吴堡哪有算命的(兰州准的算命是谁) (今日更新中)

LOS ANGELES (AP) — When Steven Spielberg speaks about the business of Hollywood, everyone generally listens and few dissent. But reports that he intends to support rule changes that could block Netflix from Oscars-eligibility have provoked a heated, and unwieldy, debate online. It has found the legendary filmmaker at odds with some industry heavyweights, who have pointed out that Netflix has been an important supporter of minority filmmakers and stories, especially in awards campaigns, while also reigniting the ongoing streaming versus theatrical debate.Spielberg has weighed in before on whether streaming movies should compete for the film industry's most prestigious award (TV movies, he said last year, should compete for Emmys), but that was before Netflix nearly succeeded in getting its first best picture Oscar for Alfonso Cuaron's "Roma" at last week's Academy Awards. Netflix, of course, did not win the top award — "Green Book," which was produced partially by Spielberg's Amblin Entertainment, did.Still, Netflix was a legitimate contender and this year, the streaming service is likely to step up its awards game even more with Martin Scorsese's "The Irishman," which The Hollywood Reporter said may also gunning for a wide-theatrical release. A teaser ad aired during the 91st Oscars for the gangster drama said "in theaters next fall," instead of the "in select theaters" phrasing that was used for "Roma."But Netflix also isn't playing by the same rules as other studios. The company doesn't report theatrical grosses, for one, and it's been vexing some more traditional Hollywood executives throughout this award season and there have been whispers in recent weeks that a reckoning is coming.Now, Spielberg and others are planning to do something about it by supporting a revised film academy regulation at an upcoming meeting of the organization's board of governors that would disqualify Netflix from the Oscars, or at least how the streaming giant currently operates during awards season.This year "Roma" got a limited theatrical qualifying run and an expensive campaign with one of the industry's most successful awards publicists, Lisa Taback, leading the charge. But Netflix operates somewhat outside of the industry while also infiltrating its most important institutions, like the Oscars and the Motion Picture Association of America. Some like Spielberg, are worried about what that will mean for the future of movies."Steven feels strongly about the difference between the streaming and theatrical situation," an Amblin spokesperson told IndieWire's Anne Thompson late last week. "He'll be happy if the others will join (his campaign) when that comes up. He will see what happens."An Amblin representative said Sunday there was nothing to add.Netflix has its strong defenders, which include the A-list talent it has attracted for its projects. Ben Affleck, speaking at the premiere of his new Netflix film "Triple Frontier," said the streaming service is "heavily invested in telling stories.""It's very exciting because you get the sense you're defining where the future of cinema and distribution is going, you know? Already, people are watching movies on more and more platforms than they ever had, and you get a sense that you're part of sort of the emerging transition," Affleck told The Associated Press on Sunday.Some see Spielberg's position as wrong-minded, especially when it comes to the Academy Awards, which requires a theatrical run to be eligible for an award. Many online have pointed out the hypocrisy that the organization allows members to watch films on DVD screeners before voting.Filmmaker Ava DuVernay tweeted at the film academy's handle in response to the news that the topic would be discussed at a board of governors meeting, which is comprised of only 54 people out of over 8,000 members."I hope if this is true, that you'll have filmmakers in the room or read statements from directors like me who feel differently," DuVernay wrote.Some took a more direct approach, questioning whether Spielberg understands how important Netflix has been to minority filmmakers in recent years.Franklin Leonard, who founded The BlackList, which surveys the best unproduced scripts in Hollywood, noted that Netflix's first four major Oscar campaigns were all by and about people of color: "Beasts of No Nation," ''The 13th," ''Mudbound" and "Roma.""It's possible that Steven Spielberg doesn't know how difficult it is to get movies made in the legacy system as a woman or a person of color. In his extraordinary career, he hasn't exactly produced or executive produced many films directed by them," Leonard tweeted Saturday. "By my count, Spielberg does one roughly every two decades."Netflix's film account tweeted that it was dedicated to give film access for people who either can't afford the movie tickets or live in towns without theaters and also "Letting everyone, everywhere enjoy releases at the same time."It's important to note that Netflix didn't produce "Beasts of No Nation," ''Mudbound" or "Roma," but rather acquired them for distribution. But if Oscar campaigns are no longer part of the equation in a Netflix-partnership, top-tier filmmakers are likely to take their talents and films elsewhere.Others, like "First Reformed" filmmaker Paul Schrader, had a slightly different take."The notion of squeezing 200+ people into a dark unventilated space to see a flickering image was created by exhibition economics not any notion of the 'theatrical experience,'" Schrader wrote in a Facebook post Saturday. "Netflix allows many financially marginal films to have a platform and that's a good thing."But his Academy Award-nominated film, he thinks, would have gotten lost on Netflix and possibly, "Relegated to film esoterica." Netflix had the option to purchase the film out of the Toronto International Film Festival and didn't. A24 did and stuck with the provocative film through awards season."Distribution models are in flux," Schrader concluded. "It's not as simple as theatrical versus streaming."One thing is certain, however: Netflix is not going away any time soon and how it integrates with the traditional structures of Hollywood, like the Oscars, is a story that's still being written.Sean Baker, who directed "The Florida Project," suggested a compromise: That Netflix offered a "theatrical tier" to pricing plans, which would allow members to see its films in theaters for free."I know I'd spend an extra 2 dollars a month to see films like 'Roma' or 'Buster Scruggs' on the big screen," Baker tweeted. "Just an idea with no details ironed out. But we need to find solutions like this in which everybody bends a bit in order to keep the film community (which includes theater owners, film festivals and competitive distributors) alive and kicking."___AP Writer John Carucci contributed to this report. 6882

LOS ANGELES (KGTV) -- The famous home that served as the exterior shot for the hit show “The Golden Girls” sold for staggering million, according to Deadline.The sale closed Friday with no buyer listed, according to the publication.The 3,000 square-foot Brentwood home was originally listed for just under million.Following the show’s first season, a replica of the house was built by Disney’s Hollywood Studios for shoots, Deadline says. The replica no longer stands after being demolished in 2003. 514

LONG BEACH, Calif. (CNS) — An allegedly drunken 29-year-old man who celebrated his birthday by riding a horse on the 91 Freeway is now behind bars.About 1 a.m. Saturday, a 911 caller alerted California Highway Patrol officers to the rider on a white Arabian horse, trotting eastbound along the freeway near Paramount Boulevard.Alcohol screening tests allegedly showed that Luis Alfredo Perez of Placentia had a blood-alcohol content of .21 percent, more than double the legal limit, according to a CHP report.RECORD-BREAKING DUI ARRESTS | CAR CHASE BEGINS ON 91 HWY | HORSE REUNITED WITH OWNER AFTER LILAC FIREThe horse, named ``Guera,'' was unharmed and released to the suspect's mother, who was on the scene quickly, according to KTLA5, which first reported the arrest.CHP posted on Twitter, advising the public, "No, you may not ride your horse on the freeway, and certainly not while intoxicated." 919

LONDON (AP) — Oxford University says trials of a coronavirus vaccine that it is developing with pharmaceutical company AstraZeneca will resume, days after being paused due to a reported side-effect in a patient in the U.K. The university said in large trials such as this “it is expected that some participants will become unwell and every case must be carefully evaluated to ensure careful assessment of safety.” It said globally 18,000 people have received the vaccine so far. Oxford insisted that it is “committed to the safety of our participants.” Pauses in drug trials are commonplace. The Oxford-AstraZeneca vaccine is seen as one of the strongest contenders among the dozens of coronavirus vaccines being tested. 728

LOS ANGELES (AP) — California’s plan to safely reopen its economy will begin to require counties to bring down coronavirus infection rates in disadvantaged communities that have been harder hit by the pandemic. The complex new rules announced late Wednesday set in place an “equity metric.” It will force larger counties to control the spread of COVID-19 in areas where Black, Latino and Pacific Islander groups have suffered a disproportionate share of the cases because of a variety of socioeconomic factors. The equity measure will require that positive test rates in its most disadvantaged neighborhoods, where rates are often much higher, do not significantly lag behind the county overall.Health officials in San Diego, Orange and San Francisco counties said they already have been targeting vulnerable communities with testing for the virus, providing interpreters and taking other measures to address inequality.Supporters of a more rapid reopening criticized the measure. 988

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