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Facebook announced Wednesday it is imposing stricter disclosure and transparency standards on political ads in the United States after, the social networking platform said, it caught some advertisers trying to game the system by misleading users about who was funding the ads.But the tighter rules still leave some holes that could be easily exploited.Under the new system there are two ways for groups or individuals to verify their identity: A stricter method under which advertisers Facebook has verified will receive a special "Confirmed Organization" label on their ads, and a second method indicating less confidence in the advertiser's identity.To obtain a "Confirmed Organization" label, advertisers will need to provide a US address, phone number, business email, business website and one of the following: a tax-registered organization identification number, a government website domain that matches an email ending in .gov or .mil, or a Federal Election Commission identification number.Advertisers who don't have or don't want to submit such credentials will be able to alternatively submit some basic information about their organization like addresses, emails and website, or rely solely on the page administrator's legal name, though the organization will be ineligible to use a registered organization name in their disclaimers or to receive a "Confirmed Organization" label.The new policies are aimed at curbing political advertisers' attempts to mask their identities or impersonate others. In some cases, Facebook told CNN Business, it saw advertisers identifying themselves merely as "concerned citizen" instead of using their organization's name or registered ID.Last year, Vice News 1717

Chicago saw a significant drop in murders and gun violence for the second year in a row, according to police. Across the city, there were 100 fewer murders than in 175

Commerce Secretary Wilbur Ross threatened to fire top National Oceanic and Atmospheric Administration employees if the agency didn't 145

During a Thursday congressional hearing on Capitol Hill with top health officials, Rep. Katie Porter, D-California, was able to convince the director of the Centers for Disease Control and Prevention (CDC) to cover the cost of novel coronavirus testing for all Americans.Porter began her time by directing questions to Dr. Robert Kadlec, the assistant secretary for preparedness and response at the Department of Health and Human Services. She asked him the out-of-pocket cost of a series of medical tests a potential coronavirus patient would undergo for a person without insurance.According to Porter's tallies, the cost of a blood count test, a complete metabolic panel, tests for both flu "A" and flu "B" and an ER visit came out to about ,331. She then pointed out that all Americans — poor and rich — are at risk for contracting COVID-19.Porter then directed her questioning to Dr. Robert Redfield, the head of the CDC, and asked him specifically about 973

CHICAGO, Ill. – Stone carving is a tradition going to the wayside as technology takes over. Right now, there are only a few dozen stone carvers remaining across the United States. Among them is Walter S. Arnold in Chicago. “I am a sculptor and a stone carver. Traditionally, those were two separate professions,” said Arnold. “The sculptor was the creative person who made the model, like a composer for music, and the stone carver was like the musicians in an orchestra.”Arnold believes art is one of the things that define humanity. “You know, building on the old traditions and learning from them are all a part of it. 100, 150 years ago there were thousands of carvers in this country,” said Arnold. “There might be a few dozen now.”People have kind of lost the eye for it, according to Arnold.“People no longer grew up around it,” said Arnold. “Walk around an old city like Chicago and look up and you'll see carving everywhere.”Arnold has been carving all his life.“I think I first took a chisel to a piece of stone when I was about 12 and ended up going to Italy when I was about 20 near the quarries near Carrara where the marble is quarried.”Arnold says gargoyles in particular appeal to him.“They appeal to my imagination, sort of on the edge between what is recognizable and real and natural and human, and what is imaginary and supernatural,” he said. Throughout history, Arnold says our earliest records of civilization come to us through carving and it has been a part of civilizations all over the world throughout history as a way to communicate. “The painter Delacroix, a French painter in the 1800s, once said that the last few brush strokes that will finish a painting and kill it. So, in a way for me, the last few chisel strokes are when I pass it on from me and then it becomes your responsibility to see which piece appeals to you or speaks to you or is important to you.”Arnold says his message is to look at the world with a sense of wonderment, to see things that you don’t expect “To be delighted and surprised, to see the world in three dimensions.” 2089

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