone is at that altitude, the more severe they feel the effects from lack of oxygen and exhaustion. During the week beginning May 20, crowds of climbers became stuck in a queue to the summit. When this happens, climbers aren't eating, drinking or sleeping and continue to use up vital oxygen, which can lead to death.British climber Robin Haynes Fisher was one of those who had warned of the dangers of overcrowding."With a single route to the summit, delays caused by overcrowding could prove fatal so I am hopeful my decision to go for the 25th will mean fewer people. Unless of course everyone else plays the same waiting game," he wrote in a captioned Instagram post on May 19.He died after suffering from what appeared to be altitude sickness at 28,215 feet, while returning from the summit on Saturday.Altitude sickness occurs when people are at high elevations for an extended period of time. It can happen anywhere that's 8,000 feet above sea level or more. There are three types of altitude sickness. From least to most severe, they are: acute mountain sickness, high-altitude pulmonary edema (HAPE) and high-altitude cerebral edema (HACE). The symptoms for all three types are similar (headache, fatigue, dizziness, nausea, vomiting, shortness of breath), but HAPE is accompanied by a buildup of fluid in the lungs and HACE, the most severe type of altitude sickness, occurs when there's a buildup of fluid in the brain.So how can climbers avoid the same deadly fate as the 11 who died? Simply put — be careful. Acclimate as slowly as you can to increased elevations, drinks tons of water, rest and immediately start descending if you feel symptoms of altitude sickness.CNN contributed to this story. 2782
DENVER, Colo. – After nearly two months of being closed, Denver clothing store Rockmount Ranchwear is reopening.“I liken this to being a startup,” said Rockmount Ranchwear’s owner Steve Weil. “This company started up in 1946 and in some ways, being closed for two months is like being a startup again.”The feeling of starting up, versus simply reopening, stems from the very new environment in which the store is opening. With coronavirus concerns still lingering, Rockmount and other businesses have to make a lot of changes to their business operations to more safely serve customers. “We are doing everything we know of to do, including masks for staff and customers,” said Weil. “Hand sanitizer when you walk in. We are segregating shirt that have been tried on to be steamed.”From retail to the service industry, every business reopening has had to modify their operations to include new safety protocols and social distancing.“On one hand, we want to avoid more people getting infected. On the other hand, we want to get the economy going again, it feels like a terrible choice,” said Howard Tiersky. Tiersky is the CEO of a company called FROM, The Digital Transformation Agency. FROM is developing an app called “Social Safety,” that hopes to make the choice to reopen easier and safer.“The main purpose of it is to act as a proximity detector,” said Tiersky. “In a workplace, each employee would have a phone with the app installed and when the app detects another person running the same app is closer than approximately 6 feet away, it will start to give you an alert.” Social Safety can also help with contact tracing within the workspace, by collecting data on employees that have worked near each other.“Technology has made it easier for viruses to spread, so I think we need to be asking ourselves how do we use technology to combat the virus as well,” said Tiersky. “I know that Apple and Google are working on embedding contact tracing abilities into both the Android and Apple operating system. I know that companies like Ford are working on wearable devices that can do similar types of things to what we are working on.” 2152
Eleven former guests at a prominent Atlanta hotel have now been diagnosed with Legionnaires' disease while an additional 55 probable cases have also been linked to the same outbreak, officials said."Probable cases" are people who have symptoms of the disease, including diagnosed pneumonia for some, but without laboratory confirmation.Medical investigators have not yet found the source of the bacterial infection that causes 439