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NASA could make history on Tuesday as their spacecraft, OSIRIS-REx, will attempt to land on an ancient asteroid 200 million miles away from Earth.OSIRIS-REx launched in 2016. It arrived at the asteroid, named Bennu, in 2018 and it’s been mapping out the surface working to pick the best location to land ever since.The mission’s operations are headquartered at the University of Arizona.The mission will begin at 2:50 p.m. Arizona time on Tuesday. At 3:12 p.m., OSIRIS-REx will finally touch down on Bennu and collect a sample before heading back to Earth. Dr. Lori Glaze with NASA tells ABC15 the sample will allow researchers to study the ancient secrets of our solar system. She says Bennu also has a 1-in-2,700 chance of impacting Earth in about 150 years or so, so this mission can help researchers work to prevent that.“Helping us refine and reduce the uncertainties on Bennu’s orbit so we can better predict more precisely not only when it might intercept with Earth, but what the probability of that intersection is,” Dr. Glaze said. “So the mission's been critically important for refining Bennu’s orbit so we can help protect ourselves in the future.”Watch a live stream of the event in the player below. 1222

Money has never mattered that much to David Hockney, as long as he has enough to continue working. But equally, he's also always had a good memory for figures -- for the pounds, shillings and pence. As a student at London's Royal College of Art, he remembers selling a drawing to a friend and fellow student, the American painter Ron Kitaj, for a princely ￡5. It meant that he could buy cigarettes in packs of 20. He sold another early painting, "Adhesiveness" (1960), to photographer Cecil Beaton for ￡40. That meant he could begin planning to travel abroad.As it happens, Hockney also has a clear memory of what "Portrait of an Artist (Pool with Two Figures)" originally fetched shortly after he painted it. On Thursday, at a Christie's auction in New York, the painting was sold for .3 million, an auction record for a living artist. But back in 1972, his New York dealer sold it for just ,000.For Hockney, the memory is still bittersweet. He felt ripped off. Last year, at his studio in the Hollywood Hills, he told CNN, "I thought it was a lot of money at the time, but within six months, it was sold again for ,000."After the sale, Hockney's American dealer, Andre Emmerich, "realized the pictures (in the show) were underpriced. A lot had been underpriced." But by then, it was too late. And so, as is often the case in the art market, someone other than the artist made a swift and substantial profit.More is known about the creation of "Portrait of an Artist (Pool with Two Figures)" than virtually any other single Hockney painting. The 1974 biopic "A Bigger Splash" chronicled its creation, and Hockney himself wrote about the painting in detail in 1988's "David Hockney by David Hockney: My Early Years.""A Bigger Splash" was shot from 1971 to 1973 by British director Jack Hazan, who was given special access to Hockney, then living and working in London's Notting Hill, and his inner circle. A mix of fact and fiction, it centers on the painful unraveling of Hockney's five-year relationship with a young American artist, Peter Schlesinger.Hockney told CNN the painting was inspired by an accidental juxtaposition of "two photographs on my studio floor, one of the Peter and another of a swimmer, and they were just lying there and I put them together." In his 1988 memoir, "David Hockney by David Hockney: My Early Years," he wrote: "The idea of painting two figures in different styles appealed so much that I began the painting immediately."He worked on the picture for six solid months. The standing figure was always Peter Schlesinger. According to his official biographer, Christopher Simon Sykes, Hockney painted the swimmer first but then coated the canvas with a preparatory gesso, which prevented him from altering the position of the pool or the standing figure. It was a mistake.Hockney gradually realized the painting -- in particular, the angle of the swimming pool -- just wasn't right. He wrote that, "The figures never related to one another nor to the background. I changed the setting constantly from distant mountains to a claustrophobic wall and back again to mountains. I even tried a glass wall."Realizing the futility of his efforts, Hockney abandoned that effort and, reinvigorated, started the painting all over again. He chose a new setting, a pool by a house in the south of France that belonged to British film director Tony Richardson. He took two models with him: a photographer named John St. Clair and Mo McDermott, his studio assistant.He took hundreds of photos of the two. St. Clair, the submerged swimmer, dived into the pool in his white briefs so many times that he eventually cracked his head on the bottom and had to stop. McDermott acted as Schlesinger's stand-in, wearing his reddish pink jacket by the pool. Back in London, Hockney persuaded Schlesinger to pose for him early one morning in Hyde Park for yet more photos.Once back at his Notting Hill studio, Hockney painted for 18 hours a day on a canvas seven feet by 10. At one point, Hockney is filmed taking a Polaroid of the unfinished painting. At another moment, he paints in Schlesinger's brown hair with a long brush. "I must admit that I loved working on that picture, working with such intensity," he later told biographer Sykes. "It was marvelous doing it, really thrilling."While he spent six months of the first version, the final "Portrait of an Artist (Pool with Two Figures)" was finished in just two weeks, to meet a deadline for a New York show in May 1972. In "A Bigger Splash," Hockney, with his trademark bleached blond hair and black, owlish spectacles, stands in bright red braces and a bow tie, carefully checking out how the painting was hung and lit in the show. It was the star exhibit, perhaps an expression of Hockney's personal loss and his acceptance that his long affair with Schlesinger was finally over.But as we now know, all this wasn't without a sense of Hockney feeling cheated by what happened next. An American, apparently alerted by a British dealer, just came in off the street and bought it. The dealer then promptly took it to an art fair in Germany and sold it to a London collector for nearly three times the price. As he wrote in "My Early Years": "Within a year people had made far more on that picture than Kasmin (John Kasmin, his London dealer), Andre (Emmerich, his New York dealer) or I had. Considering the effort and trouble and everything that had gone into it, it seemed such a cheap thing to do."We can only imagine how Hockney will feel after this sale, when the painting he worked so hard on has sold for more than 5,000 times its original price. The current seller and the auction house will no doubt profit, but, as a Christie's spokesperson confirmed, "the artist will not be financially benefiting."Christie's hasn't named the seller, but he's believed to be British businessman Joe Lewis, who has famously collected postwar British art for some time.At 81, Lewis happens to be the same age as Hockney. He also has a net worth of billion. 6042

NATIONAL CITY, Calif. (KGTV) -- A family in National City says Immigration and Customs Enforcement (ICE) violated their rights during an arrest on Tuesday morning.  Brianna Alonso says her husband was heading to work when he saw ICE agents and ran back into his house. A spokesperson for ICE tells 10News 31-year-old Alberto Alonso-Hernandez is wanted for illegally re-entering the country 16 times since 2013 and for a domestic violence conviction in 2014.His wife disputes ICE's numbers. She says her husband was deported twice before Tuesday's arrest. She's upset because she says ICE agents never showed them a warrant before entering. Brianna says the agents gave her the warrant after her husband was in custody. However, according to a criminal attorney, ICE was just doing their job. Exercising the "no-knock" rule, where the officers do not have to show the warrant if they have probable cause that the suspect will get away or destroy possible evidence. ICE sent us the following statements regarding Tuesday's arrest:  1082

More than 11,000 miles and about 48 hours later, Irgo has finally arrived at his new home in Kansas.The Swindle family reunited with the beloved dog Thursday in Wichita, two days after United Airlines mistakenly sent the 10-year-old German shepherd across the world to Japan."He instantly jumped up and was crying," Kara Swindle told CNN affiliate KSNW of the moment when they were reunited. "When he's super excited, he cries."FIRST STORY: Owner: United Airlines sends?her dog to Japan instead of Kansas City (KSHB)"It feels actually amazing to finally have him back," she added. 593

NASHVILLE, Tenn. – A Nashville author shared a beautiful example of confronting racial bias.Carlos Whittaker says he formed a bias against his neighbor who has a large American flag draped on his front door and two white bunny statues in his front yard.In the four years the two have been neighbors, Whittaker says the neighbor in his 70s never acknowledged him, even when he waved, smiled or shouted “morning.”"My racial bias thought this old, white man who ignored me, with an American flag hanging in front of his door, in the Deep South, didn't like brown people," said Whittaker. "That's a bias that I had. We all have biases, right." On Monday, Whittaker says he spotted the man walk out his front door with a can of paint and he proceeded to paint one of his white bunnies black. The sight brought Whittaker to tears.“For the next 12 hours I was trying to come up with 1,000 other reasons why he painted that bunny black,” wrote Whittaker on Instagram. “Besides the reason my gut was telling me.”So, when Whittaker spotted his neighbor in his driveway the next day, he walked across the street to ask him why he painted the statue. The man said he was trying to “gently” show his support for the African America community, “with the motivation of what’s going on in the country.”According to Whittaker, the small act of kindness was his neighbor's way of saying black lives matter, because he couldn't go downtown to the protests. Whittaker proceeded to tell his neighbor that he’s trying to help his friends realize that we all can develop some form of racial bias against others.“There’s this thing called racial bias that I’m trying to help my friends understand that they have,” said Whittaker to the man. “Whereas, someone like me that travels full-time for a living will normally have a bias that says, ‘oh look it’s an older white gentleman with an American flag up on his door,’ that my bias automatically says, ‘he may not like me.’”Whittaker went on to express his gratitude for the neighbor’s kind act and then he apologized.“I just wanted to tell you that I’m so grateful and that I apologize if I ever assumed anything, because that’s one of the most beautiful things I’ve ever seen,” said Whittaker to the neighbor.Whittaker posted the touching moment with his neighbor to social media, encouraging others to have uncomfortable conversations and to admit their own biases.“Protests may change policy,” wrote Whitaker. “But conversations change communities.” 2486