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The sinkhole on the White House lawn proves that if Trump won’t drain the swamp, nature will #WeStantheSinkhole— Bailey White (@BaileyBWhite) May 22, 2018 154

The Royal Princess departed Nov. 9 from Port Everglades on a 7-day Southern Caribbean cruise. It will return to Fort Lauderdale on Saturday. 140

The producer was broadly known for taking creative risks, including the musical police drama "Cop Rock," a rare failure during his heyday; and "Murder One," which seemed to anticipate the current trend toward limited series. The show followed a single murder case over an entire season.After his success at NBC with "Hill Street Blues" and "L.A. Law," Bochco negotiated a then-unprecedented 10-series deal with ABC, which yielded the aforementioned "NYPD Blue" (a long-running hit) and "Cop Rock," as well as "Doogie Houser M.D."Once asked how he could be so bold about taking chances with the shows he developed, Bochco responded, "With my deal, how could I not?"The recipient of virtually every imaginable industry award over his prestigious career, Bochco was nominated for an Emmy 30 times in his capacities as producer and writer, winning 10.In 1999, the Producers Guild of America honored Bochco with its David Susskind lifetime achievement award, describing his record of quality programs as "the standard all television producers strive for."Despite working behind the scenes, Bochco enjoyed a high public profile before it was necessarily fashionable for TV showrunners to do so. This was in part because of his willingness to go to battle for his shows, both with the network and occasionally talent. In one of the more public examples, David Caruso left "NYPD Blue" after its first season, but Bochco replaced him with Jimmy Smits, and the show ran another decade.Bochco maintained that his fights with network censors had to do with seeking a heightened level of realism in his programs, especially with some of the cop shows for which he was known.Amid the outpouring of tributes, former USA Today TV critic Robert Bianco noted, "If this is the Golden Age of television, Steven Bochco launched it and helped sustain it. Every great modern drama owes 'Hill Street' a debt."In more recent years, Bochco became disenchanted with the major networks, primarily plying his trade in basic cable, including the TNT drama "Murder in the First."Born in New York, Bochco attended New York University and the Carnegie Institute of Technology, receiving a degree in theater.Bochco started as a TV writer in the 1960s, working on such shows as "Columbo." After dabbling in features, he began creating shows. Following a few short-lived series, he co-created "Hill Street" with Michael Kozoll. Initially, the show hovered near the bottom of the Nielsen ratings. But the series won a slew of Emmys, and saw its audience surge when NBC introduced "The Cosby Show" in 1984, turning its lineup into a start-to-finish powerhouse.Bochco helped champion the careers of a number of other producers who went on to their own solo success, including David E. Kelley -- whose credits include "The Practice" and most recently "Big Little Lies" -- a Boston lawyer he hired to work on "L.A. Law."For Bochco, Hollywood was a family affair. His wife, Dayna, was a TV executive, and his sister, Joanna Frank, an actress. Of his three children, son Jesse has become an accomplished TV director. His first wife was actress Barbara Bosson, who co-starred in "Hill Street." 3149

The Sweetwater Authority confirmed that they are working with the DSOD “to perform all necessary inspections and maintenance and to design and construct improvements necessary to allow the Sweetwater Dam to accommodate a worst-case flood event.” 245

The study found that "nearly three-quarters of teen and young adult viewers said the show made them feel more comfortable processing tough topics."However, the study also revealed that viewers wanted Netflix to provide more resources."It is important to note that limits to the research study design leave the unanswered question of the impact of the series on vulnerable viewers who may be put at risk by being exposed to the content." said John MacPhee, the executive director and CEO of the nonprofit JED, which works to prevent suicide in teens and young adults.A separate study found that the show prompted an increase in online searches for suicide ideation and terms related to suicide awareness and prevention.Though mental health professionals have expressed support for Netflix's efforts to provide a warning and more resources, some feel that they aren't enough."To the extent that Netflix is helping us have a better conversation about depression and other mental health diagnoses that contribute to suicide, I think that part is good. I just think the follow-through could be improved a bit," said Lauren Caldwell, director of the American Psychological Association's Children, Youth, and Families Office.She suggested that Netflix play its introductory video before each episode, add "more depth" to its viewing guide and air its after-show following each episode.Netflix didn't respond requests for comment on this story.Other mental health experts agree that the efforts are a step in the right direction but say they don't go far enough. 1554

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