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Northwestern University in the Chicago suburb of Evanston was under a lockdown order for nearly an hour after reports came in Wednesday afternoon of a person on campus with a gun and shots fired. It turns out that the whole incident was a hoax. According to ABC News, an Evanston Police official said that the report was a swatting incident. The emergency call to police claiming there was a gunman on Northwestern's campus came from out of state.  Swatting pranks have been taking place in recent years involving a call to police prompting a SWAT unit to respond to a person's home. The prank sometimes end up being deadly. In December, a 28-year-old Kansas man was shot and killed by police after a prankster claimed the man was holding his family hostage after shooting his father. When police arrived, the man reached for a waistband, causing police to kill the man. It turns out he was unarmed, and the call came from 1,400 miles away. Northwestern University originally reported that a person with a gun was located near Engelhart Hall. Evanston Police said that several streets nearby were closed. After an initial search, Evanston Police said they could not find any victims, gunmen or crime scene. Students and employees were being told to seek shelter around 2:40 p.m. local time. An hour after the initial lockdown order, Northwestern said that only those in Englehart Hall remained in shelter. An all clear was given shortly after 4 p.m. local time.  1540

NORFOLK, Va. - The first presidential debate of 2020 was all some voters needed to watch before heading to the polls.“[I] tuned into most of the debate last night, and that really solidified my decision to vote today,” said William Jimenez.But the thought of this year’s election is nerve-wracking for some voters.“Regardless of political persuasion and who you intend to vote for, people across the political spectrum are all experiencing that kind of stress,” said Gary Roftus, the director of Fairfield Psychological Associates.Jimenez says this election is important.“A lot is on the line. A lot is at stake,” he adds.Election stress - according to the American Psychological Association, it’s affecting more than 50% of Americans.Gabrielle Harrell felt the pressure at the polls Wednesday.“It’s been very stressful. As I was filling out the ballot, I was triple-checking to make sure I’m checking the right box,” Harrell said.Roftus says people are already stressed with the coronavirus.“We’ve never had an election where we are told is the most important election ever in the middle of a pandemic,” he adds.As we get closer to November 3, Roftus says politics comes up in his counseling sessions.“Inadvertently or directly because it's bothering them, people are bringing up the election all the time,” he adds.Roftus says the additional voting options are affecting stress levels.“Sometimes some people are uncertain as to where they should vote, whether they should vote by mail, is their ballot going to be accepted?"For people who want to get rid of some of that election stress, voting early is an option.Roftus says it gives some people some comfort and relief. Some voters agree.“I do feel better having done it,” Harrell adds.Experts say it’s also best to take a break from politics if you can, but most importantly, take care of yourself.“Try to get enough rest and eat properly,” said Roftus.This story was first reported by Nana-Séntuo Bonsu at WTKR Norfolk, Virginia. 1993

NEW YORK (AP) — The Fox Studio backlot, first built in 1926 on a Century City ranch in Los Angeles, was enormous. Before much of it was sold off in the 1960s, it was four times the size of its current, and still huge, 53 acres.Shirley Temple's bungalow still sits on the lot, as does the piano where John Williams composed, among other things, the score to "Star Wars." A waiter in the commissary might tell you where Marilyn Monroe once regularly sat.When the Walt Disney Co.'s .3 billion acquisition of Fox is completed at 12:02 a.m. Wednesday, the storied lot — the birthplace of CinemaScope, "The Sound of Music" and "Titanic" — will no longer house one of the six major studios. It will become the headquarters for Rupert Murdoch's new Fox Corp., (he is keeping Fox News and Fox Broadcasting) and Fox's film operations, now a Disney label, will stay on for now as renters under a seven-year lease agreement.The history of Hollywood is littered with changes of studio ownership; even Fox Film Corporation founder William Fox, amid the Depression, lost control of the studio that still bears his name. But the demise of 20th Century Fox as a standalone studio is an epochal event in Hollywood, one that casts long shadows over a movie industry grappling with new digital competitors from Silicon Valley and facing the possibility of further contraction. After more than eight decades of supremacy, the Big Six are down one."It's a sad day for students of film history and I think it's potentially a sad day for audiences too," said Tom Rothman, former chairman of Fox and the current chief of Sony Pictures. "There will just be less diversity in the marketplace."Disney's acquisition has endless repercussions but it's predicated largely on positioning Disney — already the market-leader in Hollywood — for the future. Disney, girding for battle with Netflix, Apple and Amazon, needs more content for its coming streaming platform, Disney+, and it wants control of its content across platforms."The pace of disruption has only hastened," Disney chief Robert A. Iger said when the deal was first announced. "This will allow us to greatly accelerate our director-to-consumer strategy."The Magic Kingdom will add 20th Century Fox alongside labels like Marvel, Pixar and Lucasfilm. But film production at Fox, which has in recent years released 12-17 films a year, is expected to wane. Due to duplication with Disney staff, layoffs will be in the thousands.Disney will also take over FX, NatGeo and a controlling stake in Hulu, which has more than 20 million customers. It will gain control of some of the largest franchises in movies, including "Avatar," ''Alien" and "The Planet of the Apes." Fox's television studios also net Disney the likes of "Modern Family," ''This Is Us" and "The Simpsons." Homer, meet Mickey.Some parts of Fox, like the John Landgraf-led FX and Fox Searchlight, the specialty label overseen by Stephen Gilula and Nancy Utley, are expected to be kept largely intact. Searchlight, the regular Oscar contender behind films such as "12 Years a Slave," ''The Shape of Water" and "The Favourite," could yield Disney something it's never had before: a best picture winner at the Academy Awards.Nowhere is the culture clash between the companies more apparent than in "Deadpool," Fox's gleefully profane R-rated superhero. While Spider-Man still resides with Sony, Disney now adds Deadpool, the X-Men and the Fantastic Four to its bench of Marvel characters. How they will all fit with Disney's PG-13 mission remains to be seen, though Iger last month suggested in a conference call with investors that there may be room for an R-rated Marvel brand as long as audiences know what's coming.The question of how or if Disney will inherit Fox's edginess matters because Fox has long built itself on big bets and technological gambits. It was the first studio built for sound. It was nearly bankrupted by the big-budget Elizabeth Taylor epic "Cleopatra." It backed Cameron's seemingly-ill-fated "Titanic," as well as Ang Lee's "The Life of Pi" and the Oscar-winning hit "Bohemian Rhapsody.""We were a studio of risk and innovation," says Rothman, who also founded Fox Searchlight. "It was a very daring place, creatively. That's what the movies should be."But will the more button-down Disney have the stomach for such movies? "Deadpool" creator Robert Liefeld, for example, has said Fox's plans for an X-Force movie have been tabled, a "victim of the merger."Some were surprised regulators gave the deal relatively quick approval. The Department of Justice approved the acquisition in about six months, about four times less than the time it took investigating AT&T's acquisition of Time Warner. The New York Times editorial page suggested the deal benefited from President Trump's relationship with Murdoch."Disney will have probably north of 40 percent market share in the U.S. That's one area where a deal does suggest that the market influence is going to be outsized," says Tuna Amobi, a media and entertainment analyst with investment firm CFRA. "Having one studio control that much is unprecedented. And it could increase from there given the pipeline that we see."Disney is about to have more influence on the movies Americans and the rest of the world see than any company ever has. Last year, it had 26 percent of the U.S. market with just 10 movies which together grossed more than billion domestically and .3 billion worldwide. Fox usually counts for about 12 percent of market share.Fewer studios could potentially mean fewer movies. That's a concern for both consumers and theater owners, many of whom already rely heavily on Disney blockbusters to sell tickets and popcorn."Certainly, consolidation poses a challenge in some respects to the supply of movies," says John Fithian, president and chief executive of the National Organization of Theater Owners. "The fewer suppliers you have, the chances are we're going to get fewer movies from those suppliers."But Fithian believes other companies are stepping into the breach, and he holds out hope that Netflix might eventually embrace more robust theatrical release. More importantly, Fox was bought by a company in Disney that is, as Fithian said, "the biggest supporter of the theatrical window."Still, Disney has been willing to throw its weight around. Ahead of the release of "The Last Jedi," the studio insisted on more onerous terms from some theater owners, including a higher percentage of ticket sales.More experimentation in distribution is coming. Later this year, WarnerMedia, whose Warner Bros. is regularly second in market share to Disney, will launch its own streaming platform. Apple is ramping up movie production. Amazon Studios is promising bigger, more attention-getting projects.Ahead of a blizzard of new streaming options, Fox — and a giant piece of film history — will fade into an ever-expanding Disney world. Film historian Michael Troyan, author of "20th Century Fox: A Century of Entertainment," has studied enough of Hollywood's past to know that relentless change is an innate part of the business."It's sad when any historical empire like that comes to end," says Michael Troyan. "You can record in other places but when you're on a lot like Fox, you feel the gravitas, you feel the history."Rothman says he will pause for a "wistful moment" Wednesday, but he believes consolidation doesn't mean obsolescence."I don't think it remotely arguers the end of the glories of the film business overall," says Rothman. "I believe there remains eternal appetitive for original, vibrant, creative theatrical storytelling." 7645

Netflix unveiled a new logo on Monday, and while the changes may not seem visible at first glance, the company says the change will save them millions of dollars.That's because the company's new logo is written in a custom-made typeface, a font that Netflix will be using across it's platform and brand identity.The font, called "Netflix sans," was developed in-house at Netflix and designed in partnership with fount foundry Dalton Maag.Previously, Netflix was using a "Gotham" typeface — a font the company was paying to license. Netflix brand design lead Noah Nathan told It's Nice That that "Netflix sans" would "save the company millions of dollars a year."  676

NOGALES, Ariz. – In the war on drugs, the U.S.-Mexico border is the front line.According to Customs and Border Protection, the pandemic is changing how the cartel and other drug organizations are getting narcotics across and into the United States.“Initially we were seeing small football-shaped bundles [full of drugs] being thrown over the fence,” said Sabri Dickman, the border patrol agent in charge along a 33-mile stretch of border near Nogales, Arizona. “We’ve seen that expand to backpack operations with 100-plus pounds to catching vehicles loaded with 600-plus pounds.”The Nogales border crossing is one of the most exploited by Mexican drug organizations. According to CBP, of the more than 200 known underground tunnels that are used to traffic drugs across the southern border, 114 are located in Nogales.It also is one of the busiest as the Mariposa Port of Entry, the main thoroughfare between the countries in Nogales, ushers million in merchandise between the United States and Mexico each day, according to CBP.Mariposa Port Director Michael Humphries says 98% of the traffic that comes through the port is legal, but the 2% is now being used to traffic more hard narcotics like fentanyl, a synthetic opioid similar to morphine, but around 50 to 100 times more potent which makes it lethal even in small doses. Humphries says the hard narcotics are smaller, making them easier to conceal and transport as more can be trafficked in one trip.“We’ve seen an increase in fentanyl over the last year,” said Humphries. “Nogales is a small city [of] 20,000 people. Those tablets of fentanyl weren’t coming to the border. It was going way beyond. It was going to Vermont, and Ohio, Kentucky, and Detroit.”Humphries says in June alone, CBP seized 875,000 tablets of fentanyl from smugglers. It was part of a year that saw officers seize 9,500 pounds of methamphetamine, 900 pounds of fentanyl, and 1,000 pounds of heroine, even though traffic through the port has decreased 60 to 70% because of travel restrictions imposed because of the pandemic.Humphries says those restrictions have led drug organizations to recruit more Americans to smuggle their drugs instead of Mexican or Central American nationals, since U.S. citizens can travel more freely across the border. 2290