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Amid treasures on display from Africa, Selemani Sikasabwa feels right home.“My ancestors used some of them,” he said.Selemani is part of the Global Guides program at the Penn Museum in Philadelphia.“I share my own stories,” he said.He’s one of seven guides offering tours of galleries, with exhibits that represent the regions they come from: Africa, the Middle East, along with Mexico and Central America. Some are immigrants, while others are refugees, like Selemani.He fled his home in the Democratic Republic of Congo and spent 19 years in Tanzania as a refugee, before coming to the U.S. five years ago.“I left my country because of the war,” he said. “There’s war in my country.”For the museum, the program offers a chance to back up their collections with real-life experiences.“The more I talk about this, the more it occurs to me that this is kind of a no-brainer,” said Ellen Owens, the Penn Museum’s director of engagement.She said the museum found the Global Guides helped attract 300 more visitors, just in the last three months. Owens added that about a half-dozen other museums have reached out to them--including the Metropolitan Museum in New York City--to learn more about their Global Guides program.“We really wanted people to feel more connected to our objects,” she said. “When objects are so old – 5,000, 7,000 years old -- it's really hard to bridge the gap between now and life now, and life way back then.”The Global Guides program got its start in 2018 in the Mideast Gallery. Last year, they were able to expand the program to other galleries, including the Africa gallery.For Selemani, it’s a chance to talk about things on display from his home country, like one large, curved drum -- a type he’s seen used before.“It’s a big drum,” he said, “and I call that drum a ‘radio station without microphone.’”He calls it that because the sound generated by beating on the drum can travel up to 10 miles, so the drum is used to communicate messages from village to village. It’s a detail that visitors might not realize were it not for Selemani, who feels grateful for the chance to talk about it.“I’m happy in the United States, because I’m free,” he said. “I work any time I want to go to work, and I feel safe where I’m living.”It is a way of living and sharing his home culture in his new home. 2332
An Arizona Department of Corrections officer is behind bars in the Pima County Jail Friday night.Elsa G. Ramos-Beltran, 27, is facing one count of promoting prison contraband. A Department of Corrections spokesperson said she's worked at the Tucson state prison complex since November 2015.The spokesperson said she was arrested Friday and resigned shortly thereafter. Her initial court appearance is scheduled for Friday evening. 442

A North Carolina school resource officer seen on video slamming an 11-year-old boy to the ground has been fired, according to Lt. James Goolsby with the Vance County Sheriff's Office.The video shows the Vance County Middle School resource officer grabbing and slamming the child to the ground, then picking him up and doing it again before yanking the child up and continuing to walk down the hall. The school alerted the sheriff's office minutes after the incident on Thursday."It's obvious that the child was assaulted," Jason Spriggs, Henderson City Council member, said in 589
Amid treasures on display from Africa, Selemani Sikasabwa feels right home.“My ancestors used some of them,” he said.Selemani is part of the Global Guides program at the Penn Museum in Philadelphia.“I share my own stories,” he said.He’s one of seven guides offering tours of galleries, with exhibits that represent the regions they come from: Africa, the Middle East, along with Mexico and Central America. Some are immigrants, while others are refugees, like Selemani.He fled his home in the Democratic Republic of Congo and spent 19 years in Tanzania as a refugee, before coming to the U.S. five years ago.“I left my country because of the war,” he said. “There’s war in my country.”For the museum, the program offers a chance to back up their collections with real-life experiences.“The more I talk about this, the more it occurs to me that this is kind of a no-brainer,” said Ellen Owens, the Penn Museum’s director of engagement.She said the museum found the Global Guides helped attract 300 more visitors, just in the last three months. Owens added that about a half-dozen other museums have reached out to them--including the Metropolitan Museum in New York City--to learn more about their Global Guides program.“We really wanted people to feel more connected to our objects,” she said. “When objects are so old – 5,000, 7,000 years old -- it's really hard to bridge the gap between now and life now, and life way back then.”The Global Guides program got its start in 2018 in the Mideast Gallery. Last year, they were able to expand the program to other galleries, including the Africa gallery.For Selemani, it’s a chance to talk about things on display from his home country, like one large, curved drum -- a type he’s seen used before.“It’s a big drum,” he said, “and I call that drum a ‘radio station without microphone.’”He calls it that because the sound generated by beating on the drum can travel up to 10 miles, so the drum is used to communicate messages from village to village. It’s a detail that visitors might not realize were it not for Selemani, who feels grateful for the chance to talk about it.“I’m happy in the United States, because I’m free,” he said. “I work any time I want to go to work, and I feel safe where I’m living.”It is a way of living and sharing his home culture in his new home. 2332
A Navy SEAL pleaded not guilty Friday to a charge of premeditated murder in the stabbing death of an injured ISIS fighter estimated to be 15 years old.Special Operations Chief Edward Gallagher faces a slew of accusations connected to violations of military law while he was deployed to the Iraqi city of Mosul in 2017.Among the accusations against Gallagher are that he stabbed and killed a wounded person, shot at noncombatants, posed for a photo and performed his re-enlistment ceremony next to a corpse, according to a charge sheet 547
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